Austrian films selected by the editors of the newspaper Der Standard in cooperation with the film distributor Hoanzl and the Austrian Film Archive. Shorts and TV (mini)series are excluded.

Most of the films cited in Unthinking Eurocentrism

not on imdb:

From Eurocentrism to Polycentrism: * Ritual Clowns (1988), Victor Masayesva [From Eurocentrism to Polycentrism: Fourth World and Indigenous Media] *Unbidden Voices (1989) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid] *Knowing Her Place (1990) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]

Formations of Colonialist Discourse: *Columbus on Trial (1992), Lourdes Portillo [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *The Columbus Invasion: Colonialism and the Indian Resistance (1992) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Falsas Historias (False Histories, 1992), Cesary Jaworsky and John Petrizzelli [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Outros Quinhentos (Another Five Hundred Years, 1993) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Return of the Country (1984), Bob Hicks [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Magellan's Slave, Kidlat Tahimik [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *The Eye of the Empire (1989) [Formations of Colonialist Discourse: Antinomies of Enlightenment and Progress]

The Imperial Imaginary: *Landing of U.S. Troops near Santiago (1902) [The Imperial Imaginary: Projecting the Empire]

Tropes of Empire: *The Sudan (1953) [Tropes of Empire: Mapping Terra Incognita] *The Mask (1980), Ugbona [Tropes of Empire: Mummies and Egyptology] *Ahlam Mumkina / Permissible Dreams (1983), Atteyat El-Abnoudi [Tropes of Empire: The Imaginary of the Harem] *The Veiled Revolution (1982), Elizabeth Fernea [Tropes of Empire: The Imaginary of the Harem]

Stereotype, Realism and the Struggle over Representation:  *Hi Lo Broadway (1933), Al Jolson [Stereotype, Realism and the Struggle over Representation: The Racial Politics of Casting; Ethnicities-in-Relation: Dialectics of Presence/Absence] *From Here, from This Side (1988), Gloria Ribe [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Yellow Tale Blues (1990), Christine Choy and Renee Tajima [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Color Schemes (1989), Shu Lea Cheang [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race; Esthetics of Resistance: Paradigms of Looks] *Fade to Black (1990), Tony Cokes  [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Angela Fontanez's The Orixa Tradition [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype] *Lil Fenn's Honoring the Ancestors [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype] *João Negrinho (1954), Oswaldo Censoni [Stereotype, Realism and the Struggle over Representation: Perspective, Address, Focalization]

Ethnicities-in-Relation: *Birth of the Blues and Syncopation (1943) [Ethnicities-in-Relation: Good Neighbors and Border Crossers] *Mulato (1917), Azevedo [Ethnicities-in-Relation: The Mutual Illumination of Cultures] *The Maids (1985), Muriel Jackson [Ethnicities-in-Relation: The Mutual Illumination of Cultures]

The Third Worldist Film: *Victory of the Chinese People (1950) [The Third Worldist Film: Rewriting Colonial History] *I Miss the Sun (1983), Mary Halawane [The Third Worldist Film: Third Worldist Reflexivity]

Esthetics of Resistance: *Ogum (1990) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Heaven, Earth & Hell (1993), Thomas Allen Harris [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Cycles (1989), Zeinabu Davis [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Coyote Goes Underground (1989) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Ancient Spirit, Living Word - the Oral Tradition (1983) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Live and Remember (1986) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Sun, Moon and Feather (1989), Spiderwoman Theater [Esthetics of Resistance: Media Jujitsu] *It's a Dictatorship, Eat! (1983) Carlos Anzaldua [Esthetics of Resistance: Media Jujitsu]

Thinking about Unthinking:  *Baktun [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *I Married a Xavante (1955) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *A India (1980) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Terra dos Indios (2005) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Xina Bena - New Era (2006) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Prinop: My First Contact (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Two Villages, One Walk (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *The Master and the Divine (2013), Thiago da Costa [Thinking about Unthinking: Twenty Years After: Transcultural Becomings]

Dolores Del Río and Joel McCrea in Bird of Paradise (1932)

In 1995, to celebrate the centenary of cinema, UNESCO worked together with film archives from 49 countries to "compile and publish a list of approximately 15 films each country considers to be representative of its most significant national cinematic heritage." UNESCO suggested that they consider historical importance and cultural/artistic value, but each film archive was allowed to define its own criteria to determine which films were important.

The films of each country are listed in the order of the source-pdf. These countries are included. Angola, Australia, Austria, Bolivia, Brazil, Burkina Faso, Canada, Chile, China, Colombia, Ivory Coast, Czech Republic, Denmark, Ecuador, Egypt, Ethiopia, Finland, Germany, Greece, The Holy See, Hungary, India, Indonesia, Ireland, Israel, Italy, Kazakhstan, Laos, Lebanon, Mexico, New Zealand, Norway, Pakistan, Papua New Guinea, Peru, Poland, Portugal, Puerto Rico, South Korea, Slovakia, Slovenia, Spain, Sweden, Switzerland, Macedonia, Ukraine, United States of America, Venezuela, Yugoslavia

These films or collections on the source-pdf are not included in this list, because they are not on IMDb: Canada: 
* A Selection of OMPB Films Produced between the two World Wars
* A Selection of Film Produced by the Government of Canada before the Creation of the National Film Board
* Royal Welcome, 8 unknown titles from the Canadian Cameo Series
* 4 unknown reels from "Shorts Produced at the London Headquarters of the Canadian Army during the last War"
* Animated Films of the National Film Board
Ecuador: 
* part of Obra Filmica Documental Miguel A. Alvarez (35 shorts are included so far)
* Obra Filmica Documental Karl Gartelman
Kazakhstan: 
* Two Days in Spring
* Baiterek


Afonso Malheiro in Quem Faz Correr Quim (1991)

Göteborg Film Festival 25 Jan - 3 Feb 1991 a few films missing

taken from the book written by Christian Reichhold  (missing: Erik & Erika)

100 x Östereichischer Film / 100 x Austrian Film

Steven Weber and Belinda Becker in Angels (1990)

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