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Kembra Pfahler

movies by or about women opening Us/Can from Fri May 25
limited

Summer 1993 [pictured]

Carla Simón writes (with Valentina Viso) and directs this drama about a young girl (Laia Artigas) coping with the sudden death of her mother.

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Mary Shelley

Haifaa Al-Mansour cowrites (with Emma Jensen) and directs this biopic of the mother of science fiction, Frankenstein author Mary Shelley (Elle Fanning).

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How Long Will I Love U

Su Lun writes and directs this science-fiction romance about a woman (Liya Tong) who falls in love with a man across time.

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The Gospel According to André

Kate Novack directs this documentary about fashion icon and Vogue editor André Leon Talley.

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In Darkness

Natalie Dormer cowrites and stars in this thriller about a blind woman who aurally witnesses the murder of her neighbor. (male director)

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How to Talk to Girls at Parties

Philippa Goslett cowrites this sci-fi rom-com about a young man who falls...
See full article at www.flickfilosopher.com
  • 5/25/2018
  • by MaryAnn Johanson
  • www.flickfilosopher.com
Tiger Girl (2017)
Berlin's Panorama lineup rounds out with UK, Italian, Lebanese titles
Tiger Girl (2017)
Berlin’s Panorama lineup also includes new films from Us, China and Brazil.

Berlin’s Panorama strand is now complete following the addition of 24 additional titles.

A total of 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main programme and Panorama Special. 36 of these films will be getting their world premieres at the Berlinale.

The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.

Among newly confirmed films are UK Sundance title God’s Own Country, Luca Guadagnino’s Call Me By Your Name, Cate Shortland’s Berlin Syndrome, feminist fairy tale The Misandrists by Berlinale regular Bruce Labruce, Erik Poppe’s The King’s Choice and Belgian-French-Lebanese co-production Insyriated which stars Hiam Abbass as a woman trapped in an apartment during war.[p...
See full article at ScreenDaily
  • 1/25/2017
  • by andreas.wiseman@screendaily.com (Andreas Wiseman)
  • ScreenDaily
Charles Pinion Interview: Part Four: Red Spirit Lake
Red Spirit Lake is psychotronic filmmaker Charles Pinion’s second feature film, shot entirely on video in the early ’90s and featuring several superstars of the Cinema of Transgression movement, such as Richard Kern and Tessa Hughes-Freeland.

The film — available on DVD from the filmmaker — is a wildly evolutionary step up from Pinion’s first feature, the raucous skater punk horror flick Twisted Issues. Below, we discuss Red Spirit Lake‘s production.

Underground Film Journal: Not to get ahead of ourselves, but it sounds like a lot of Killbillies eventually got transformed into We Await.

However, you must have been so soured on the Killbillies experience at the time that you wanted to move onto something completely different. But also, I would suppose that having been involved in at least attempting to mount a major production inspired you to make Red Spirit Lake more — well, it’s hard to find the right word for it,...
See full article at Underground Film Journal
  • 6/9/2014
  • by Mike Everleth
  • Underground Film Journal
A Rogue’S Gallery Of Gorgeousness: Charles Atlas And Antony’S “Turning”
It’s been a banner year for Charles Atlas. In 2012, the filmmaker and video artist was included in the Whitney Biennial, opened his first New York solo show, “The Illusion of Democracy” (the inaugural show of Lurhring Augustine’s brand new Bushwick gallery, no less), had seminal, rarely-screened works revived care of keen programming at local NYC film series’ Dirty Looks and Light Industry, and is now unveiling his long-awaited collaboration with enigmatic singer/musician Antony Hegarty (of Antony and the Johnsons), which opens today at IFC Center.

Turning, which had its New York premiere this past weekend at Doc NYC, is a feature-length documentary, and its Atlas’s first film to receive a traditional theatrical release. Part performance film and part backstage portrait, the film is a unique blend of the filmmaker’s entrancing visuals, Antony’s exquisite music and intimate interviews with the thirteen “models,” a diverse collection...
See full article at Filmmaker Magazine - Blog
  • 11/16/2012
  • by Paul Dallas
  • Filmmaker Magazine - Blog
Contest: Win A 'Blank City' Poster Signed By Steve Buscemi, Thurston Moore, Jim Jarmusch & More Plus DVD/BluRay Prizes
While always a city bursting with creative and artistic talent, there was probably no time more fertile in New York City than than '70s and '80s. Avant-garde art, hip hop, punk, no-wave, disco and more all clashed and mingled, leaving a lasting impression on pop culture, politics and the city itself. Among that noise and ruckus, independent filmmakers were also making a big wave, capturing New York's vibrancy in stories that inspired a new generation of directors. And that time has been captured in the documentary "Blank City."

Directed by Celine Danhier, the film explores the artists of the "No Wave Cinema" and "Cinema of Transgression" movements who shattered existing notions of Diy and underground art, and paved the way for today's independent film scene. Through interviews with Steve Buscemi, Debbie Harry, Jim Jarmusch, Fab 5 Freddy and John Waters and many more, the film presents a revealing...
See full article at The Playlist
  • 4/9/2012
  • by Kevin Jagernauth
  • The Playlist
Microscope Gallery: Nick Zedd Films
Jan. 25

7:00 p.m.

Microscope Gallery

4 Charles Place

Brooklyn, NY 11221

Hosted by: Microscope Gallery

The creator and leading figure of the Cinema of Transgression movement, Nick Zedd, will appear in person to present his most controversial films, from 1984′s collaboration with Richard Kern, Thrust in Me, to several of his multiple-projector films.

Back in the early ’80s, Zedd captured the zeitgeist of a style of filmmaking that was emerging in NYC’s Lower East Side. He thus created the Cinema of Transgression, a loose connection of low-budget independent filmmakers who were making work that rebelled against traditional social norms. Some of these filmmakers included Richard Kern, Tessa Hughes-Freeland, Tommy Turner and David Wojnarowicz. You can read Zedd’s Transgression manifesto here.

Films screening at this particular event include Thrust in Me, a 1984 Super 8 collaboration with Richard Kern in which Zedd plays two characters, basically himself and a woman with whom he sexually molests.
See full article at Underground Film Journal
  • 1/22/2011
  • by screenings
  • Underground Film Journal
Dear Jeffrey Deitch: Free Ideas for Your New Museum
New Moca director Jeffrey Deitch might have just accepted the art world's most controversial position, but if there's one thing everyone can agree he's great at, it's throwing a party. And now, he's got a bright, blank new L.A. canvas to work with. We asked artists, curators and critics to provide some guidance for Deitch's new gig.

Time to pitch a Moca reality show to one of the major networks now that you're in L.A. The concept is your life: "Ack! The economy's gone to shit so now I'm a newbie museum director." During this 13-episode series viewers will watch you navigate museum politics, get lost in L.A. and schmooze with celebrities and art glitterati. Show title: Sink or Swim! The prize: Glory--and the USA's best museum stays open.-Paddy Johnson, Art Fag City

Deitch should expand his plans with James Franco and General Hospital and embrace Los Angeles' soap opera scene.
See full article at Fast Company
  • 1/14/2010
  • by Alissa Walker
  • Fast Company
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