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In a small way, the micro-budgeted U.K. indie “Winnie-the-Pooh: Blood and Honey” more than pulled its weight in drawing audiences back to theaters two years ago. The bad-taste concept and trailer generated guilty-pleasure viral traction; then the Fathom Events theatrical window was so short, there was no chance for word-of-mouth to spoil the fun. Which was fortunate, as the film itself was an amateurish slog.

You have to give the filmmakers credit, though: They swallowed all criticism (including an impressive sweep of the Golden Raspberries), vowing to plow their considerable profits into making better movies …albeit in the same vein. Last year’s “Honey” sequel was reportedly a significant improvement. Now there’s “Peter Pan’s Neverland Nightmare,” a nasty piece of work — in the sense that it appeals to horror fans with a strong stomach not just for gore but truly unpleasant ideas.

You might hesitate to call a...

There's a charming video essay that talks about the much loved TV detective Columbo, and how the show creates "intrigue without mystery". The whole notion of an inverted detective story, the substitution of 'whodunnit' for 'howcatchem'. Though the genre itself dates back to at least 1912 that term of art is from a 1963 collection by author Philip MacDonald. In a relatively complicated film career he had works adapted and adapted works himself, including contributions to another work with a director fond of appearing in cameo, 1940's Rebecca. Here it's not Alfred Hitchcock but another name synonymous with high concept thrillers, M Night Shyamalan.

Trap aims and usually succeeds in building a constant unease that's as complicated in structure as the fictional Tanaka Stadium in which most of it takes place. Hamilton, Ontario joins Glasgow, Scotland in a list of cities that have impersonated Philadelphia on...

First released in 1951, this endlessly entertaining film is an absorbing tale of an American arriving in postwar Britain looking for answers about his slain younger brother

This 1951 drama-thriller from director Jacques Tourneur and veteran genre writer Philip MacDonald, which sees Ray Milland coming to grimy postwar Britain demanding answers about his brother’s death, is a gem: focused, fast-moving and a little eccentric. It is a British-set movie that takes us on a travelogue tour from the coast of Tampa, Florida, to London – and from there to Wales, the Scottish Highlands and Birmingham. There is a lovely scene shot on location in London’s Covent Garden, in the days of the fruit and veg market, with crowds of real people looking on.

There are no explicit action sequences: no shootouts, not even a punch-up. But it’s entirely absorbing with an undertow of mystery and tension, a mix of humour...

The Film Noir Foundation has helped revive yet another difficult-to-see noir gem — the murder cover-up tale begins with a shooting in a mansion and races across San Francisco to a finale given classic lines by director Felix Feist. And the casting: Saggy Lee J. Cobb as a romantic leading man? Sunny Jane Wyatt as a duplicitous killer? Bring it on!

The Man Who Cheated Himself

Blu-ray + DVD

Flicker Alley

1950 / B&W / 1:37 Academy / 81 min. / Street Date September 25, 2018 / 39.95

Starring: Lee J. Cobb, Jane Wyatt, John Dall, Lisa Howard, Harlan Warde, Tito Vuolo, Charles Arnt, Marjorie Bennett.

Cinematography: Russell Harlan

Film Editor: David Weisbart

Production Design: Van Nest Polglase

Original Music: Louis Forbes

Written by Philip MacDonald, Seton I. Miller from his story.

Produced by Jack M. Warner

Directed by Felix E. Feist

In the late ’40s film noir was the default vehicle for ambitious filmmaking — after producing two early Anthony Mann noirs,...

Robot roll call! This also-ran robotic fantasy from the 1950s is precisely the kind of movie one would expect from Republic, a two-fisted anti-Commie tract for juveniles. The studio comes up with an impressive robo-hero, but short-changes us when it come time for action thrills. Still, as pointed out in Richard Harland Smith’s new commentary, Tobor filled the the kiddie hunger for sci-fi matinees, at least until Robby the Robot came along.

Tobor the Great

Blu-ray

Kl Studio Classics

1954 / B&W / 1:85 widescreen / 77 min. / Street Date September 12, 2017 / available through Kino Lorber / 29.95

Starring: Charles Drake, Karin Booth, Billy Chapin, Taylor Holmes, Steven Geray, Hal Baylor, Alan Reynolds, Peter Brocco, Robert Shayne, Lyle Talbot, William Schallert

Cinematography: John L. Russell

Production Design: Gabriel Scognamillo

Special Effects: Howard and Theodore Lydecker

Film Editor: Basil Wrangell

Original Music: Howard Jackson

Written by Philip MacDonald, Carl Dudley

Produced by Richard Goldstone

Directed by Lee Sholem...

No, not a blind Sherlock Holmes, but a blind Van Johnson, who directs his butler, his girlfriend Vera Miles and the London police to thwart a crime based on something he overheard in a bar. Henry Hathaway directs a complicated murder mystery that plays like a combo of Rear Window and Wait Until Dark, with a cranky Van Johnson as the central character.

23 Paces to Baker Street

Blu-ray

Kl Studio Classics

1956 / Color / 2:35 widescreen / 103 min. / Street Date February 21, 2017 / available through Kino Lorber / 29.95

Starring: Van Johnson, Vera Miles, Cecil Parker, Patricia Laffan, Maurice Denham, Estelle Winwood, Liam Redmond, Isobel Elsom, Martin Benson, Queenie Leonard.

Cinematography: Milton Krasner

Film Editor: James B. Clark

Original Music: Leigh Harline

Written by Nigel Balchin from the novel Warrant for X by Philip MacDonald

Produced by Henry Ephron

Directed by Henry Hathaway

In the 1950s the murder mystery thriller came of age, as creakier older formulas...

Special Mention: Dressed To Kill

Directed by Brian De Palma

Written by Brian De Palma

1980, USA

Genre: Thriller

Brian De Palma’s films, like Tarantino’s, are a cinematic mash-up of influences from the past, and in De Palma case he borrows heavily from Alfred Hitchcock. Obsession is De Palma’s Vertigo, Blow Out his Rear Window, and with Dressed to Kill the director set its sights on Psycho. Dressed To Kill is more thriller than horror but what a stylish and twisted thriller it is! The highlight here is an amazing ten-minute chase sequence set in an art gallery and conducted entirely without dialogue. There are a number of other well-sustained set pieces including a race in the subway system and even, yes, a gratuitous shower murder sequence. Dressed To Kill features an excellent cast (Michael Caine, Nancy Allen, Angie Dickinson), a superb score (courtesy of Pino Donaggio) and...

When I was a kid, I used to love a scary movie. I remember catching the original The Haunting (1963) one night on Channel 9’s Million Dollar Movie when I was home alone. Before it was over, I had every light in the house on. When my mother got home she was screaming she’d been able to see the house glowing from two blocks away. The only thing screaming louder than her was the electricity meter.

That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...

Joan Fontaine today: One of the best actresses of the studio era has her ‘Summer Under the Stars’ day Joan Fontaine, one of the few surviving stars of the 1930s, is Turner Classic Movies’ "Summer Under the Stars" star today, Tuesday, August 6, 2013. I’m posting this a little late in the game: TCM has already shown six Joan Fontaine movies, including the first-rate medieval adventure Ivanhoe and the curious marital drama The Bigamist, directed by and co-starring Ida Lupino, and written by Collier Young — husband of both Fontaine and Lupino (at different times). Anyhow, TCM has quite a few more Joan Fontaine movies in store. (Photo: Joan Fontaine publicity shot ca. 1950.) (TCM schedule: Joan Fontaine movies.) As far as I’m concerned, Joan Fontaine was one of the best actresses of the studio era. She didn’t star in nearly as many movies as sister Olivia de Havilland, perhaps because...

Nikolaj Arcel is set to direct Dreamworks' remake of Alfred Hitchcock's 1940 Rebecca film, scripted by Steven Knight (Eastern Promises). Deadline reports that Tim Bevan and Eric Fellner's Working Title are producing the film. The original was adapted by Philip MacDonald and Michael Hogan, from the screen play by Robert E. Sherwood and Joan Harrison, based on the Daphne Du Maurier novel. Sir Laurence Olivier and Jane Fontaine starred in the film which tells of a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants.

Nikolaj Arcel is set to direct Dreamworks' remake of Alfred Hitchcock's 1940 Rebecca film, scripted by Steven Knight (Eastern Promises). Deadline reports that Tim Bevan and Eric Fellner's Working Title are producing the film. The original was adapted by Philip MacDonald and Michael Hogan, from the screen play by Robert E. Sherwood and Joan Harrison, based on the Daphne Du Maurier novel. Sir Laurence Olivier and Jane Fontaine starred in the film which tells of a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants.

The Man Who Cheated Himself

Written by Seton I. Miller and Philip MacDonald

Directed by Felix E. Feist

U.S.A. 1950

Underestimation is arguably one of Man’s greatest flaws. Once an individual has settled into a false sense of security, or is perhaps convinced of his or her own superiority against all possible odds, the lone variable to disrupt that security shall always arrive with the worst possible timing. Anybody would be hard pressed to not admit to a time when that most unwise habits befell them. Even when weighing the opposition and potential variables, the factor that shall ultimately prove to be their undoing can easily be the least anticipated. In crime movies, the culprits frequently attempt to plan the perfect caper or murder, only to be undone by the simplest of clues left behind. The unexpected harbinger of doom could be a piece of evidence, just as it might be a person,...

When I was a kid, I used to love a scary movie. I remember catching the original The Haunting (1963) one night on Channel 9’s Million Dollar Movie when I was home alone. Before it was over, I had every light in the house on. When my mother got home she was screaming she’d been able to see the house glowing from two blocks away. The only thing screaming louder than her was the electricity meter.

That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...

Did you somehow miss this amazing sequel to Frankenstein Meets the Wolf Man? Who could ever forget The Wolf Man vs. Dracula, the Technicolor square-off between Bela Lugosi’s villainous vampire and Lon Chaney, Jr.’s, hirsute antihero? You don’t remember it? Of course not, because it never existed. But, it almost did!

Welcome to “An Alternate History for Classic Film Monsters,” a wonderful series of previously unpublished screenplays from the Universal Monsters era. Curated by Philip J. Riley (Count Dracula Society Award winner and inductee into the Universal Horror Hall of Fame), this collection of newly dug up scripts offers any devoted monster fan who’s “seen ‘em all” a special opportunity indeed of seeing some classic chiller movies that might have been.

Published in the same style as Riley’s earlier screenplays of the ‘30s thriller greats put out by MagicImage, these BearManor Media volumes include a...