The Monster

THE MONSTER starts off with Kathy (Zoe Kazan) and her young daughter, Lizzy (Ella Ballentine) getting ready for a trip. This is complicated by Kathy's alcoholic / drug addicted life, making Lizzy far more responsible than most kids her age. Actually, Lizzy is far more mature than her mother. Their relationship appears to be broken beyond repair.

Kathy is taking Lizzy to her father's house for a while. Perhaps, for good. Along the way, as night falls, an accident occurs, and they're stranded in a disabled car in the middle of nowhere. As the title implies, things are about to get a whole lot worse! This will certainly be the longest night of Kathy and Lizzy's lives. That is, if they survive it.

This is a horror / monster movie, set against a backdrop of severe family dysfunction, ultimate sacrifice, and redemption. Great non-CGI creature effects and a solid story make this a worthwhile, low-budget film. Both principal actors were adept at pulling off the mother / daughter dynamic in the midst of sheer terror. Believability in a movie of this sort is a big plus!

The monster itself is quite imposing, like a huge shadow in a nightmare. A shadow with claws and long teeth...

There are a lot of strong opinions on this film in its early reviews. I just want to give a practical commentary on what I see.

This is a great horror flick with some heavy symbolism. It is a story about a mother and daughter who are terrorized by a monster when their car gets stuck. A lot of dudes (or women haters) seem to hate it (check the low reviews and notice the colorful words they have for women). As a dude myself, I had no problem watching a film from a female perspective. I rather enjoyed it and found it touching at times.

The characters are both flawed. I related with the daughter at times because I grew up with a flawed father. I acted and reacted a lot of the ways the daughter in the film did too. So from my perspective, there was some heavy realism in the backstory. I found the "boring" moments to be touching.

The practical effects are superb in my opinion. Some will disagree though.

Some of the writing is flawed in regards to character choices. I think discourse could answer some of the choices, but my fellow horror film nerds seem to be either accepting or spiteful of cliché character fails in the genre. I could see past them though for quality story though.

So if you don't get angry being put in a woman's perspective and like horror films, this should be right your alley.

They got stuck somewhere between the saint maud symbolic style and "screw it let's just make a monster movie" because I thought for a second they were going to play on the "addiction is a monster" thing but then where would a monster killing a tow truck driver fit in in that so I 86d trying to interpret it in that way and thought to myself "I'll just enjoy a monster movie" and that worked when all else failed so I gave it 6 stars... with that being said dumb decisions are never good... especially when in a life or death situation where you actually have a minute to think about what your going to do instead of just having to do it... but it executed edge of your seat nevertheless.... if you go into watching with more of a monster movie expectation then it's going to suck for you... enjoy yourself watch a horror movie and stop whining...

Battling our own fears and weaknesses could be an alternative title to this film. At first the mother seems to be an irresponsible, immature young parent. The child has learned to take care of herself. The acting is extraordinary. The actors excelled in making the audience believe that they were living the story rather than pretending. No matter what the problems in their relationship, as they are depicted through the flashbacks, the bond between mother and her child is and remains till the end very strong. As strong are the mother's addictions, which affect their relationship and their lives. I won't disclose in what way. For me it was an allegory and, in that purpose the director - writer delivered. I recommend it.

I respect where Bryan Bertino was trying to go with this film, but he falls short. While he does gets a decent start on character development that mostly works despite some overwrought writing and acting, the static set piece and drawn out end battle bleed away any real tension. Flashbacks are overused and ultimately come too late and the well shot and creepy final locations overstay their welcome. Few films are able to pull off this Babadook-esque having your cake and eating it too morality monster mash, and despite a good college try, the Monster fails along with all the others.