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28 Years Later is a zombie apocalypse film that mistakes chaos for depth, resulting in an exhausting mess that fails to resonate. Every character feels unhinged, their erratic behavior disorienting and confusing, with the possible exception of the ritualistic "weird" character, whom others dismiss as mentally unstable. The cinematography and editing are disastrous: rapid, shaky cuts induce nausea, while abrupt shifts to slow, lingering pans create whiplash. Some may praise its chaotic style as artistic, but to me, it feels incomprehensible.

This F1-inspired sports car movie delivers high-octane thrills but relies heavily on exaggerated "dirty tricks," undermining the authenticity of Formula 1's strategic depth. The lack of genuine team rivalries and distinctive driver skills, replaced by Hollywood clichés such as sensationalized personal conflicts and predictable redemption arcs, fail to capture the sport's competitive essence. While the races deliver dramatic split-second decisions, they grow repetitive over the 2.5-hour runtime, and the visuals, though captivating, add nothing to surpass the spectacle of real F1 broadcasts.

The film's meticulous attention to the details of how warfare unfolds is impressive, offering a level of realism that could serve as a case study for military training. Yet, this hyper-detailed approach might feel less like a cinematic experience for mainstream audiences and more like specialized material for military enthusiasts. Scenes in Warfare shine with authenticity, particularly in their small-scale focus on a singular event in war that could arguably be happening frequently on the battlefield but is rarely depicted on screen. These moments capture the raw intensity of combat, drawing viewers into the visceral reality of loss and survival. However, the film's choice to unfold in near-real time leads to a sluggish opening, with prolonged stretches of inactivity that may feel drawn out. While the narrative gradually builds momentum, the pacing remains uneven. The film's ultra-realistic approach may also feel awkward at some occasions in terms of the dialogue and how the events unfolded.