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Elliott Lewis

Ed Catto: Film Noir — Without the Film
Even though police procedurals are all the rage on TV right now, I’ve always preferred detective shows and Film Noir movies. This week, let’s take a walk down some mean streets as I tell you about an outstanding Film Noir thriller. You’ll have to listen closely, as there’s no film at all.

Broadway Is My Beat is a crime drama from the Golden Age of Radio. Originally broadcast in the late 40’s and early 50’s, this show follows the homicide caseload of Lt. Danny Clover, a cop assigned to the “Broadway Precinct” of New York City.

Each week Lt. Clover must solve a murder. And it’s all done Ellery Queen/“fair play” style, so the listener can figure out whodunit as well. These stories are pretty clever. It’s always a race for the listener to keep up with the police lieutenant and discover what...
See full article at Comicmix.com
  • 11/23/2015
  • by Ed Catto
  • Comicmix.com
New From Radio Archives
August 30, 2013

CBS Radio Workshop Volume 4 The CBS Radio Workshop debuted at the end of the Age of Classic Radio, which was a time of innovation and experimentation, especially in terms of radio drama. The ten-hour Volume 4 includes “All Is Bright”, a history of the famous Christmas song; “1489 Words”, which featured the debut of later film composer Jerry Goldsmith’s “The Thunder of Imperial Names”, which was written for a concert band and was based on a text piece by Thomas Wolfe; a two-part adaptation of Frederick Pohl and Cyril M. Cornbluth’s The Space Merchants, which offers a satirical look at rampant consumerism from the viewpoint of an advertising executive; Archibald MacLeish’s “Air Raid”, the series’ only re-broadcast, which had first been written for the 1938 Columbia Workshop. Aired during the Cold War era, it took on a sinister new meaning; Henry Fritch’s “The Endless Road”, about a road...
See full article at Comicmix.com
  • 9/4/2013
  • by Glenn Hauman
  • Comicmix.com
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