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Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.

Here are the coolest horror collectibles unveiled this week!

Matinee 4K Uhd from Shout Select

Shout Select proudly presents Matinee on 4K Ultra HD + Blu-ray on June 25. The 1993 comedy has been newly restored in 4K from the original negative, supervised by director Joe Dante, with Dolby Vision and Dolby Atmos sound.

John Goodman stars as a filmmaker loosely based on B-movie legend William Castle. Cathy Moriarty, Simon Fenton, Omri Katz, Kellie Martin, and Lisa Jakub round out the cast. Charles S. Haas (Gremlins 2: The New Batch) penned the script.

Special features include: a new commentary by film critics Drew McWeeny and Eric Vespe; new interviews with Martin and David Clennon; interviews with Dante, Moriarty, Jakub, production designer Steven Legler, editor Marshall Harvey, and...

There are only two certainties in this world; death and that "Scooby-Doo on Zombie Island" is the best Scooby-Doo movie ever made. Scooby and the gang first debuted in 1969, but it wasn't until 1998 that "Zombie Island" set the standard for all things Scoob. It's scary, the animation is stunning, the voice-acting is top-notch, and every subsequent Scooby story has been chasing that high ever since. /Film's own Valerie Ettenhofer recently solidified her place as an expert on all things Mystery Incorporated with their oral history of the film and uncovered some production mysteries in the process.

Model Coordinator Lance Falk was interviewed as part of the piece and told Ettenhofer that "The Twilight Zone" was a major influence on not just the tone of the film, but also the structure. Lest we forget, most episodes of "Scooby-Doo" are roughly 20 minutes, which has an entirely different storytelling structure than that of a feature-length film.

If you came of age sometime between 1969 and now, there's a good chance you grew up with Scooby-Doo. The snack-loving Great Dane became a mainstay in homes across America when "Scooby-Doo, Where Are You!" first premiered, and Mystery Inc.'s reputation kept growing long after Joe Ruby and Ken Spears' groovy series ended its three-season run. In the decades since, Scooby, Shaggy, Fred, Daphne, and Velma have become a global phenomenon, and even during low points in Scooby history, there's still a strong sense of cultural awareness for the lovable pup and his mystery-solving crew.

Scooby fans are also well-known for our strong opinions; with over a hundred Scooby titles to choose from across film, TV, web, comics, and more, Scooby fans have a knack for developing a strong individual sense of what works and what doesn't in the franchise. While most fans may not agree on what Scooby properties...

A new episode of the Real Slashers video series has just arrived online, and in this one we’re looking back at an ’80s classic that features special effects from the legendary Tom Savini: The Prowler (watch it Here)! To hear all about it, check out the video embedded above.

Directed by Joseph Zito, who would go on to make Friday the 13th: The Final Chapter a few years later, The Prowler was scripted by Neal Barbera and Glenn Leopold. Here’s the set-up: A crazed World War II veteran gets revenge on his ex-girlfriend and her boyfriend, then stalks teens 35 years later.

The film stars Vicky Dawson, Christopher Goutman, Lawrence Tierney, Farley Granger, Cindy Weintraub, Lisa Dunsheath, David Sederholm, Bill Nunnery, Thom Bray, Diane Rode, Bryan Englund, Donna Davis, Carleton Carpenter, Joy Glaccum, Timothy Wahrer, John Seitz, Bill Hugh Collins, Dan Lounsbery, Douglas Stevenson, and Susan Monts.

A...

Welcome to the first installment of an on going look at various horror themed cartoons and toys from multiple eras. I decided to start with a series that despite multiple tries was unable to ever be picked up as an on going animated series. Monster in My Pocket, a line of miniature toys inspired by various legendary creatures from film, mythology, cryptozoology, and other paranormal realms when it debuted in 1990. Originally sold as trading cards and stickers before being released as toys in single packets, packets of four, secret twelve packs, and 24 packs, causing this then eight-year-old horror fan, to instantly fall in love with the toys and try my best to collect all 229 variants of the little rubber figures, my personal favorite being the Cerberus.

Figures

All though as child I had no clue that some of these figures were only obtainable through various promotions through assorted restaurant chains...

Throughout the month of December, TV Editor Kate Kulzick and Film Editor Ricky D will review classic Christmas adaptions, posting a total of 13 each, one a day, until the 25th of December.

The catch: They will swap roles as Rick will take on reviews of classic television Christmas specials and Kate will take on Christmas movies. Today is day 23.

A Flintstones Christmas Carol (1994)

Directed by Joanna Romersa

Teleplay by Glenn Leopold

What’s it about?

Fred gets into character after he wins the role of Scrooge in the Bedrock Community Theatre’s adaptation of A Christmas Carol, and becomes so obsessed with rehearsing his lines, he literally takes method acting to a whole new level. Becoming just as greedy, unfriendly, arrogant and selfish as his character, Fred himself is visited by the ghosts of Christmas Past.

Review:

The popular animated comedy of the 60′s was a staple of after-school reruns for generations.

Chicago – When did all slasher pics from the early ’80s become “cult classics”? You will find very few people as well-versed in the sub-genre as this writer who will gladly contrast and compare “Friday the 13th” sequels or discuss the merits of “April Fool’s Day,” “Basket Case,” and “My Bloody Valentine.” And yet not every film from the era deserves a cult following merely because it has grisly deaths, some T&A, and a twist ending. For example, take “The Prowler,” now out on Blu-ray from the great Blue Underground.

Blu-Ray Rating: 2.0/5.0

Also known as “Rosemary’s Killer,” a better title since “The Prowler” makes almost no sense in context, the 1981 slasher pic from Joseph Zito was released near the height of the slasher movie craze as makeup gurus like the great Tom Savini played with new ways to gruesomely display the death of the latest starlet. Savini’s...