Una cittadina vicino al confine tra Arizona e Messico viene spazzata via dall'oggi al domani, i sospetti cadono sull'unico sopravvissuto. Ma un rullino di foto che il sopravvissuto ha scatta... Leggi tuttoUna cittadina vicino al confine tra Arizona e Messico viene spazzata via dall'oggi al domani, i sospetti cadono sull'unico sopravvissuto. Ma un rullino di foto che il sopravvissuto ha scattato quella notte racconta una storia diversa.Una cittadina vicino al confine tra Arizona e Messico viene spazzata via dall'oggi al domani, i sospetti cadono sull'unico sopravvissuto. Ma un rullino di foto che il sopravvissuto ha scattato quella notte racconta una storia diversa.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie totali
- Sheriff John Parano
- (as George Savage)
Recensioni in evidenza
The fact that you never get a clear shot of the danger works really well. The out-of-focus, blurred images of the attackers prove much more unsettling than any direct shot might have done. The problem comes in when the viewer keeps watching in the hope of an explanation or something that at least ALLUDES to where the evil came from, just to be left with nothing when the credits roll.
The racism of the townsfolk compounds an already horrifying story. Well worth a watch, just don't expect to come out with anything resembling a sense of satisfaction. Great script let down by nameless evil.
Basically, it is a mockumentary where two parties have to decide whether a man named "Salazar" found guilty of mass murdering an entire town is really guilty or not because the photos that he clicked the night those murders took place, suggest something completely different and terrifying.
So this is basically the two parties discussing/debating the night of the deadly incident through those 36 photos that Salazar took. The narration is quite interesting and as you hear it out along with looking at the pictures, you have to imagine what happened.
The photos are enough to give you an insomnia attack if you watch it at night. However, the film as a whole might not terrify you exactly. Also, it is a very straightforward film with no twists and turns which i didn't like exactly. Nothing to talk about performances as there is not much acting only talking.
Overall, i would suggest you give it a try cuz it is a different kind of film that attempts to have a unique take on an old concept. Watch out for the photos i really felt black and white photos of demons were way more scary than actually seeing one in motion.
Savageland is all about that. Taking place in the Bordertown of Sangre De Cristo, Arizona, which holds over 58 residents, but in one night, all 57 residents are killed, except for one man, a Mexican photographer named Francisco Salazar, who, in the eyes of the white man law, is quickly believed to be responsible for the killings of 57 people (yeah seriously), and he is on death row. Throughout his time in police custody and in court, he remains silent. The public response towards him is no better. Everyone is in a rage and wants his blood. All those innocent people, children including, were killed brutally and savagely in the hands of one monster. However, you know there is something that doesn't make sense about all of this. How could one man kill 57 people with a machete and pitchfork in one night? A single man managed to wipe out an entire town. You don't need to be a detective to know something is wrong.
But then they discovered his camera, which may tell a different story of what happened that night. The photos are a series of black and white photographs of the townspeople going mad and killing each other with extreme motion blur that makes them appear monstrous and deformed creatures from hell. They did a fantastic job with the photographs because they look terrifying, and you wonder what is happening. Some are hard to tell what you are looking at, and that alone is unnerving.
But did any of this happen, or is this a setup? Are the photos real or fake? Is Salazar lying or telling the truth? You will have to watch the movie to find out the answer.
The movie is a mockumentary, which uses fake interviews to give it some authenticity, making it appear that these are real people providing authentic interviews.
You know, after seeing many horror movies that reuse the same genre tropes, but when a movie comes along and does something different with the formula and does it well, its effect will stay with you long after it's over.
Like the podcast "Serial," this film attempts to uncover what really happened one night when the residents of a small town in Arizona on the Mixican border are massacred, mutilated, and disappeared. It focuses on determining the involvement--guilty or innocent--of the lone survivor, arrested for the apparent crimes and railroaded toward a death sentence.
Not really a mockumentary--it's not making fun of documentaries--but a documentary style of storytelling to recount a fake event. Not really found footage but found photos. The content, documentary style, is mainly interviews with law enforcement, journalists, and photography experts. The discussion is illustrated with clips from a jail house confession and photos taken of the event as it unfolded. A 3-D drawing of the town shows what occurred when and where. The photos are unclear, adding to the mystery of what happened. Likewise, the survivor is alternatingly uncommunicative and incoherent, open to interpretation of what really happened and how he was involved.
For this style of storytelling--where you're told what happened, not shown--the film is pretty good. Tension builds as everyone interprets the vague evidence according to their own biases. As the documentary tries to unravel what really happened, each revelation is even more horrific. I kept thinking, "I can't wait to find out what really caused this!" Unfortunately, I never did. My rating is 8 for most of the film but 2 for the ending.
Lo sapevi?
- QuizLen Wein, creator of Marvel's "Wolverine," plays Vietnam photographer Len Matheson, a combination of his first name, and second name of his favorite writer, Richard Matheson.
- Citazioni
Len Matheson: And suddenly, he stops being a historian, stops being an observer, and becomes an active participant. The moment he stopped being a photographer, and decided to do a single human action to save somebody else, is the moment that changed everything for him. You give up being a photographer, and you become a human being, and you lose what has kept you alive and safe through the rest of the process.
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Dettagli
- Data di uscita
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- Дикая земля
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 1.78 : 1