Night one on the 2024 Creative Art Emmys has come to a close, and some very big stars came out with wins.
On Saturday (September 7), the first of two night’s worth of awards were handed out before the 2024 Emmy Awards next week.
In the first night of the ceremony, Angela Basset won her very first Emmy. Maya Rudolph also collected a win, and Dick Van Dyke tied tied a record as the oldest winner at the age of 98.
We pulled together a winner’s list and a roundup of photos of the stars who were there!
Keep reading to find out more…
Keep scrolling to see photos of the attendees…
Ariana DeBose
Fyi: Ariana is wearing Kenneth Cole.
Maya Rudolph
Fyi: Maya is wearing Chloé FW24 Rtw.
Octavia Spencer
Morgan Marcell
Masi Oka
Nikki Glaser
Derek Hough
Shark Tank cast members Robert Herjavec, Lori Greiner, Kevin O’Leary, Barbara Corcoran, Mark Cuban,...
On Saturday (September 7), the first of two night’s worth of awards were handed out before the 2024 Emmy Awards next week.
In the first night of the ceremony, Angela Basset won her very first Emmy. Maya Rudolph also collected a win, and Dick Van Dyke tied tied a record as the oldest winner at the age of 98.
We pulled together a winner’s list and a roundup of photos of the stars who were there!
Keep reading to find out more…
Keep scrolling to see photos of the attendees…
Ariana DeBose
Fyi: Ariana is wearing Kenneth Cole.
Maya Rudolph
Fyi: Maya is wearing Chloé FW24 Rtw.
Octavia Spencer
Morgan Marcell
Masi Oka
Nikki Glaser
Derek Hough
Shark Tank cast members Robert Herjavec, Lori Greiner, Kevin O’Leary, Barbara Corcoran, Mark Cuban,...
- 9/8/2024
- by Just Jared
- Just Jared
Programs like Welcome to Wrexham and Jim Henson Idea Man swept night one of the Creative Arts Emmys on Saturday, while Alan Cumming won his first Emmy for emceeing The Traitors and Pat Sajak took home his final trophy for hosting Wheel of Fortune.
Both men were no-shows, though.
Jeopardy! won for best game show while Shark Tank picked up its fifth Emmy in the structured reality show category. And John Mulaney’s memorable appearance on My Next Guest with David Letterman earned a trophy in the hosted nonfiction series or special category.
Attagirls went to Maya Rudolph for voicing Big Mouth and Angela Bassett for narrating Queens, while multiple Emmys were bestowed upon Billy Joel: The 100th – Live at Madison Square Garden. Saturday Night Live won a leading six trophies on the first night, held at the Peacock Theater at L.A. Live.
In addition, a jubilant Dick Van Dyke...
Both men were no-shows, though.
Jeopardy! won for best game show while Shark Tank picked up its fifth Emmy in the structured reality show category. And John Mulaney’s memorable appearance on My Next Guest with David Letterman earned a trophy in the hosted nonfiction series or special category.
Attagirls went to Maya Rudolph for voicing Big Mouth and Angela Bassett for narrating Queens, while multiple Emmys were bestowed upon Billy Joel: The 100th – Live at Madison Square Garden. Saturday Night Live won a leading six trophies on the first night, held at the Peacock Theater at L.A. Live.
In addition, a jubilant Dick Van Dyke...
- 9/8/2024
- by Lynette Rice
- Deadline Film + TV
Swim Team director Lara Stolman with Anne-Katrin Titze: "I wanted to be able to go deep in this film." Photo: Monica Delamater
On the closing night of Doc NYC, an exceptional documentary on what it means to come together for a common goal under extraordinary circumstances will be shown. Swim Team captures individual members of the Jersey Hammerheads, co-founded by Mike and Maria McQuay, as they form a bond in and out of the water while training in the hope of qualifying for the Special Olympics.
Jersey Hammerheads - Maria McQuay guides Kelvin with Robbie, Mike and Hayden
Shot by Laela Kilbourn (Morgan Neville's Oscar-winning 20 Feet From Stardom), edited by co-producer Ann Collins (Josh Aronson's Oscar-nominated Sound And Fury) with a score by Mark Suozzo (Whit Stillman's Damsels In Distress, The Last Days Of Disco, Barcelona, Metropolitan), produced by Shanna Belott, Lara Stolman has assembled an impressive...
On the closing night of Doc NYC, an exceptional documentary on what it means to come together for a common goal under extraordinary circumstances will be shown. Swim Team captures individual members of the Jersey Hammerheads, co-founded by Mike and Maria McQuay, as they form a bond in and out of the water while training in the hope of qualifying for the Special Olympics.
Jersey Hammerheads - Maria McQuay guides Kelvin with Robbie, Mike and Hayden
Shot by Laela Kilbourn (Morgan Neville's Oscar-winning 20 Feet From Stardom), edited by co-producer Ann Collins (Josh Aronson's Oscar-nominated Sound And Fury) with a score by Mark Suozzo (Whit Stillman's Damsels In Distress, The Last Days Of Disco, Barcelona, Metropolitan), produced by Shanna Belott, Lara Stolman has assembled an impressive...
- 11/17/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
With documentary credits such as Magic Camp, My Brooklyn and Word Wars, cinematographer Laela Kilbourn entered Alexandra Shiva’s How to Dance in Ohio with a specific challenge, which she discusses below: to sensitively film without disrupting teens and young adults with autism. How to Dance in Ohio is a film following three teenage girls as they prepare for one pivotal rite of youth passage through three months of practice, rehearsal and therapy. Below, Kilbourn discusses Canon cameras, lighting for trust and more. How to Dance in Ohio premieres in the Documentary Competition of the Sundance Film Festival on Sunday, January […]...
- 1/25/2015
- by Scott Macaulay
- Filmmaker Magazine - Blog
With documentary credits such as Magic Camp, My Brooklyn and Word Wars, cinematographer Laela Kilbourn entered Alexandra Shiva’s How to Dance in Ohio with a specific challenge, which she discusses below: to sensitively film without disrupting teens and young adults with autism. How to Dance in Ohio is a film following three teenage girls as they prepare for one pivotal rite of youth passage through three months of practice, rehearsal and therapy. Below, Kilbourn discusses Canon cameras, lighting for trust and more. How to Dance in Ohio premieres in the Documentary Competition of the Sundance Film Festival on Sunday, January […]...
- 1/25/2015
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
American Teen
Sundance Film Festival
PARK CITY -- Since Rebel Without a Cause, high school kids have been trying to figure out who they are in movies and documentaries. In American Teen, Nanette Burstein chronicles the senior year of four 17-year-olds in Warsaw, Ind. Perhaps because the issues never really change for teenagers, the film seems both revealing and superficial. It's a slickly made and entertaining slice of life that could be a big hit among kids who never get tired of seeing themselves on screen. Paramount Vantage picked up the film at Sundance.
Burstein was searching for an economically mixed town with one high school in the Midwest that reflected American values. She found it in Warsaw Community High School and proceeded to film four students and their friends for the next 10 months.
For her subjects, Burstein chose a rich popular girl, a nerdy guy, an artistic outsider and a jock, following them into locker rooms, classrooms, parties and hang outs. Her patience pays off, and she manages to insinuate herself into their lives, sometimes too much so. To watch the free-spirited and good-natured Hannah, who dreams of going to California to make movies, sobbing after she's broken up with her boyfriend feels a little like an invasion of privacy.
One wonders if events are ever the same when the camera watches them. Intimate scenes, like when Gordy's father explains to him that either he excels on the basketball court and gets a college scholarship or else he's going into the Army, seem more staged than spontaneous. And in the interest of keeping the film breezy and tying the stories together, the editing style tends to smooth out the rough edges. So even when the kids are having serious meltdowns, it doesn't feel like it matters that much.
Soul searching here is reduced to a series of animated segments where we literally get to move inside the characters' eyes to supposedly see what makes them tick. It's a clever device, looks great and it's fun, but it isn't very revealing.
So what if Megan, the privileged rich kid, has more problems then you might imagine and a dark secret that explains her psychic wounds? Perhaps the least interesting character is Jake, the video game geek and marching band member who has an awful case of adolescent acne that is probably going to scar him for life, but it's not explored.
For all of its access and exposure, American Teen seems skin-deep. It's well shot, with good production values and lots of cool music. But it's fun and facile in much the same way reality TV is. You may have a good time, but you'll hate yourself in the morning.
AMERICAN TEEN
A&E IndieFilms
Credits:
Director: Nanette Burstein
Producers: Nanette Burstein, Jordan Roberts, Eli Gonda, Chris Huddleston
Executive producers: Elisa Pugliese, Patrick Morris, Molly Thompson, Nancy Dubuc, Rob Sharenow
Directors of cinematography: Laela Kilbourn, Wolfgang Held, Robert Hanna
Music: Michael Penn
Editors: Mary Manhardt, Tom Haneke, Nanette Burstein
Running time -- 95 minutes
No MPAA rating...
PARK CITY -- Since Rebel Without a Cause, high school kids have been trying to figure out who they are in movies and documentaries. In American Teen, Nanette Burstein chronicles the senior year of four 17-year-olds in Warsaw, Ind. Perhaps because the issues never really change for teenagers, the film seems both revealing and superficial. It's a slickly made and entertaining slice of life that could be a big hit among kids who never get tired of seeing themselves on screen. Paramount Vantage picked up the film at Sundance.
Burstein was searching for an economically mixed town with one high school in the Midwest that reflected American values. She found it in Warsaw Community High School and proceeded to film four students and their friends for the next 10 months.
For her subjects, Burstein chose a rich popular girl, a nerdy guy, an artistic outsider and a jock, following them into locker rooms, classrooms, parties and hang outs. Her patience pays off, and she manages to insinuate herself into their lives, sometimes too much so. To watch the free-spirited and good-natured Hannah, who dreams of going to California to make movies, sobbing after she's broken up with her boyfriend feels a little like an invasion of privacy.
One wonders if events are ever the same when the camera watches them. Intimate scenes, like when Gordy's father explains to him that either he excels on the basketball court and gets a college scholarship or else he's going into the Army, seem more staged than spontaneous. And in the interest of keeping the film breezy and tying the stories together, the editing style tends to smooth out the rough edges. So even when the kids are having serious meltdowns, it doesn't feel like it matters that much.
Soul searching here is reduced to a series of animated segments where we literally get to move inside the characters' eyes to supposedly see what makes them tick. It's a clever device, looks great and it's fun, but it isn't very revealing.
So what if Megan, the privileged rich kid, has more problems then you might imagine and a dark secret that explains her psychic wounds? Perhaps the least interesting character is Jake, the video game geek and marching band member who has an awful case of adolescent acne that is probably going to scar him for life, but it's not explored.
For all of its access and exposure, American Teen seems skin-deep. It's well shot, with good production values and lots of cool music. But it's fun and facile in much the same way reality TV is. You may have a good time, but you'll hate yourself in the morning.
AMERICAN TEEN
A&E IndieFilms
Credits:
Director: Nanette Burstein
Producers: Nanette Burstein, Jordan Roberts, Eli Gonda, Chris Huddleston
Executive producers: Elisa Pugliese, Patrick Morris, Molly Thompson, Nancy Dubuc, Rob Sharenow
Directors of cinematography: Laela Kilbourn, Wolfgang Held, Robert Hanna
Music: Michael Penn
Editors: Mary Manhardt, Tom Haneke, Nanette Burstein
Running time -- 95 minutes
No MPAA rating...
- 1/31/2008
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.