@Punk as Fuck!#

Gang Girls 2000 neatly parodies the tough girl roughie genre of the 60's and 70's. When a legendary Brooklyn gang, the Sluts, invade their turf, the Lower East Side Glitter Girls are hell-bent for revenge. But a clandestine visit to Chinatown for supplies runs them afoul of the Blades. Next thing they know, things escalate into an all-out rumble at Coney Island!

Two sisters are orphaned by drunks and are left to fend for themselves. One of them disappears into the sea, and the other forms a gang, The Rockaway Ruffnecks, New York City surfers. They run afoul of a local mob boss, and go on a violent odyssey intermittently giving way to fantasy surf sessions.

Brooklyn girl gang member Krank, after being shot in a mysterious guinea pig lab rescue incident, comes home from the hospital in a wheelchair to find her cats are gone, her mother is still insane and her gang is kicking her out. She turns to her best friend, the Mechanic, who gives her a pep talk and offers to turn her heap of crap wheelchair into a hot rod. Krank then joins the Outcasts, NYC girl gang wheel riders with a twist. The Outcasts are lead by Krash, a dyslexic cyclist who can only cycle backwards. The other girls in the gang have strange maladies such as Height Dysphoria and French Monotonism. Sparks fly between Krank and the upside-down skateboarder, Flip and clearly, Krank is ready to ride again. Meanwhile, the E. V. Ills, a violent roller derby gang led by C-Roll, tear up the track and dance the night away; the Slayers, homeless queer girl skateboarders panhandle and fish for crabs in New York City's East River; and the Full Tilts ride scooters and run numbers in the city's only Roller Disco Betting Parlor.

Kill The Hippies! Hot rod juvenile delinquents from outer space come to Memphis to kill hippies! Shot on16mm film between Tupelo, Mississippi, and Memphis, Tennessee in 1996, "The Sore Losers" is a southern psychedelic sexploitation cinematic romp & stomp with a killer lo-fi garage/punk soundtrack. They Wanted Meat So They Ate The Flower Children! Director: Mike McCarthy.

The ghost of country singer Helvis visits his daughter in a vision and sends her on a journey to resurrect him.

In Tupelo, Mississippi, in 1962, a poor, young, single mother is impregnated by a womanizing has-been singer. Her mother tries to force her to give the child away but our heroine isn't sure. As she tries to solve her problems she receives assistance from unlikely quarters: a lesbian gang and the feminist/nudist/stripper/adult film star they idolize.

This musical sci-fi fantasy follows one woman's search for her grandmother's historic burlesque film across a surreal post-apocalyptic desert landscape!

In the near future laws against smoking have increased to the point where you must live in a certain part of town called the Smoking Section if want to smoke cigarettes. Once you have passed the line of demarcation you just know you've crossed the tracks because things get a little grimier, a little more industrial. The sky is a little blacker. The mood is heavier. Someone might get hurt. Cigarettes now cost $63.49 a pack, yet the money derived from this tax obviously isn't going toward this dystopian corner of the city. If you travel there to smoke or to buy (because it is also illegal to buy on the 'clean' side of town) there are several options, but the main place is the Vice Club. There you will find old fashion Cigarette Girls like our heroine with no name. The Vice Club was actually a cigarette factory built in 1935 and designed by the very best deco influenced architects. The original owners even installed a giant 50 foot long Iron cigarette on top of the building that tipped into an gigantic ashtray. One hundred years later that cigarette is cancer coated with rust but still tilts back and forth - if the wind is strong enough, making a horrible squeak on it's axis that is heard through out the city. Cigarette Girl becomes an angel of death when she stops smoking and starts killing on the third day to alleviate her acute psychological withdrawal manifested primarily by the ghost of a cowboy who is always on her back to keep smoking. Cigarette Girl would rather kill than smoke.

The rise, fall and rise of a teen death-rock idol.

A mad doctor creates life while murderous prostitutes are on the prowl and vampires terrorize the town. The Rawhide Kid will save the day.

Zedd is minding his business, when he is stopped by a cop who accuses him of being a junkie. After a short argument he is beaten and dragged to the police station. At the station he is interrogated by a detective (Rockets Redglare) and the police chief. After being beaten and tortured several more times, Nick Zedd's character mutilates himself with some hedge cutters.

Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with dolphins, while another cadre of survivors have made it their crusade to destroy all the world's religions.

An agit-prop edutainment ho down featuring a bevy of warrior lapdancers struggling to overthrow corporate state capitalism and rancid criminal globalisation through amateur wrestling, gun juggling and anarchist debate.

Nick Zedd returns with this fantastic account of the titular death of performance artist and costume designer Muffinhead.

Part AC/DC, part Jacques Derrida. An experimental film made as a response to the critical theory aspects of the filmmakers degree and academic film criticism.

A kinetic spazz-out of scratch animation, hand-painted frames, and B-roll textual madness, this was filmed in Hawaii and features the music of NYC's Honeymoon Killers.

A silent, edited-in-camera exposition of kitsch culture, mass consumption, and the rejection of the capitalist hegemony.

A punked-out, radical deconstruction of the mythology of Elvis Presley colliding fact and fiction in a miasma of feedback, noise, and stoopid Presley impersonators. Der Elvis is literally and metaphorically a postmodern spew of theoretical aesthetics set to the pulsing soundtrack of utterly warped bricolage.

Underground homage to Easy Rider about two girl bikers with bad attitudes who wind up on the wrong end of evil Cruella's shotgun.

Evoking the band-in-the-making masterpieces LADIES & GENTLEMEN, THE FABULOUS STAINS and BEYOND THE VALLEY OF THE DOLLS, MY DEGENERATION is the story of three young women and their nascent band, Bunny Love. The Psychotronic Video Guide illustrates the basic plot: "The blonde bass player narrates, has visions of cottage cheese and canned half peaches and falls in love with a (real) pig's head." Featuring music by Vomit Launch, Gov't Issue, Bongwater, Poison 13, Fizzbombs and Halo of Flies.

Terminal USA is the story of a Japanese-American family with more than their fair share of quirks. Ma (Sharon Omi) is stealing grandpa's morphine, Airhead sister (Jenny Woo) is having sex with the family lawyer, One brother (Jon Moritsugu) gets perfect grades but is hiding a secret gay love of skinheads, and the other brother (also Jon Moritsugu) is a wastoid druggie. The tension leads to an explosion of absurd violence as crazier and crazier things happen to the family.

West Side Story meets Rumble in the Bronx meets A Clockwork Orange. Bizarre tale of London, a lonely teen yearning for affection and a leather jacket who lives in a dysfunctional family home where the mother keeps popping and sexually playing with her other child, X-Ray, a member of a gang of Mods who are constantly at war with a gang of Asian Bikers. Amidst this turmoil, London and her soul mate M16 search for meaning in a phantasmagoria without it.

A rich young woman tries to escape boredom and her controlling boyfriend with a series of dalliances with working-class men. She falls for a communist factory worker who rejects her because of their class differences.

A young woman who is institutionalized in a mental hospital suffers fits which are accompanied by stigmata.