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Jörg Jeshel

Beuys on film by Anne-Katrin Titze
Andres Veiel on contacting Eva Beuys: "I had Eugen Blume, the head of Hamburger Bahnhof, who curated the show of Joseph Beuys. He's a friend who really helped me a lot." Photo: Anne-Katrin Titze

In the final installment of my conversation with Andres Veiel at Kino Lorber in midtown Manhattan, the director of Beuys gave me a fairy tale reference to explain what it took to make a film on Joseph Beuys - with or without the inclusion of his artworks. Beuys includes interviews with Caroline Tisdall, Rhea Thönges-Stringaris, Klaus Staeck, Johannes Stüttgen, and Franz Joseph van der Grinten, shot by Jörg Jeshel and was smartly edited with Stephan Krumbiegel and Olaf Voigtländer. The documentary includes archival footage of a playful Andy Warhol and begins and ends beautifully with clips from Lutz Mommartz' Soziale Plastik.

On the filming of Joseph Beuys by Lutz Mommartz in Soziale Plastik: "The camera is the spectator,...
See full article at eyeforfilm.co.uk
  • 2/13/2018
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
Beuys on film by Anne-Katrin Titze
Andres Veiel on contacting Eva Beuys: "I had Eugen Blume, the head of Hamburger Bahnhof, who curated the show of Joseph Beuys. He's a friend who really helped me a lot." Photo: Anne-Katrin Titze

In the final installment of my conversation with Andres Veiel at Kino Lorber in midtown Manhattan, the director of Beuys gave me a fairy tale reference to explain what it took to make a film on Joseph Beuys - with or without the inclusion of his artworks. Beuys includes interviews with Caroline Tisdall, Rhea Thönges-Stringaris, Klaus Staeck, Johannes Stüttgen, and Franz Joseph van der Grinten, shot by Jörg Jeshel and was smartly edited with Stephan Krumbiegel and Olaf Voigtländer. The documentary includes archival footage of a playful Andy Warhol and begins and ends beautifully with clips from Lutz Mommartz' Soziale Plastik.

On the filming of Joseph Beuys by Lutz Mommartz in Soziale Plastik: "The camera is the spectator,...
See full article at eyeforfilm.co.uk
  • 2/13/2018
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
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