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Arriving at a moment when interest in all things atomic has been piqued by the global success of “Oppenheimer,” Dragan Bjelogrlić’s “Guardians of the Formula” offers a far more classical, but no less gripping take on a little-known episode marking a historical intersection between the medical and nuclear sciences. Based on Goran Milašinović’s book “Vinča Case,” there are further echoes of Christopher Nolan’s epic in how this elegantly constructed movie centers the ethical and ideological dilemmas of brilliant men of science thrust, somewhat reluctantly, onto the international political stage. But it differs in its careful inclusion of the heroism of ordinary people, and in showing how, while genius is valuable, it’s only prolonged exposure to more everyday human decency that can irradiate the more bull-headed scientific ego with the compassion needed for actual wisdom.

It is 1958 and Georges Mathé is at work in his cluttered lab...

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The Croatian limited series The Last Socialist Artifact (original title: Područje bez signala) won the top prize for best drama series at the Hearts of Sarajevo TV Awards, the small-screen section of the 28th Sarajevo Film Festival.

The TV awards honor excellence among television productions from the region.

In addition to the top prize of best drama series, The Last Socialist Artifact scooped the best actor and actress honors for stars Izudin Bajrović and Lana Barić, as well as the best director nod for Dalibor Matanić and best screenplay honors for writers Hana Jušić, Jelena Paljan and Milan F. Živković.

“I didn’t expect to win this big, it was quite s surprise,” said Tilić, who produced the series through her Zagreb-based Kinorama in partnership with Slovenia’s production company Perfo, Serbia’s Sense Production and Finland’s Citizen Jane. “I’m especially...

Croatian miniseries “The Last Socialist Artefact” was the big winner at the Heart of Sarajevo TV Awards, which were handed out Sunday night during the Sarajevo Film Festival.

The six-part limited series, which is adapted from Robert Perišić’s novel “No-Signal Area,” tells the story of two urban transplants who take over an abandoned turbine factory for a mysterious client in a remote, economically depressed Balkan town. The show took home awards in five of the eight categories for drama series, including best series, best leading actor for Izudin Bajrović and best director for Dalibo Matanić.

Created by Ankica Jurić Tilić and Dalibor Matanić, “The Last Socialist Artefact” is produced by Tilić for Zagreb-based Kinorama, in co-production with Serbia’s Sense Production, Slovenia’s Perfo Production and Finland’s Citizen Jane. The series was part of the official selection at Series Mania last year, where it won the top prize in the International Panorama competition.

Produced in conjunction with Serbia, Slovenia and Finland, Croatian six-part mini-series The Last Socialist Artefact had the perfect pedigree to take top honors in the Hearts of Sarajevo Awards for TV Series, a regional award set up to celebrate the past year’s best small-screen talent from Bosnia and Herzegovina, Croatia, Serbia, Montenegro, North Macedonia, Kosovo and Slovenia.

A study of today’s post-industrial world presented with humor and warmth, The Last Socialist Artefact tells the story of two city guys who take over a disused turbine factory in a depressed backwater with the intention of reopening it. The series’ near-grand slam of awards, winning five of the eight available, was contested by two detective mysteries from Serbian: Awake and Black Wedding.

The inaugural Comedy awards were a little more evenly spread, with the main awards split between Bosnia and Herzegovina’s Advokado, once memorably described as being a kind...