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Veteran William Wellman directed this pre-Code thriller that puts an average New York family at odds with a pack of ruthless gangsters. It’s a 1931 tale of drive-by shootings, witness intimidation and child kidnapping — just one year later, movies about child kidnappings were banned, after the tragedy of the Lindbergh baby. Walter Huston is the rather ruthless District Attorney, and the ex-vaudeville funny man Chic Sale plays an old codger that shows his family what Good Americanism really means — the show could serve as a surly critique of what passes for law and order and good citizenship now.

The Star Witness

DVD

The Warner Archive Collection

1931 / B&W / 1:37 flat Academy / 68 min. / Street Date March 12, 2019 / available through the WBshop / 19.99

Starring: Walter Huston, Charles ‘Chic’ Sale, Frances Starr, Grant Mitchell, Sally Blane, Edward J. Nugent, Dickie Moore, Nat Pendleton, George Ernest, Russell Hopton, Allan Lane.

Cinematography: James Van Trees

Film Editor:...

Films by Charlie Chaplin, Cecil B. DeMille, and Buster Keaton are among the “hundreds of thousands” of books, musical scores, and motion pictures that will enter the public domain on January 1, according to The Atlantic. All of the works were first made available to audiences in 1923, four years before the introduction of talkies. Due to changed copyright laws, this will be the largest collection of material to lose its copyright protections since 1998.

Artists looking to incorporate black-and-white era throwbacks into their modern creations will have lots of new options. The Atlantic consulted unpublished research from Duke University School of Law’s Center for the Study of the Public Domain, which shared with IndieWire a list of 35 films that will soon become available to all.

“Our list is therefore only a partial one; many more works are entering the public domain as well, but the relevant information to confirm this may...

Douglas Fairbanks Jr. ca. 1935. Douglas Fairbanks Jr. was never as popular as his father, silent film superstar Douglas Fairbanks, who starred in one action-adventure blockbuster after another in the 1920s (The Mark of Zorro, Robin Hood, The Thief of Bagdad) and whose stardom dates back to the mid-1910s, when Fairbanks toplined a series of light, modern-day comedies in which he was cast as the embodiment of the enterprising, 20th century “all-American.” What this particular go-getter got was screen queen Mary Pickford as his wife and United Artists as his studio, which he co-founded with Pickford, D.W. Griffith, and Charles Chaplin. Now, although Jr. never had the following of Sr., he did enjoy a solid two-decade-plus movie career. In fact, he was one of the few children of major film stars – e.g., Jane Fonda, Liza Minnelli, Angelina Jolie, Michael Douglas, Jamie Lee Curtis – who had successful film careers of their own.

By Mark Pinkert

Contributor

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Is the thirst for power more consuming than the thirst for money? Money is vanilla, everyone wants it. But only the true gangster craves pure authority and clout–power for its own sake. And when that guy comes along, he’ll do whatever it takes to get it. This is true for Caesar Enrico “Rico” Bandello (Edward G. Robinson) in Little Caesar (1931), directed by Mervyn LeRoy. In the beginning of the film, Rico sees a newspaper article about a Chicago gangster, Pete Montana (Ralph Ince), and then decides to head east to pursue that same power and recognition. “I could do all the things that this fella does and more,” he says to his partner, Joe Massara (Douglas Fairbanks Jr.). Massara agrees that he wants to head east to Chicago, but for him it’s the “money, girls, and clothes” and the chance to purse a career in dancing.

Glenda Farrell: Actress has her ‘Summer Under the Stars’ day Scene-stealer Glenda Farrell is Turner Classic Movies’ "Summer Under the Stars" star today, August 29, 2013. A reliable — and very busy — Warner Bros. contract player in the ’30s, the sharp, energetic, fast-talking blonde actress was featured in more than fifty films at the studio from 1931 to 1939. Note: This particular Glenda Farrell has nothing in common with the One Tree Hill character played by Amber Wallace in the television series. The Glenda Farrell / One Tree Hill name connection seems to have been a mere coincidence. (Photo: Glenda Farrell as Torchy Blane in Smart Blonde.) Back to Warners’ Glenda Farrell: TCM is currently showing Torchy Runs for Mayor (1939), one of the seven B movies starring Farrell as intrepid reporter Torchy Blane. Major suspense: Will Torchy win the election? She should. No city would ever go bankrupt with Torchy at the helm. Glenda Farrell...

Edward G. Robinson, Douglas Fairbanks Jr, Glenda Farrell, Little Caesar Little Caesar Review Pt.1 More cogent is the claim that Little Caesar represents a look at American capitalism without the blinders. Rico is like many of the Gilded Age thugs who made violence and murder an accepted practice of business. In much the same way that the Rockefellers and Carnegies avoided being publicly seen with blood on their hands, so too do the big movers and shakers of the city’s underworld. Diamond Pete Montana (Ralph Ince) and the Big Boy (Sidney Blackmer), both of whom are several notches above Rico, survive because they keep low profiles — in the world of Big Business, too, the CEOs that stay behind the scenes survive the longest. Rico, on the other hand, does his Al Capone and John Gotti-like best to court the press and as a result, is doomed. Now, while nowhere near great cinema,...

Little Caesar (1931) Director: Mervyn LeRoy Cast: Edward G. Robinson, Douglas Fairbanks Jr., Glenda Farrell, Sidney Blackmer, William Collier Jr., Ralph Ince, Stanley Fields, George E. Stone, Thomas E. Jackson Screenplay: Francis Edward Faragoh, Robert N. Lee; from a novel by W.R. Burnett Oscar Movies Edward G. Robinson, Little Caesar Little Caesar is a good example of a film that is historically important, but that has dated very poorly. Tony Gaudio's camera work is mediocre, Warner Bros. musical director Erno Rapee's spare soundtrack is garbled, and the acting is for the most part wooden. Even Edward G. Robinson, who became a star in this role, is good — but hardly great. What makes Little Caesar's pedestrianism all the more amazing is that just a few months later James Cagney would burst onto the screen with The Public Enemy, a film that holds up far better cinematically — both technically and aesthetically.

One of the joys of William Wellman's pre-Code output, and one of the pleasure of the pre-Code era per se, is how apparent flaws sometimes just add flavor. The filmmakers of that era were mostly not aiming for perfection anyway, but concentrated on grinding 'em out like sausages, trying to preserve a decent overall quality, injecting some special spicy tang of their own devising whenever possible, but moving onto the next one as soon as they could.

The Star Witness (1931) is bizarre, exciting, funny/unfunny, brutal, and generally off-kilter in a way that makes for engaging viewing. If its qualities were transposed to a modern studio picture, we might find it in some way "unsatisfying," but it can certainly hold up its end of a double bill, as it is doing on Saturday, Feb 25 at the Wellman retrospective at New York's Film Forum.

The movie's worst move, really, is...

Diane Kruger as Marie Antoinette, Farewell, My Queen The world premiere of Les Adieux à la reine / Farewell, My Queen will open the 2012 Berlin Film Festival next February 9. Directed by Benoît Jacquot (Tosca, Villa Amalia, Deep in the Woods), Farewell, My Queen stars Inglourious Basterds' Diane Kruger (as Marie Antoinette), Midnight in Paris' Léa Seydoux, and Army of Crime's Virginie Ledoyen. Adapted by Jacquot and Gilles Taurand from Chantal Thomas’ novel, Farewell, My Queen is set during the first days of the French Revolution, as seen from the perspective of the servants at Versailles. The synopsis below is from the Berlin Film Festival website: Versailles in July 1789. Unrest is growing in the court of King Louis the XVI (Xavier Beauvois). The people are rebelling — a revolution is imminent. Behind the facades of the royal palaces, everyone is thinking of fleeing, including Queen Marie Antoinette (Diane Kruger) and her entourage.