Former Freakish star Leo Howard and Alicia Coppola (Empire) are set for recurring roles in CBS All Access’ Why Women Kill, a darkly comedic drama from Desperate Housewives creator Marc Cherry, Imagine Television Studios and CBS TV Studios.
Created by Cherry, Why Women Kill details the lives of three women living in three different decades: a housewife in the ‘60s (Ginnifer Goodwin), a socialite in the ‘80s (Lucy Liu) and a lawyer in 2018 (Kirby Howell-Baptiste), each dealing with infidelity in their marriages. The series will examine how the roles of women have changed but how their reaction to betrayal has not.
Howard is Tommy. Seen in 1982. A sexy, handsome teen, about to turn 18, he is working as a waiter at one of Simone’s (Liu) parties. Boyishly likable, hardworking, and with a little swagger, he is the son of one of Simone’s friends. He’s also got a mad crush on Simone.
Created by Cherry, Why Women Kill details the lives of three women living in three different decades: a housewife in the ‘60s (Ginnifer Goodwin), a socialite in the ‘80s (Lucy Liu) and a lawyer in 2018 (Kirby Howell-Baptiste), each dealing with infidelity in their marriages. The series will examine how the roles of women have changed but how their reaction to betrayal has not.
Howard is Tommy. Seen in 1982. A sexy, handsome teen, about to turn 18, he is working as a waiter at one of Simone’s (Liu) parties. Boyishly likable, hardworking, and with a little swagger, he is the son of one of Simone’s friends. He’s also got a mad crush on Simone.
- 3/29/2019
- by Denise Petski
- Deadline Film + TV
Rich Man’s Folly (1931) Direction: John Cromwell Screenplay: Grover Jones and Edward E. Paramore Jr.; from Charles Dickens’ novel Dombey and Son Cast: George Bancroft, Frances Dee, Robert Ames, David Durand, Juliette Compton, Dorothy Peterson Directed by the respected John Cromwell and based on Charles Dickens‘ Dombey and Son, Rich Man’s Folly features George Bancroft as a ruthless, egotistical shipping tycoon whose only concern is his work, all the while grooming his young son so he’ll one day take over the family business. In the meantime, the rest of family is completely ignored. That is the kind of role Bancroft did best: Larger-than life, driven, and arrogant men who usually meet a towering, humbling defeat in the final reel. Also in the [...]...
- 11/2/2009
- by James Bazen
- Alt Film Guide
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