india

Dr. Gopi has had a nervous breakdown, and relives his past under psychiatric probing.

After years of painstaking research at the cost of his domestic pleasure, Dr. Dipankar Roy discovers a vaccine for leprosy. The news is flashed over television and overnight, an insignificant junior doctor receives international recognition. Professional jealousy and abuse of power threaten Dr. Roy, even as the Secretary of Health reprimands him for breaking the news to the press. He is asked to report to the Director of Health. Professional colleagues Dr. Arijit Sen and Dr. Ramananda invite him to a lecture but it is merely a pretence to humiliate him. Dr. Roy suffers a mild heart attack but he refuses to go to the hospital. His wife and few others like Dr. Kundu stand by Dr. Roy, but the harassment continues; a letter from an American foundation is suppressed and Dr. Roy transferred to a remote village. The last straw is two American doctors receiving credit for discovering the same vaccine. Dr. Roy is shattered.

Belonging to a lower caste, Lakshmi and her deaf-mute husband Kishtayya serve the landlord's son, Surya. When Surya's young wife finds out about his affair with Lakshmi, they all find themselves at crossroads.

A public prosecutor discovers the harsh realities about life of the scheduled tribes in India during 1980s while defending a case of a tribesman charged of murdering his wife.

An old couple lend a room on rent after recent death of the bread earner of the family, their only son. A budding actress starts living with them, who is in love with a local politician's only son. The movie shows what later ensues.

In the hope of earning enough money to pay off his debts and save his land, a poor farmer becomes a rickshaw puller in Calcutta and faces many difficulties.

A head injury causes a woman to regresses to childhood. Lost and confused, she is eventually befriended by a school teacher.

A speech and hearing-impaired couple persists through unforgiving obstacles to be accepted by society and live a life of dignity.

Vijay, a talented but indigent poet, struggles for love and recognition in this selfish world.

Suresh Sinha, a famous director, discovers star potential in Shanti, a woman he stumbled into one rainy evening, and casts her as the lead in a film. In a twist of fate, Shanti becomes a superstar and Suresh faces a decline in his career.

Story of a poor farmer who suffers under a cunning and cruel landlord, amidst rising Naxalism in the 60s.

Two photographers, who are employed by a magazine editor to expose the scandalous activities of the rich, come across corruption by a builder and accidentally photograph a murder.

Set in riot-torn North India during 1947 Partition, an outcast named Nathu kills a pig that ends up at a mosque, sparking unrest. Overwhelmed by guilt, he flees town with his ailing mother and pregnant wife.

Kamla Ki Maut is a 1989 Hindi drama film directed by Basu Chatterjee. The film set in Mumbai, deals with issue of love, pre-marital sex and relationships in modern India.

A man whose wife is abducted seeks to have the culprits prosecuted for their crime, but no one will help him. Meanwhile, the wife-abused and berated by her abductors-cannot bring herself to face her husband.

13 year old Riyaz lives a poor lifestyle in Bombay, India, with his grandmother, Fayyuzi, and her sister, Mehmooda alias Mammo. Quite outspoken and embittered over his dad abandoning him, Riyaz does not have many friends, save for Rohan. When Mammo plans a surprise birthday party for him, Riyaz is offended as he believes his friends will make fun of him as his lifestyle is not as good as their's. Fayyuzi and Riyaz have an argument with Mammo, and she leaves for the Mosque at Haji Ali, but returns when both apologize to her. Although Mammo was born in Panipat during the British Raj, she was one of thousands of Muslims who left for Pakistan. She was married over there, could not conceive, was branded a "barren woman", and asked to leave. Having nowhere else to go, she came to live with her widowed sister in Bombay on a temporary Visa. Every month she would walk to the nearest Police Station and get an extension. She finally paid a Rs.4800/ as a bribe in order to get a permanent visa through Inspector Apte. When Apte was transferred, a new Police Inspector took over, processed her papers, held her to be an illegal immigrant, arrested her, had her escorted to the Bombay Central Railway Station, board the Frontier Mail, which would return her to Pakistan. Riyaz and Fayyuzi make every possible attempt to trace and bring her back, which was all in vain. Now 20 years later, Riyaz has grown up and has written a book about his Mammo, hoping that someday, somewhere she will find it and they will be reunited again.

In colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose husband is away in the city, to sleep with him. She slaps him and flees for safety to a spice factory where women grind chillies into fine powder. The aged factory guard, Abu Mian, locks the door behind her, refusing to open it to the soldiers, to the cowardly village men led by the mayor, and to the subedar himself. The town's teacher, who follows Gandhi, and a few women, led by the mayor's wife, protest ineffectually against this village-approved rape. The stage is set for a final confrontation.

A realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.

In a small village in Rajasthan, India, a woman named Shanichari was born - so named, as shortly after her birth her father died; & her mother, Peewli, ran away with a rich lover, the owner of a drama company, abandoning her. When Shanichari grew up she was married to a male named Ganju who lived with his ailing mother. Shanichari gave birth to a boy and named him Budhwa. The local Landlord, Ram Avtar's son, Lakhsman Singh, would like Shanichari to live with him as his mistress, but she must first abandon her husband and son, which she is unable to do. Her ailing mother-in-law passes away - Shanicharni is unable to weep; Years later, Ganju gets killed after consuming holy water from a temple - Shanichari is unable to weep; When Budhwa get's married to a local prostitute, Mungri, who becomes pregnant, and then subsequently aborts the child - Shanichari is unable to weep; When Budhwa runs away from home, never to be seen again - Shanichari is unable to weep. Then a woman named Bhikni enters her life - she is called Rudaali - one who accepts money in turn for loud laments, weeping, & beating of the chest when a rich man passes away for a small fee, some milk, oil, and flour. Bhikni would like Shanichari to also be a Rudaali, but Shanichari eyes are always dry. When Bhikni is called for a day in another town, it is then Shanichari receives word that Ram Avtar is no more and she is called to be a Rudaali. Knowing fully well that she cannot shed tears, Shanichari does attend the funeral - and it is here that she will receive the news that may bring real tears to her eyes.

A medical student, Amarnath meets and falls in love with the daughter of a herbal medicine healer, Chanda while preparing for his exams in Darjeeling. He returns to Calcutta to sit his exams. Fast forward two decades Amarnath sets out to search Chanda. His encounter and involvement with a prostitute, Kajli has far reaching implications for both of them. How did Kajli, whose mother wanted her to become a doctor end up in a whorehouse. The three way relationship between the madam of the whorehouse, Kajli and Amarnath comes to a head when in a humane moment the madam gives away a fortune. What does Kajli have to do to restore her relationship with Amarnath?

In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.

The story revolves around the incidents following the death of a young Naxalite, upon whose death his friends travel to the village where his mother lives to inform her of the death of her only son.

Ottaal (The Trap) is an adaptation of one of Anton Chekhov's timeless works, Vanka. A story of the 18th century, but one that has travelled the time and space to be retold in the present day at a small village in the South of India. Kuttappayi, a young boy, is miserable and desperate as he starts writing a letter to his grandfather from a place, dim and dark. Kuttappayi's recollections takes us to the picturesque locations of Kuttanad, where Kuttappayi and his grandpa, Valiyappachayi, are arriving with their ducks. The village is as pleasant as it can be even though what brings him there is the death of his dearest parents. With hope and freedom, he is about to start his life afresh among the village's letterless postman, the nameless dog, the rich lad, Tinku and many more.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.