VALUTAZIONE IMDb
7,6/10
2860
LA TUA VALUTAZIONE
Esplora come la definizione limitata di mascolinità della cultura stia danneggiando i ragazzi, gli uomini e la società in generale e rivela cosa si può fare al riguardo.Esplora come la definizione limitata di mascolinità della cultura stia danneggiando i ragazzi, gli uomini e la società in generale e rivela cosa si può fare al riguardo.Esplora come la definizione limitata di mascolinità della cultura stia danneggiando i ragazzi, gli uomini e la società in generale e rivela cosa si può fare al riguardo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Michael Kimmel
- Self - Sociologist and Educator
- (as Dr. Michael Kimmel)
Caroline Heldman
- Self - Political Scientist and Educator
- (as Dr. Caroline Heldman)
Lisa Elliott
- Self - Neuroscientist
- (as Dr. Lise Eliot)
Michael G. Thompson
- Self - Psychologist
- (as Dr. Michael G. Thompson)
Nadine Burke
- Self - Pediatrician
- (as Dr. Nadine Burke-Harris)
William Pollack
- Self - Psychologist and Educator
- (as Dr. William Pollack)
Carol Gilligan
- Self - Psychologist and Educator
- (as Dr. Carol Gilligan)
Recensioni in evidenza
Started out very promising. A few good moments, but riddled with sweeping generalizations about men, and a demonization of everything masculine.
This doc, misses a HUGE opportunity to help young men. Telling them to be less of a man, and more emotional simply isn't the solution.
This doc, misses a HUGE opportunity to help young men. Telling them to be less of a man, and more emotional simply isn't the solution.
The movie fails to touch upon the racial dynamics, which is actually a quite important dimension of the topic. For some issues, such as fraternity, it was simply mentioned like a little bit, without going any further or deeper.
It's not perfect, but it's trying. Some people say that Fight Club is a movie that every man must watch, but I think this one might be more important for every man and woman to see. And it's not just men that live in a mask. Everyone is forced to put on a mask by all the pressure from the society, family, friends. Take off your mask. Help others take off theirs. The world would be a happier place.
I will definitely watch it again.
It's not perfect, but it's trying. Some people say that Fight Club is a movie that every man must watch, but I think this one might be more important for every man and woman to see. And it's not just men that live in a mask. Everyone is forced to put on a mask by all the pressure from the society, family, friends. Take off your mask. Help others take off theirs. The world would be a happier place.
I will definitely watch it again.
What does it mean to be a man, exactly? Why shouldn't boys cry? Why can't fathers share their emotions? Why are men allowed to communicate their anger towards others but not their love for their friends? Why are young men taught to view women as sexual conquests instead of people or friends?
Questions such as these lie at the heart of this documentary, which argues that our society's definition of masculinity is deeply flawed. This is done through a wide array of interviews and case studies. Though the film is clearly informed by feminist theory and an academic foundation, the case studies put a face on concepts and humanizes the ideas found in textbooks. It is an accessible and clear introduction to the fact that feminists care deeply about men's issues. I would strongly discourage people from avoiding the film simply because of this theoretical orientation, however.
I was able to easily relate to the narratives and case studies presented in the film. The process of socialization for boys is something I experienced first hand, and the film organizes things in an insightful and cogent way. Similarly, it does an excellent job of capturing when things begin to go off the rails. For instance, one of the experts that is interviewed notes that kindergarten boys are eager to talk and participate, while by sixth grade boys had become increasingly reticent. This reticence is, partly, because of an avoidance of being nerdy (weak, effeminate) in favor of projecting a tough "I don't care, none of this effects me" attitude. Example upon example is piled on to create a compelling diagnosis of a problem.
The primary issue of the film, or perhaps an area for future discussion or analysis, is that it does not explicitly broach how masculinity overlaps with race and class. It is portrayed, but not explicitly explored. There is some mention of how sexuality and masculinity are intrinsically connected, but those other axis of oppression are largely ignored. As a result the concept of masculinity used in this film might seem overgeneralized to viewers. Fortunately, the film wisely sticks to the most universal threads such as aggression, dominance, and control.
Just a final note: If you have read this film as attempting to demonize "maleness," you've missed the point. It's about the performance of manhood, which is a matter of gender, not sex. Gender is highly malleable and varies across cultures in a variety of ways, and this movie highlights the possibility for change towards a more open and loving form of masculinity in the future. That is a fantastic message and I would encourage any men who find themselves feeling defensive or threatened by the contents of this film to really question why they feel that way. There is an enormous opportunity for self- introspection and growth in this film.
Questions such as these lie at the heart of this documentary, which argues that our society's definition of masculinity is deeply flawed. This is done through a wide array of interviews and case studies. Though the film is clearly informed by feminist theory and an academic foundation, the case studies put a face on concepts and humanizes the ideas found in textbooks. It is an accessible and clear introduction to the fact that feminists care deeply about men's issues. I would strongly discourage people from avoiding the film simply because of this theoretical orientation, however.
I was able to easily relate to the narratives and case studies presented in the film. The process of socialization for boys is something I experienced first hand, and the film organizes things in an insightful and cogent way. Similarly, it does an excellent job of capturing when things begin to go off the rails. For instance, one of the experts that is interviewed notes that kindergarten boys are eager to talk and participate, while by sixth grade boys had become increasingly reticent. This reticence is, partly, because of an avoidance of being nerdy (weak, effeminate) in favor of projecting a tough "I don't care, none of this effects me" attitude. Example upon example is piled on to create a compelling diagnosis of a problem.
The primary issue of the film, or perhaps an area for future discussion or analysis, is that it does not explicitly broach how masculinity overlaps with race and class. It is portrayed, but not explicitly explored. There is some mention of how sexuality and masculinity are intrinsically connected, but those other axis of oppression are largely ignored. As a result the concept of masculinity used in this film might seem overgeneralized to viewers. Fortunately, the film wisely sticks to the most universal threads such as aggression, dominance, and control.
Just a final note: If you have read this film as attempting to demonize "maleness," you've missed the point. It's about the performance of manhood, which is a matter of gender, not sex. Gender is highly malleable and varies across cultures in a variety of ways, and this movie highlights the possibility for change towards a more open and loving form of masculinity in the future. That is a fantastic message and I would encourage any men who find themselves feeling defensive or threatened by the contents of this film to really question why they feel that way. There is an enormous opportunity for self- introspection and growth in this film.
As a male born and raised in America, I really appreciate this film and its message!
It saddens me to read the negative reviews. So many people prefer to keep their "blinders" on and fail to appreciate scientific research. Some people are even labeling it as "anti-male" which is FAR from the TRUTH---this film promotes HEALTHY masculinity (beneficial to males)!
For those of you stating that the film argues American masculinity is the "ROOT CAUSE" of most of modern society's problems, you are INCORRECT! Stop thinking so dichotomously! The film illustrates how it is a CONTRIBUTING FACTOR to the issues mentioned...NOT the sole reason.
Note: Parents should watch PRIOR to showing their kids because there are a few sensitive topics (e.g., porn, mass shootings, rape)
It saddens me to read the negative reviews. So many people prefer to keep their "blinders" on and fail to appreciate scientific research. Some people are even labeling it as "anti-male" which is FAR from the TRUTH---this film promotes HEALTHY masculinity (beneficial to males)!
For those of you stating that the film argues American masculinity is the "ROOT CAUSE" of most of modern society's problems, you are INCORRECT! Stop thinking so dichotomously! The film illustrates how it is a CONTRIBUTING FACTOR to the issues mentioned...NOT the sole reason.
Note: Parents should watch PRIOR to showing their kids because there are a few sensitive topics (e.g., porn, mass shootings, rape)
The documentary raises some valid points, but ends up very superficial. The downfall starts with blaming of superheroes and video games. The old stereotypes from the brainwashed boy are popping up, that are refuted in a lot of studies. Sure, media has influence, but the "how" and the "how much" only implied. The study it presents is from the 70ies and 80ies and hardly representative of the present state of psychology.
As such it feels the movie pushes a narrative. Some of the interviewed people offer only anecdotal reference and some just lack any credentials for the issues they discuss. At times it feels weirdly constructed, as with the vilification of porn segment. Even Philip Zimbardo only conjures the old outsider-stereotype and an extremely bold statement like "violance against women is at epidemic proportions" is not supported by any historical figures. Questionable feminist terms like "rape culture", "entitlement" and "privilege" are thrown around.
The main topic of this film is very important and current and at times it seems the film is highlighting the right issues. But ultimately it looses itself in general attack on anything that it perceives masculine. I wish it was more subtle in the approach and better researched and balanced.
As such it feels the movie pushes a narrative. Some of the interviewed people offer only anecdotal reference and some just lack any credentials for the issues they discuss. At times it feels weirdly constructed, as with the vilification of porn segment. Even Philip Zimbardo only conjures the old outsider-stereotype and an extremely bold statement like "violance against women is at epidemic proportions" is not supported by any historical figures. Questionable feminist terms like "rape culture", "entitlement" and "privilege" are thrown around.
The main topic of this film is very important and current and at times it seems the film is highlighting the right issues. But ultimately it looses itself in general attack on anything that it perceives masculine. I wish it was more subtle in the approach and better researched and balanced.
Lo sapevi?
- QuizEnd card: «This film is dedicated to all of the boys and men we know and love who inspire us daily with their courage and conviction to stay true to themselves.»
- ConnessioniFeatures Ispettore Callaghan: il caso 'Scorpio' è tuo!! (1971)
- Colonne sonoreWelcome to the Party
Written by gary, Dennis Hill, Kyle Hanagami, Kevin Baldes (as Kevin Baldez) and Kenneth Livingstone
Performed by Good Man Down
Courtesy of Lyric House, LLC
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- Tempo di esecuzione1 ora 37 minuti
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