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Claudia Messner

Barbara Sukowa in Lola (1981)
Schipper's 'Victoria' victorious at German Lolas
Barbara Sukowa in Lola (1981)
Sebastian Schipper’s Victoria was the big winner at this year’s German Film Awards, taking home six statuettes from its seven nominations including the Golden Lolas for Best Film, Best Director, and Best Lead Actor.

Schipper’s one-shot thriller set during a breathless night on the streets of Berlin also picked up Lolas for the Spanish actress Laia Costa, the title character, and the Danish cinematographer Sturla Brandth Grøvlen.

Victoria premiered in the Berlinale’s main competition last February where Grøvlen received a Silver Bear, was released in German cinemas on 11 June and is being handled internationally by The Match Factory.

The Silver Lola for Best Film was awarded by the members of the German Film Academy to Edward Berger’s social-realist drama Jack, with the Bronze Lola going to Johannes Naber’s black comedy Age Of Cannibals which deservedly also received the Lola for Best Screenplay for the searing dialogues by the author Stefan Weigl.

Both...
See full article at ScreenDaily
  • 6/22/2015
  • by screen.berlin@googlemail.com (Martin Blaney)
  • ScreenDaily
The Young Schiller (2005)
Here Are All the Movies Opening Today, January 9. What Will You See?
The Young Schiller (2005)
Here are the films opening theatrically in the U.S. the week of Friday, January 9th. (Synopses provided by distributor unless listed otherwise.) Beloved Sisters Director: Dominik Graf Cast: Florian Stetter, Henriette Confurius, Hannah Herzsprung, Claudia Messner, Ronald Zehrfeld, Andreas Pietschmann, Maja Maranow, Peter Schneider, Michael Wittenborn, Anne Schäfer, Philipp Oehme, Thomas Kornack, Klaus Lehmann Synopsis: "The summer of 1788 in Rudolstadt. Rebellious poet Friedrich Schiller and two penniless sisters, members of the Thuringian aristocracy, experience an unforgettable period together which will eventually bind them forever. Unhappily married Caroline von Beulwitz and her shy sister Charlotte von Lengefeld take seriously their oath to share everything – even the author of ‘The Robbers’. Charlotte marries Schiller so they may pursue their ménage à trios under the guise of convention. Caroline, whose novel Schiller publishes anonymously,...
See full article at Indiewire
  • 1/9/2015
  • by Steve Greene
  • Indiewire
Sisterly love by Anne-Katrin Titze
Beloved Sisters producer Uschi Reich on Dominik Graf at the New York Film Festival: "It was very important for Dominik to work with the language." Photo: Anne-Katrin Titze

Dominik Graf's Beloved Sisters (Die Geliebten Schwestern) starring Florian Stetter, Henriette Confurius and Hannah Herzsprung alongside Claudia Messner, Ronald Zehrfeld, Michael Wittenborn, Maja Maranow and Andreas Pietschmann, sharply re-invents the costume drama with an historical fiction centered around the ménage-à-trois love story between writer Friedrich Schiller (Stetter) and the sisters Caroline (Herzsprung) and Charlotte (Confurius) von Lengefeld.

I met up with producer Uschi Reich during the New York Film Festival to discuss her role in bringing the story to the screen. We also discussed Dominik Graf's voice and music, his relationship to Christian Kracht's novel Imperium and Frauke Finsterwalder's Finsterworld film, Caroline Link, the connection between Veit Heiduschka to Michael Haneke and Helge Sasse with Anton Corbijn's...
See full article at eyeforfilm.co.uk
  • 10/4/2014
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
Nyff 2014. Dominik Graf's "Beloved Sisters"
Dominik Graf has finally properly landed in America, and it's about damn time. The German director, known almost exclusively for a prodigious—and unexportable—output of work for television, has been directing since the 1970s, but only Beloved Sisters, one of this year's Berlinale competitors, has managed to secure proper theatrical distribution in the United States. I don’t know if the time is ripe or, more likely, if this is a mere fluke. Graf’s omnivorous ingestion of German social, political, cultural, and material histories and transformation of their tensions into deeply intelligent, supremely revealing genre dramas ipso facto must eventually create something international distributors think non-Germans might want to see. Then again, previous films by the director seemingly ripe or obvious for English-language audiences, including the Die Hard-like action-siege film Die Katze (1988, which was actually pathetically limitedly shown with an alternate soundtrack in the Us), the zany post-Berlin...
See full article at MUBI
  • 9/29/2014
  • by Daniel Kasman
  • MUBI
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