To-Watch Bengali

Depicts the end days of a decadent zamindar (landlord) in Bengal, and his efforts to uphold his family prestige even when faced with economic adversity.

The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

A family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world.

An ex-cop is hired to track down a serial killer who carries out his killings according to Bengali poetry.

A rib-tickling comedy about a group of spirits who, in their various idiosyncrasies, try and save their only haunt, their resting place, when some unscrupulous builders try and break it down to build a modern monstrosity.

En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.

Four carefree, jaded middle-class bachelors from Calcutta head out for a holiday in the wilderness. Before long, each man undergoes their own journey of self-discovery.

A selfless young woman (Supriya Choudhury) sacrifices her own happiness for her unappreciative family.

A housemaid is killed by a local landlord's son. His servant takes the blame for the murder, to save the landlord's mentally ill son and is marooned in an island named Monpura. There the servant comes across a fisherman's daughter.

Goopy wants to sing, and Bagha wants to play the dhol. They meet accidentally and are helped by King of Ghosts. With newly endowed abilities, they land in kingdom of Shundi, where their adventure begins.

The musical duo of Goopi and Bagha make a comeback when they are invited to play for a king.

The life and notable works of Anthony Firingee, a 19th-century Bengali-language folk-poet of Portuguese origin. The time frame of the storyline jumps between two different time periods: the 19th century and the present day.

Four famous directors and old friends are reunited together by an unknown producer to make a film. They make four short story in this film with one theme: Death.

In the middle of the 1971;curfew is going on all over the Bangladesh. The liberation army is operated as effective guerrilla force - Badiul Alam is one them. Alam plans for starting guerrilla operation in the capital and hides himself in Mr. Matin's house. Mr. Matin lives with his loving wife Surma and two beautiful daughters Ratri and Opala. In association with other freedom fighters, Alam operates some successful guerrilla attacks against barbarous Pakistani military . But one after another his fellow freedom-fighters are getting caught by the military, tortured , murdered. Alam being shot and seriously injured is taken to Matin's house ; can he survive? Can he see the light of morning again ?

A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.

Nishwartha Bhalobasa (English: Selfless Love) is Bangladeshi romantic-action-comedy film directed by Ananta Jalil. starring Ananta and Barsha in the lead roles. The film is produced by Ananta Jalil under the banner of Monsoon Films. Another title of this film is What is Love. Action hero Ananta made his debut as a director from this film. Nishwartha Bhalobasa was chosen to screen the 66th annual Cannes Film Festival in France on 17 May 2013 and premiered in Star Cineplex at Basundhara City on June 30, 2013.

Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels.

A young woman is deemed a goddess when her father-in-law, a rich feudal land-lord, has a dream envisioning her as an avatar of Kali.

Common people struggle during independence war of Bangladesh.

As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work.

Following his father's death, a boy leaves home to study in Calcutta, while his mother must face a life alone.

This final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.

The growing pains of three young women contrast with the immutability of the holy Bengal River, around which their daily lives unfold.