African cinema may, for most, be top of the blindspot list. The history of filmmaking, distribution, and access to cinema in African countries is contentious: for most of the 20th century Africa as a whole was represented exclusively through the eyes of the nations and kingdoms who colonized it, western filmmakers from Europe and the Americas shaping the world’s opinions of this continent and its artistic contents with their colonialist perspectives. Even ethnographic films (e.g. Jean Rouch), while depicting a more realistic version of various nations such as Nigeria or Cote d’Ivore, bore the outsider’s gaze. That all changed in the 1960s. In his 1983 documentary Camera d’Afrique, Férid Boughedir states that with the release of Ousmane Sembène’s debut short film Borom Sarret in 1963, “for the first time, the image of Africa had come from within.”
Camera d’Afrique, which was presented in a new...
Camera d’Afrique, which was presented in a new...
- 5/6/2021
- by Soham Gadre
- The Film Stage
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