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Paul Maxey

News

Paul Maxey

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They Won’t Believe Me
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Vintage high-end Film Noir from the classic year 1947! Low Mileage too — this long cut hasn’t been seen since the early laserdisc days. I didn’t know it needed restoring until George Feltenstein talked about it a couple of years ago. It’s a domestic noir crossed with Double Indemnity with a little An American Tragedy thrown in for good measure. Normally squeaky-clean Robert Young throws his hat into the ring with the lowest of noir hero-villains: in this one he double-crosses three terrific noir leading ladies. We can now spell ‘Unspeakable Cad’ with the initial Ry. The most amazing thing about The Warner Film Archive’s new disc is that it restores a full fifteen minutes — Eddie Muller screened They Won’t on his Noir City show not long ago, with no mention that it was the short, edited version.

They Won’t Believe Me

Blu-ray

Warner Archive Collection

1947 / B&w / 1:37 Academy / 95 min.
See full article at Trailers from Hell
  • 5/8/2021
  • by Glenn Erickson
  • Trailers from Hell
The Pirate
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Now for a real treat for musical fans, a core MGM dazzler with top stars, fully restored and looking incredibly good. Vincente Minnelli’s snappy, funny 1948 show isn’t ranked among producer Arthur Freed’s best but it ought to be. Silly farce gets a high-toned, technically amazing workout as Judy Garland’s demure señorita secretly lusts after the ruthless corsair of the title, Mack the Black! Gene Kelly’s slippery carny womanizer impersonates her piratical fantasy sex object, and it all ends in clowning and killer musical numbers. Cole Porter’s smart songs attest to the great orchestrators and arrangers in MGM’s world-class music department; the new full digital restoration makes the movie look and sound better than I’ve certainly ever seen it.

The Pirate

Blu-ray

Warner Archive Collection

1948 / Color / 1:37 Academy / 102 min. / Street Date November 24, 2020 / available through the WBshop / 21.99

Starring: Judy Garland, Gene Kelly, Walter Slezak,...
See full article at Trailers from Hell
  • 11/24/2020
  • by Glenn Erickson
  • Trailers from Hell
Deadline – U.S.A.
Richard Brooks' exciting Humphrey Bogart picture is one of the best newspaper sagas ever. An editor deals with a gangster threat and a domestic crisis even as greedy heirs are selling his paper out from under him. Commentator Eddie Muller drives home the film's essential civics lesson about what we've lost -- a functioning free press. Deadline - U.S.A. Blu-ray Kl Studio Classics 1952 / B&W / 1:37 flat Academy / 87 min. / Street Date July 26, 2016 / available through Kino Lorber / 29.95 Starring Humphrey Bogart, Ethel Barrymore, Kim Hunter, Ed Begley, Warren Stevens, Paul Stewart, Martin Gabel, Joe De Santis, Audrey Christie, Jim Backus, Willis Bouchey, Joseph Crehan, Lawrence Dobkin, John Doucette, Paul Dubov, William Forrest, Dabbs Greer, Thomas Browne Henry, Paul Maxey, Ann McCrea, Kasia Orzazewski, Tom Powers, Joe Sawyer, William Self, Phillip Terry, Carleton Young. Cinematography Milton Krasner Film Editor William B.Murphy Original Music Cyril J. Mockridge Produced by Sol C. Siegel...
See full article at Trailers from Hell
  • 9/2/2016
  • by Glenn Erickson
  • Trailers from Hell
‘The Narrow Margin’ expands the confines of train compartments for solid thrills
The Narrow Margin

Written by Earl Felton

Directed by Richard Fleischer

USA, 1952

Single-location films can be a tough sell for some. In some instances, the location might seem too preposterous to be the setting for an entire story, thus creating a sense that the project is based on a gimmick. It requires some considerable storytelling prowess to properly convey the reasons why characters would remain in said location if dangers lurk around every corner, and to create new, plausible threats to keep the interest level high. Trains as single-location settings present some interesting challenges. They offer its passengers the opportunity to peruse its in and outs in many ways, not all of which offer a lot of breathing room. Richard Fleischer turned out to be one such director capable of taking full advantage of the setting with 1952’s The Narrow Margin.

Detective Sergeants Walter Brown (Charles McGraw) and Gus Forbes...
See full article at SoundOnSight
  • 12/6/2013
  • by Edgar Chaput
  • SoundOnSight
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