About forty-five minutes into Netflix’s Anna Nicole Smith documentary, I had the urge to throw my laptop away and break some things in rage. Normally, I do not let things on screen get to me, no matter how emotionally draining they are, especially when I am watching them for work. Sometimes, though, things have a way of getting out of hand. Anna Nicole Smith found her way back to her biological father when she was twenty-four. She was over the moon. The father tried to have sex with her.
Documentary filmmaking is a risky business. The director has to bear the responsibility of doing justice to the real events. But it also has to be engaging enough for the audience to hold on to their seats till the very end. You might disagree, but I don’t think it would be wrong of me to say that over the past decade,...
Documentary filmmaking is a risky business. The director has to bear the responsibility of doing justice to the real events. But it also has to be engaging enough for the audience to hold on to their seats till the very end. You might disagree, but I don’t think it would be wrong of me to say that over the past decade,...
- 5/16/2023
- by Rohitavra Majumdar
- Film Fugitives
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