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Get ready for a night of fierce competition and powerful showdowns on “Wow – Women Of Wrestling” as Season 4, Episode 25, titled “The All American Girls,” hits the airwaves at 12:00 Am on Wednesday, March 6, 2024, on Vice. In this riveting episode, the dynamic duo of Jessie Jones and Amber O’Neal steps into the ring to take on The All American Girls, promising a clash of strength, skill, and determination.

As the action unfolds, Team Spirit faces off against The Brat Pack in a high-stakes match within The Trios Tournament. The pressure is on as Team Spirit strives to secure their spot in the tournament.

Additionally, Goldie Collins goes head-to-head with Holidead, and Ice Cold squares off against Kandi Krush in two intense individual matchups that are sure to keep fans on the edge of their seats.

Tune in at midnight on Wednesday, March 6, 2024, on Vice, for an adrenaline-pumping episode of “Wow – Women Of Wrestling,...

In the thrilling world of “Wow – Women Of Wrestling,” Season 4 Episode 20, titled “The Only Way I Know How to Fight,” promises an action-packed spectacle set to air at 12:00 Am on Wednesday, January 31, 2024, on Vice. Viewers are in for a treat as Americana throws down the gauntlet, challenging Jessie Jones to a high-stakes one-on-one contest that is sure to deliver pulse-pounding excitement.

The episode also marks the entry of The Brat Pack into the first round of the Trios Tournament, facing off against formidable opponents Spring Break 24/7 and Chantilly Chella. The stakes are high, and the fierce competition is bound to keep fans on the edge of their seats.

Adding an extra layer of intensity, Chainsaw sets her sights on finding a worthy adversary in Heavy Metal Sister Fury, promising a clash that will leave an indelible mark on the Wow ring.

Tune in for an electrifying night of grappling,...

Gear up for an adrenaline-packed showdown in the upcoming episode of “Wow – Women Of Wrestling,” titled “The Championship Challenge,” airing at 12:00 Am this Wednesday on Vice. The fierce Jessie Jones is on a mission to fulfill the deal she struck with McLane, setting the stage for an intense opening match against the formidable Genesis.

In this gripping episode, fans can anticipate a series of thrilling contests as Jennifer Florez takes on Classmaster, Adriana Gambino faces off against Rebel Haze, and Princess Aussie embarks on a challenging battle against not one but four formidable opponents. The stakes are high, and the ring is set for an evening of jaw-dropping moves, strategic maneuvers, and unmissable drama.

Don’t miss the heart-pounding action as these powerful women grapple for victory in “The Championship Challenge” on Wow – Women Of Wrestling, airing at 12:00 Am this Wednesday on Vice.

Release Date & Time: 12:00 Am...

In the upcoming episode of “Wow – Women Of Wrestling,” scheduled to air at 12:00 Am on Wednesday, December 6, 2023, viewers are in for a thrilling night of action with the twelfth installment titled “Truck Stop Justice.” The ring will be ablaze as Big Rig Betty and Holly Swag take on Miami’s Sweet Heat, promising a clash of formidable forces and intense competition.

Adding to the excitement, Jessie Jones engages in negotiations with David McLane regarding the forthcoming Championship Challenge Match, hinting at potential drama and strategic maneuvering. Additionally, the episode features an intriguing singles competition between Exodus and Keta Rush, testing the mettle of two wrestlers with similar styles.

Prepare for a night of high-energy entertainment and fierce showdowns as the women of Wow step into the ring, showcasing their athleticism and prowess. “Truck Stop Justice” promises to be a riveting episode, delivering the powerful and dynamic action that Wow fans have come to expect.

Nick Wilkinson, a casting director for ABC Television and Theatre Communications Group, died Sept. 29 on Kauai from a heart attack at age 69. His death was confirmed by his husband, Jamie Wooten.

Wilkinson was the longtime director of casting for Theatre Communications Group in New York City, which was known in the 1980’s as ‘Central Casting’ for most of the regional theaters across America.

He then became casting director for the Goodman Theatre in Chicago, and later was hired by ABC Television as a director of casting, both in New York and later Los Angeles, and helped cast major projects in the Movies & Miniseries division, and also their Daytime division.

In his long casting career, he was very proud of the part he played in helping previously unknown actors, like Bruce Willis and Sarah Michelle Gellar, begin their climb to stardom.

After retiring from casting, and indulging his knowledge and love...

Nick Wilkinson, veteran director of casting for theater and ABC Television, died on the island of Kauai on Sept. 29. He was 69.

Wilkinson became a prominent player in regional theater as the longtime casting director for Theatre Communications Group in New York City, known in the 1980s as Central Casting for most theaters across the United States. Wilkinson then became the casting director for the Goodman Theatre in Chicago.

He later transitioned from theater to television, becoming ABC Television’s director of casting in New York and then Los Angeles. Wilkinson helped cast major projects in ABC’s movie and miniseries division, along with its daytime division. He took pride in helping previously unknown actors, such as Bruce Willis and Sarah Michelle Gellar, kickstart their rise to stardom.

Following his retirement from casting, Wilkinson took on a brief stint as a docent at the Los Angeles County Museum of Art before returning to writing.

Fresh from an Oscar nomination for Phantom Thread and with Lynne Ramsay’s You Were Never Really Here in cinemas, the film composer and Radiohead guitarist discusses his two-pronged career

Jonny Greenwood’s place in the music firmament is well established after three decades as lead guitarist of Radiohead. But he has built a parallel career composing film scores that threatens to eclipse his day job. His recent soundtrack for Paul Thomas Anderson’s Phantom Thread, his fourth collaboration with the film-maker, earned him an Oscar nomination this year, and he provides a another distinctive and eclectic score for Lynne Ramsay’s latest, You Were Never Really Here. Taking time off from his dual career, Greenwood answers readers’ questions about cinema, music, guitars and fighting. Steve Rose

Jessie Jones: Working for film obviously uses a different skill set, even ethos, when producing music as there’s always an image that you’re accompanying.