Buenos Aires-based FilmSharks has acquired international sales rights for “Las irresponsables,” the new comedy from acclaimed Spanish director Laura Mañá. The film is set to hit Spanish theaters on July 25 via A Contracorriente Films.
The sales company has also released the film’s international trailer, seen below.
“Las irresponsables” is produced by Arcadia and Afrodita Audiovisual Aie, with the support of 3Cat, Atresmedia, Movistar Plus+, Icec and Icaa. The project reunites Arcadia with the work of celebrated Argentine playwright Javier Daulte, whose original stage version premiered at the Temporada Alta Festival in 2021 and became a post-pandemic hit at Barcelona’s Villarroel Theatre. Arcadia previously adapted Daulte’s “¿Estás aquí?” for the big screen.
Starring Laia Marull, Betsy Túrnez and Àgata Roca, the film tells the story of three friends who escape the city for a weekend in a luxury smart home full of fine art. While their WhatsApp chat is full of good intentions,...
The sales company has also released the film’s international trailer, seen below.
“Las irresponsables” is produced by Arcadia and Afrodita Audiovisual Aie, with the support of 3Cat, Atresmedia, Movistar Plus+, Icec and Icaa. The project reunites Arcadia with the work of celebrated Argentine playwright Javier Daulte, whose original stage version premiered at the Temporada Alta Festival in 2021 and became a post-pandemic hit at Barcelona’s Villarroel Theatre. Arcadia previously adapted Daulte’s “¿Estás aquí?” for the big screen.
Starring Laia Marull, Betsy Túrnez and Àgata Roca, the film tells the story of three friends who escape the city for a weekend in a luxury smart home full of fine art. While their WhatsApp chat is full of good intentions,...
- 6/19/2025
- by Jamie Lang
- Variety Film + TV
¿Hasta dónde llegarías para ayudar a una amiga? © A Contracorriente Films
Las irresponsables, dirigida por Laura Mañá (El cuerpo en llamas), autora también del guion junto a Marta Buchaca (Litus) y basada en la obra homónima del argentino Javier Daulte, se rueda durante seis semanas en Barcelona y alrededores.
En Las irresponsables, Núria, Lila y Andrea se disponen a pasar un fin de semana juntas, fuera de la ciudad, en una casa inteligente, de lujo y llena de obras de arte que le ha dejado un amigo a Núria. Su grupo de WhatsApp arde repleto de buenas intenciones, pero la realidad es que a las tres les da mucha pereza… Todo cambia cuando una inocente pregunta les empuja a liberarse y dejarse llevar por sus impulsos.
La película está protagonizada por Laia Marull (La Mesías), Betsy Túrnez (El 47) y Àgata Roca (Un nuevo amanecer). Completan el reparto Jordi Sánchez...
Las irresponsables, dirigida por Laura Mañá (El cuerpo en llamas), autora también del guion junto a Marta Buchaca (Litus) y basada en la obra homónima del argentino Javier Daulte, se rueda durante seis semanas en Barcelona y alrededores.
En Las irresponsables, Núria, Lila y Andrea se disponen a pasar un fin de semana juntas, fuera de la ciudad, en una casa inteligente, de lujo y llena de obras de arte que le ha dejado un amigo a Núria. Su grupo de WhatsApp arde repleto de buenas intenciones, pero la realidad es que a las tres les da mucha pereza… Todo cambia cuando una inocente pregunta les empuja a liberarse y dejarse llevar por sus impulsos.
La película está protagonizada por Laia Marull (La Mesías), Betsy Túrnez (El 47) y Àgata Roca (Un nuevo amanecer). Completan el reparto Jordi Sánchez...
- 12/3/2024
- by Marta Medina
- mundoCine
A Boyfriend For My Wife, Do Not Enter entice buyers.
Guido Rud’s Buenos Aires-based FilmSharks has reported a raft of business on its Cannes slate led by a major deal with the TelevisaUnivision’s ViX platform on rom-com A Boyfriend For My Wife (Un Novio Para Mi Mujer).
The streamer is building its nascent pipeline after launching in 2022 and acquired US and Spanish-speaking Latin American rights to Laura Mana’s completed Spanish remake of the Argentinian smash starring Belen Cuesta, Hugo Silva and Diego Martin. AMC has acquired the film for Eastern Europe, Kinologistica for Cis, and Anuvu for airlines.
Guido Rud’s Buenos Aires-based FilmSharks has reported a raft of business on its Cannes slate led by a major deal with the TelevisaUnivision’s ViX platform on rom-com A Boyfriend For My Wife (Un Novio Para Mi Mujer).
The streamer is building its nascent pipeline after launching in 2022 and acquired US and Spanish-speaking Latin American rights to Laura Mana’s completed Spanish remake of the Argentinian smash starring Belen Cuesta, Hugo Silva and Diego Martin. AMC has acquired the film for Eastern Europe, Kinologistica for Cis, and Anuvu for airlines.
- 5/20/2023
- by Jeremy Kay
- ScreenDaily
Hit Argentinian romantic comedy has been remade in more than 12 countries.
Guido Rud’s Buenos Aires-based FilmSharks’ The Remake Co. has struck a French deal for remake rights to hit Argentinian romantic comedy A Boyfriend For My Wife (Un Novio Para Mi Mujer).
Abel Nahmias’ Paris-based Echo Films is the latest company to adapt Juan Taratuto’s 2008 film. Nahmias’ credits include It Boy and Blood: The Last Vampire.
The story has been remade in more than 12 countries and centres on a frustrated husband who adopts the unusual strategy of hiring a flirtatious man in the hopes of getting rid of his wife.
Guido Rud’s Buenos Aires-based FilmSharks’ The Remake Co. has struck a French deal for remake rights to hit Argentinian romantic comedy A Boyfriend For My Wife (Un Novio Para Mi Mujer).
Abel Nahmias’ Paris-based Echo Films is the latest company to adapt Juan Taratuto’s 2008 film. Nahmias’ credits include It Boy and Blood: The Last Vampire.
The story has been remade in more than 12 countries and centres on a frustrated husband who adopts the unusual strategy of hiring a flirtatious man in the hopes of getting rid of his wife.
- 5/19/2022
- ScreenDaily
Universal Pictures Int’l Spain has snatched theatrical distribution rights to the Spanish remake of romcom “A Boyfriend for my Wife” (“Un Novio para mi Mujer”), now shooting in Barcelona.
The 2008 Argentine original by Juan Taratuto, starring Adrian Suar, lured up to 1.5 million admissions in Argentina and has been remade in a slew of territories, including Mexico, Brazil, Italy, China, France, Chile, Vietnam and, most successfully, in South Korea where it sold five million admissions.
Its story revolves around a man who finds a rather unorthodox way of getting rid of his lovely but insufferable wife: Finding her a boyfriend so that she dumps him instead. He picks a well-known Lothario to seduce her but the scheme backfires on him.
Directed by Laura Mañá from a screenplay penned with Pol Cortecans (“Bienvenidos a la familia”), the Spanish remake is produced by Arcadia Motion Pictures and Athos Pictures along with the...
The 2008 Argentine original by Juan Taratuto, starring Adrian Suar, lured up to 1.5 million admissions in Argentina and has been remade in a slew of territories, including Mexico, Brazil, Italy, China, France, Chile, Vietnam and, most successfully, in South Korea where it sold five million admissions.
Its story revolves around a man who finds a rather unorthodox way of getting rid of his lovely but insufferable wife: Finding her a boyfriend so that she dumps him instead. He picks a well-known Lothario to seduce her but the scheme backfires on him.
Directed by Laura Mañá from a screenplay penned with Pol Cortecans (“Bienvenidos a la familia”), the Spanish remake is produced by Arcadia Motion Pictures and Athos Pictures along with the...
- 7/22/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Last month, Catalan auteur Agustí Villaronga swept pretty much every prize out at Spain’s Malaga Film Festival with “The Belly of the Sea.”
The plaudits prized Villaronga’s large artistic ambition in re-creating arguably the most ghastly shipwreck in history — the 1816 sinking of French frigate Meduse off the coast of modern Mauritania — in a film shot in an abandoned wine cellar. It mixes historical re-creation, contemporary photo and doc footage and sea sculptures of the barnacled bodies of the drowned.
Next up for Villaronga, however, is what he describes as a tender comedy, “3,000 Obstacles,” about a former elite athlete now suffering from Alzheimer’s disease.
Director of resonant features that are elliptical (“Pau and His Brother”) or pointedly meandering (“August Days”), Marc Recha is now developing a quirky comedy thriller about a blind man helping a friend to find some religious relics hidden by two Slovenian monks.
Ibon Cormenzana...
The plaudits prized Villaronga’s large artistic ambition in re-creating arguably the most ghastly shipwreck in history — the 1816 sinking of French frigate Meduse off the coast of modern Mauritania — in a film shot in an abandoned wine cellar. It mixes historical re-creation, contemporary photo and doc footage and sea sculptures of the barnacled bodies of the drowned.
Next up for Villaronga, however, is what he describes as a tender comedy, “3,000 Obstacles,” about a former elite athlete now suffering from Alzheimer’s disease.
Director of resonant features that are elliptical (“Pau and His Brother”) or pointedly meandering (“August Days”), Marc Recha is now developing a quirky comedy thriller about a blind man helping a friend to find some religious relics hidden by two Slovenian monks.
Ibon Cormenzana...
- 7/7/2021
- by Emilio Mayorga and John Hopewell
- Variety Film + TV
Psych-Out: The Surreal Side Of Euro-Cult | Viva! Spanish And Latin American Film Festival | Kinoteka Polish Film Festival | Pan Asia Film Festival
Psych-Out: The Surreal Side Of Euro-Cult, Newcastle upon Tyne
If your definition of psychedelic cinema goes further than Peter Fonda saying "Far out", prepare to have your mind exploded. Psychedelia was always a better fit with Europe, where it found affinities with surrealism, horror and eroticism. The examples here are six of the most luridly extreme films from the 60s and 70s, with some of the grooviest soundtracks. There's high-end vampire trash such as Daughters Of Darkness and Vampyros Lesbos, but if that sounds a bit tame, try Fernando Arrabal's bizarre I Will Walk Like A Crazy Horse or Andrzej Zulawski's intense Possession.
Star And Shadow Cinema, Sat to 28 Mar
Viva! Spanish And Latin American Film Festival, Manchester
Between the economic crisis in Spain and the explosion...
Psych-Out: The Surreal Side Of Euro-Cult, Newcastle upon Tyne
If your definition of psychedelic cinema goes further than Peter Fonda saying "Far out", prepare to have your mind exploded. Psychedelia was always a better fit with Europe, where it found affinities with surrealism, horror and eroticism. The examples here are six of the most luridly extreme films from the 60s and 70s, with some of the grooviest soundtracks. There's high-end vampire trash such as Daughters Of Darkness and Vampyros Lesbos, but if that sounds a bit tame, try Fernando Arrabal's bizarre I Will Walk Like A Crazy Horse or Andrzej Zulawski's intense Possession.
Star And Shadow Cinema, Sat to 28 Mar
Viva! Spanish And Latin American Film Festival, Manchester
Between the economic crisis in Spain and the explosion...
- 3/2/2013
- by Steve Rose
- The Guardian - Film News
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