Frank Sinatra was the odds-on favorite to be the big winner at the inaugural Grammy Awards in 1959, but — perhaps as an early indicator that things wouldn’t always go to plan at the Grammys — ‘Ol Blue Eyes lost out on both Record of the Year and Song of the Year.
The music industry’s most recognized awards were established in 1958 by the National Academy of Recording Arts and Sciences in the United States.
The first Grammy ceremony was held on May 4, 1959, with only 28 categories, a number that since has swelled past 100 and now settled at 91. It was attended by many of music’s elite. Sinatra, Sammy Davis Jr., Dean Martin, Gene Autry, Johnny Mercer, Henry Mancini and André Previn gathered for a black-tie dinner and awards presentation inside the Grand Ballroom of the Beverly Hilton.
Related: Grammy Awards Red Carpet Photos: Chappell Roan, Jaden Smith & More
While Sinatra led all...
The music industry’s most recognized awards were established in 1958 by the National Academy of Recording Arts and Sciences in the United States.
The first Grammy ceremony was held on May 4, 1959, with only 28 categories, a number that since has swelled past 100 and now settled at 91. It was attended by many of music’s elite. Sinatra, Sammy Davis Jr., Dean Martin, Gene Autry, Johnny Mercer, Henry Mancini and André Previn gathered for a black-tie dinner and awards presentation inside the Grand Ballroom of the Beverly Hilton.
Related: Grammy Awards Red Carpet Photos: Chappell Roan, Jaden Smith & More
While Sinatra led all...
- 2/3/2025
- by Robert Lang
- Deadline Film + TV
This story about the best international film schools first appeared in the College Issue of TheWrap’s awards magazine.
Australian Film, Television And Radio School
Sydney, Australia
“Aftrs was perfect because it was…practical,” says songwriter Christine Kirkwood, who graduated from Australia’s national screen and broadcast school after a six-month government program to train women in filmmaking. Her fellow alums include Gillian Armstrong and Phillip Noyce, who were in the school’s first graduating class in 1973, as well as Jane Campion, Cate Shortland and cinematographer Andrew Lesnie. Located near the Fox Studios in Sydney, the campus includes studios, post-production facilities and an extensive library.
Aftrs has a robust First Nations and Outreach program for indigenous students, and in early 2023 a new partnership with Industrial Light & Magic will allow the school to begin offering a two-semester Graduate Diploma in Visual Effects program. Other new offerings include a Screen Warriors program that will recruit,...
Australian Film, Television And Radio School
Sydney, Australia
“Aftrs was perfect because it was…practical,” says songwriter Christine Kirkwood, who graduated from Australia’s national screen and broadcast school after a six-month government program to train women in filmmaking. Her fellow alums include Gillian Armstrong and Phillip Noyce, who were in the school’s first graduating class in 1973, as well as Jane Campion, Cate Shortland and cinematographer Andrew Lesnie. Located near the Fox Studios in Sydney, the campus includes studios, post-production facilities and an extensive library.
Aftrs has a robust First Nations and Outreach program for indigenous students, and in early 2023 a new partnership with Industrial Light & Magic will allow the school to begin offering a two-semester Graduate Diploma in Visual Effects program. Other new offerings include a Screen Warriors program that will recruit,...
- 11/2/2022
- by TheWrap Staff
- The Wrap
Versatile film, avant-garde classical, jazz and pop composer Ennio Morricone died in a Rome hospital after falling and breaking his leg, his lawyer Giorgio Assumma announced, according to Variety. He was 91.
Known as “the Maestro,” Morricone is best known as the composer of the scores and themes of The Good, the Bad and the Ugly, Once Upon a Time in the West, and his Academy Award winning soundtrack for Quentin Tarantino’s The Hateful Eight. He also toured frequently, and expanded his sonic visions to reflect contemporary sounds. Besides his collaborations on the spaghetti Western films of Sergio Leone, Morricone composed for Bernardo Bertolucci, Dario Argento, Don Siegel, Brian De Palma, and John Carpenter. He composed for such diverse artists as Andrea Bocelli, Sting, k.d. lang, and Pet Shop Boys. Morricone never became fluent in English. When he won his 2007 honorary Oscar, his speech was translated by Clint Eastwood.
Morricone...
Known as “the Maestro,” Morricone is best known as the composer of the scores and themes of The Good, the Bad and the Ugly, Once Upon a Time in the West, and his Academy Award winning soundtrack for Quentin Tarantino’s The Hateful Eight. He also toured frequently, and expanded his sonic visions to reflect contemporary sounds. Besides his collaborations on the spaghetti Western films of Sergio Leone, Morricone composed for Bernardo Bertolucci, Dario Argento, Don Siegel, Brian De Palma, and John Carpenter. He composed for such diverse artists as Andrea Bocelli, Sting, k.d. lang, and Pet Shop Boys. Morricone never became fluent in English. When he won his 2007 honorary Oscar, his speech was translated by Clint Eastwood.
Morricone...
- 7/6/2020
- by Alec Bojalad
- Den of Geek
The 2018 Grammy nominations were a triumph for diversity, with far more hip-hop and R&b nominees in the top categories than ever before.
In a way, it shouldn’t come as a surprise that an organization devoted to supporting and honoring music would recognize the current ascendance of hip-hop as the dominant popular music form. But it is something of a delicious shock, because since they began in the 1950s, the Grammys have not exactly been inclusive.
No hip-hop song, for instance, has ever won Record of the Year or Song of the Year. You could argue that they’ve been shortsighted when it comes to rock music and Latin music and jazz and other genres, too, that there’s an inevitable conservatism that comes from having a huge body of voters considering such a vast musical landscape.
But the decades worth of snubs and oversights are not pretty. A timeline:
1959
At the first Grammys,...
In a way, it shouldn’t come as a surprise that an organization devoted to supporting and honoring music would recognize the current ascendance of hip-hop as the dominant popular music form. But it is something of a delicious shock, because since they began in the 1950s, the Grammys have not exactly been inclusive.
No hip-hop song, for instance, has ever won Record of the Year or Song of the Year. You could argue that they’ve been shortsighted when it comes to rock music and Latin music and jazz and other genres, too, that there’s an inevitable conservatism that comes from having a huge body of voters considering such a vast musical landscape.
But the decades worth of snubs and oversights are not pretty. A timeline:
1959
At the first Grammys,...
- 1/21/2020
- by Steve Pond
- The Wrap
With its win for Record of the Year at the 58th Grammy Awards on Monday, "Uptown Funk" by Mark Ronson featuring Bruno Mars has become the tenth year-end #1 single to claim this top honor from the recording academy. It joins these nine best-selling tracks to take this prize: -Break- Subscribe to Gold Derby Breaking News Alerts & Experts’ Latest Oscar Predictions 1958 "Nel Blu Depinto Di Blu (Volare) " by Domenico Modugno 1960 "Theme from 'A Summer Place'" by Percy Faith 1970 "Bridge Over Troubled Water" by Simon & Garfunkel 1972 "The First Time I Ever Saw Your Face" by Roberta Flack 1976 "Love Will Keep Us Together" by Captain & Tennille 1981 "Bette Davis Eyes" by Kim Carnes 1993 "I Will Always Love You" by Whitney Houston 2011 "Rolling in the Deep" by Adele 2012 "Somebody That I Used to Know" ...
- 2/16/2016
- Gold Derby
The hotly-anticipated Fifty Shades of Grey movie is finally released in cinemas today (February 13) to coincide with Valentine's Day this weekend, and it's got our minds racing about just one thing....
The most ridiculously silly orgasms in movie history, obviously!
From Jennifer Aniston's otherworldly pleasure to Jason Biggs's doubly embarrassing shortcomings - here are 10 fantastically farcical orgasms on the silver screen below:
1. Jason Biggs in American Pie (1999)
Virginal, apple pie-bonking Jim Levenstein can't believe his luck when his history tutoring with sexy Slovakian exchange student Nadia (Shannon Elizabeth) turns into something more. So excited is Jim, however, that he barely contains himself at her touch, only lasting a few more seconds on second go, until he, er, explodes again.
Sadly Stifler (Seann William Scott) had previously coerced Jim to set up a webcam in his room so they can all watch the frisky teenage pair, but he unwittingly...
The most ridiculously silly orgasms in movie history, obviously!
From Jennifer Aniston's otherworldly pleasure to Jason Biggs's doubly embarrassing shortcomings - here are 10 fantastically farcical orgasms on the silver screen below:
1. Jason Biggs in American Pie (1999)
Virginal, apple pie-bonking Jim Levenstein can't believe his luck when his history tutoring with sexy Slovakian exchange student Nadia (Shannon Elizabeth) turns into something more. So excited is Jim, however, that he barely contains himself at her touch, only lasting a few more seconds on second go, until he, er, explodes again.
Sadly Stifler (Seann William Scott) had previously coerced Jim to set up a webcam in his room so they can all watch the frisky teenage pair, but he unwittingly...
- 2/13/2015
- Digital Spy
The Grammys! They’re this coming Sunday and I almost forgot! To celebrate, here are all 55 winners of the Record of the Year Grammy ranked for your consideration. Now beat it.
55. “Don’t Worry Be Happy,” Bobby McFerrin
Finger-snapping never sounded so un-snappy.
54. “Rosanna,” Toto
You know, a Grammy windfall was bound to happen one of those exactly 1982 bands (Air Supply, Foreigner, Reo Speedwagon, etc), and Toto was the big winner. “Rosanna” is fun, but Grammy-worthy?
53. “Sunny Came Home,” Shawn Colvin
You know, a Grammy windfall was bound to happen to one of those exactly 1998 female singer-songwriters (Meredith Brooks, Natalie Imbruglia, Paula Cole, etc.), and Shawn Colvin was the big winner. “Sunny Came Home” is contemplative, but Grammy-worthy?
52. “Change the World,” Eric Clapton
Sort of annoying when a legendary artist wins for his most palatable and forgettable material. “Change the World” is merely radio-friendly, not an artistic breakthrough.
51. “We are the World,...
55. “Don’t Worry Be Happy,” Bobby McFerrin
Finger-snapping never sounded so un-snappy.
54. “Rosanna,” Toto
You know, a Grammy windfall was bound to happen one of those exactly 1982 bands (Air Supply, Foreigner, Reo Speedwagon, etc), and Toto was the big winner. “Rosanna” is fun, but Grammy-worthy?
53. “Sunny Came Home,” Shawn Colvin
You know, a Grammy windfall was bound to happen to one of those exactly 1998 female singer-songwriters (Meredith Brooks, Natalie Imbruglia, Paula Cole, etc.), and Shawn Colvin was the big winner. “Sunny Came Home” is contemplative, but Grammy-worthy?
52. “Change the World,” Eric Clapton
Sort of annoying when a legendary artist wins for his most palatable and forgettable material. “Change the World” is merely radio-friendly, not an artistic breakthrough.
51. “We are the World,...
- 1/21/2014
- by Louis Virtel
- The Backlot
Polignano A Mare, Italy — With sunglasses and spike heels, makeup artists and wardrobe experts, the American soap opera "The Bold and the Beautiful" has landed in Italy.
The cast and production team are in Puglia – the heel of Italy's famous boot – for a week of filming in hopes of boosting their show at home and nurturing their Italian fans.
"The Bold and the Beautiful" is seen by 35 million people in over 100 countries, according to its press office, and Italy is its No. 1 market worldwide. Known here simply as "Beautiful," the show has 4 million viewers in Italy compared to 3.6 million in the United States.
The program's male lead, Ronn Moss who plays Ridge, is also widely recognized from Italy's version of "Dancing with the Stars."
According to Brad Bell, the show's executive producer, the fictional reason why the soap finds itself in Italy is because Ridge's wife Brooke (Katherine Kelly Lang...
The cast and production team are in Puglia – the heel of Italy's famous boot – for a week of filming in hopes of boosting their show at home and nurturing their Italian fans.
"The Bold and the Beautiful" is seen by 35 million people in over 100 countries, according to its press office, and Italy is its No. 1 market worldwide. Known here simply as "Beautiful," the show has 4 million viewers in Italy compared to 3.6 million in the United States.
The program's male lead, Ronn Moss who plays Ridge, is also widely recognized from Italy's version of "Dancing with the Stars."
According to Brad Bell, the show's executive producer, the fictional reason why the soap finds itself in Italy is because Ridge's wife Brooke (Katherine Kelly Lang...
- 5/9/2012
- by AP
- Huffington Post
Polignano A Mare, Italy — With sunglasses and spike heels, makeup artists and wardrobe experts, the American soap opera "The Bold and the Beautiful" has landed in Italy.
The cast and production team are in Puglia – the heel of Italy's famous boot – for a week of filming in hopes of boosting their show at home and nurturing their Italian fans.
"The Bold and the Beautiful" is seen by 35 million people in over 100 countries, according to its press office, and Italy is its No. 1 market worldwide. Known here simply as "Beautiful," the show has 4 million viewers in Italy compared to 3.6 million in the United States.
The program's male lead, Ronn Moss who plays Ridge, is also widely recognized from Italy's version of "Dancing with the Stars."
According to Brad Bell, the show's executive producer, the fictional reason why the soap finds itself in Italy is because Ridge's wife Brooke (Katherine Kelly Lang...
The cast and production team are in Puglia – the heel of Italy's famous boot – for a week of filming in hopes of boosting their show at home and nurturing their Italian fans.
"The Bold and the Beautiful" is seen by 35 million people in over 100 countries, according to its press office, and Italy is its No. 1 market worldwide. Known here simply as "Beautiful," the show has 4 million viewers in Italy compared to 3.6 million in the United States.
The program's male lead, Ronn Moss who plays Ridge, is also widely recognized from Italy's version of "Dancing with the Stars."
According to Brad Bell, the show's executive producer, the fictional reason why the soap finds itself in Italy is because Ridge's wife Brooke (Katherine Kelly Lang...
- 5/9/2012
- by AP
- Aol TV.
Woody Allen’s next film, heretofore known as ‘Nero Fiddled’, was officially re-titled yesterday and given a new name that should see it resonate better in its international territories, and so from here on out we’ll know it as ‘To Rome With Love’.
We now have the first eleven images to share with you, some images of the film itself and others including Allen on set, as well as the full cast line-up (which is excellent) and the full soundtrack details (which are just a little bit impeccable).
The romantic-comedy is made up of four vignettes, two of which revolving around American characters and two around Italian characters, with the main cast including the likes of Allen himself, Alec Baldwin, Penélope Cruz, Ellen Page, Jesse Eisenberg, Roberto Benigni, Judy Davis, Greta Gerwig, and Alison Pill.
The newly re-titled To Rome With Love will open in Italy on 20th April...
We now have the first eleven images to share with you, some images of the film itself and others including Allen on set, as well as the full cast line-up (which is excellent) and the full soundtrack details (which are just a little bit impeccable).
The romantic-comedy is made up of four vignettes, two of which revolving around American characters and two around Italian characters, with the main cast including the likes of Allen himself, Alec Baldwin, Penélope Cruz, Ellen Page, Jesse Eisenberg, Roberto Benigni, Judy Davis, Greta Gerwig, and Alison Pill.
The newly re-titled To Rome With Love will open in Italy on 20th April...
- 3/20/2012
- by Kenji Lloyd
- HeyUGuys.co.uk
With a new geographically-specific title and a summer release just announced, Woody Allen's latest Euro-flavored venture, "To Rome With Love," is just around the corner. Looking to replicate the success of "Midnight In Paris," a career-best box office hit that won Allen his first writing Oscar since 1987 for "Hannah And Her Sisters," details of his latest film are being kept under wraps. Luckily, we now have a better look at what's to come as a host of photos from the project have been unveiled.
While there's no sign of young stars Greta Gerwig or Ellen Page amongst the pics, there's certainly no lack of star-power with our first glimpses at Penelope Cruz, Jesse Eisenberg, Alec Baldwin, Roberto Benigni, Alison Pill, Judy Davis and even Allen in his first acting role since 2006's "Scoop." The images also feature Allen's army of lesser-known Italian stars including Monica Nappo, Flavio Parenti, Alessandra Mastronardi,...
While there's no sign of young stars Greta Gerwig or Ellen Page amongst the pics, there's certainly no lack of star-power with our first glimpses at Penelope Cruz, Jesse Eisenberg, Alec Baldwin, Roberto Benigni, Alison Pill, Judy Davis and even Allen in his first acting role since 2006's "Scoop." The images also feature Allen's army of lesser-known Italian stars including Monica Nappo, Flavio Parenti, Alessandra Mastronardi,...
- 3/20/2012
- by Simon Dang
- The Playlist
The hotel has been a celebrity hot spot ever since it opened in 1955, hosting scores of red-carpet events every year.
By Kara Warner
The Beverly Hilton in Los Angeles
Photo: Splash News
Despite the fact that the Beverly Hilton is currently in the news for being the site of Whitney Houston's tragic death, the historic hotel has been making headlines for 57 years — the vast majority of those being positive news stories — ever since its opening in 1955. The Who's Who in Hollywood hot spot has played host to the most A-list guests and star-studded events for nearly six decades by holding more than 175 red-carpet events annually.
The Hotel's first major event was coincidentally the first-ever Grammy Awards in 1959. Best Female Vocalist Ella Fitzgerald took home two awards that year, along with Domenico Modugno, Henry Mancini, and Ross Bagdasarian (made famous by "The Chipmunk Song (Christmas Don't Be Late)").
In July...
By Kara Warner
The Beverly Hilton in Los Angeles
Photo: Splash News
Despite the fact that the Beverly Hilton is currently in the news for being the site of Whitney Houston's tragic death, the historic hotel has been making headlines for 57 years — the vast majority of those being positive news stories — ever since its opening in 1955. The Who's Who in Hollywood hot spot has played host to the most A-list guests and star-studded events for nearly six decades by holding more than 175 red-carpet events annually.
The Hotel's first major event was coincidentally the first-ever Grammy Awards in 1959. Best Female Vocalist Ella Fitzgerald took home two awards that year, along with Domenico Modugno, Henry Mancini, and Ross Bagdasarian (made famous by "The Chipmunk Song (Christmas Don't Be Late)").
In July...
- 2/13/2012
- MTV Music News
Maggie Gyllenhaal and Peter Sarsgaard are famously private - and they kept their weekend wedding characteristically intimate, sources tell People. The longtime couple exchanged vows inside the cloister of a convent called the Convento di Santa Maria di Costantinopoli, a luxury bed and breakfast in Brindisi, Italy, before just 40 close friends and family members, including the bride's brother, Jake Gyllenhaal, and his girlfriend, Reese Witherspoon. A family friend, whom a source says donned a top hat for the occasion, officiated at the half-hour ceremony, which took place at 4:30 p.m. on Saturday.Later, guests mingled in the convent's garden,...
- 5/5/2009
- PEOPLE.com
Geneva, Switzerland -- The latest films from Jonathan Demme, Darren Aronofsky and Kathryn Bigelow have helped the U.S. claim the most competition slots at the 65th Venice Film Festival, which boasts 19 world premieres.
In all, 15 of the 21 films hail from four markets. The U.S. will provide five of the titles, with four from Italy and three apiece from France and Japan.
All but two -- Oshii Mamoru's "The Sky Crawlers" and Hayao Miyazaki's "Ponyo on the Cliff by the Sea," both animated Japanese films -- are world premieres.
The festival is set for Aug. 27-Sept. 6.
Demme will make the trip to Venice for the second consecutive year with "Rachel Getting Married," a drama about a woman leaving rehab after 10 years to attend her sister's wedding, which Sony Pictures Classics will release in the U.S.
Guillermo Arriaga, who earned an Oscar nomination for his "Babel" screenplay, will make his first appearance in competition in Venice with the mother-daughter drama "The Burning Plain."
Bigelow's war thriller "The Hurt Locker," Aronofsky's action drama "The Wrestler" and "Vegas: Based on a True Story," Amir Naderi's first film in three years, round out the U.S. selections.
The strong U.S. showing came despite the threat of a SAG strike, which Venice artistic director Marco Mueller said hurt prospects for many U.S. films.
Pupi Avati's historical drama "Giovanna's Father" and "A Perfect Day" from Ferzan Ozpetek are among the highlights from Italy.
Out-of-competition selections include Abbas Kiarostami's "Shirin" and opening-night film "Burn After Reading," from Joel and Ethan Coen, which Focus is releasing domestically.
A lineup for the Venice festival follows:
Competition:
"The Wrestler," Darren Aronofsky, U.S.
"The Burning Plain," Guillermo Arriaga, U.S.
"Il Papa di Giovanna," Pupi Avati, Italy
"Birdwatchers," Marco Bechis, Italy
"L'Autre," Patrick Mario Bernard and Pierre Trividic, France
"The Hurt Locker," Kathryn Bigelow, U.S.
"Il Seme Della Discordia," Pappi Corsicato, Italy
"Rachel Getting Married," Jonathan Demme, U.S.
"Teza," Haile Gerima, Ethiopia/Germany/France
"Paper Soldier (Bumaznyi Soldat)," Aleksy German Jr., Russia
"Sut," Semih Kaplanoglu, Turkey/France/Germany
"Achilles and the Tortoise (Akires to Kame)," Takeshi Kitano, Japan
"Ponyo on the Cliff by the Sea," Hayao Miyazaki, Japan
"Vegas: Based on a True Story," Amir Naderi, U.S.
"The Sky Crawlers," Oshii Mamoru, Japan
"Un Giorno Perfetto," Ferzan Ozpetek, Italy
"Jerichow," Christian Petzold, Germany
"Inju, la Bete Dans l'Ombre," Barbet Schroeder, France
"Nuit de Chien," Werner Schroeter, France/Germany/Portugal
"Inland (Gabbia)," Tariq Teguia, Algeria/France
"Plastic City (Dangkou)," Yu Lik-wai, Brasil/China/Hong Kong/Japan
Out of competition:
"Puccini e la Fanciulla," Paolo Benvenuti, Italy
"Yuppi Du," Adriano Celantano, Italy
"Burn After Reading," Joel and Ethan Coen, U.S. (opening film)
"35 Rhums," Claire Denis, France/Spain
"Shirin," Abbas Kiarostami, Iran
"Tutto e Musica (1973)," Domenico Modugno, Italy
"Orfeo 9 (1973)," Tito Shipa Jr, Italy
"Les Plages d'Agnes," Agnes Varda, France
"Vinyan," Fabrice du Welz, France/U.K./Belgium
"Encarnacao do Demonio," Jose Mojica Marins, Brazil
"Volare (Nel Blue Dipinto di Blu (1959)," Piero Tellini, Italy
For more of the festival's programming, click here.
In all, 15 of the 21 films hail from four markets. The U.S. will provide five of the titles, with four from Italy and three apiece from France and Japan.
All but two -- Oshii Mamoru's "The Sky Crawlers" and Hayao Miyazaki's "Ponyo on the Cliff by the Sea," both animated Japanese films -- are world premieres.
The festival is set for Aug. 27-Sept. 6.
Demme will make the trip to Venice for the second consecutive year with "Rachel Getting Married," a drama about a woman leaving rehab after 10 years to attend her sister's wedding, which Sony Pictures Classics will release in the U.S.
Guillermo Arriaga, who earned an Oscar nomination for his "Babel" screenplay, will make his first appearance in competition in Venice with the mother-daughter drama "The Burning Plain."
Bigelow's war thriller "The Hurt Locker," Aronofsky's action drama "The Wrestler" and "Vegas: Based on a True Story," Amir Naderi's first film in three years, round out the U.S. selections.
The strong U.S. showing came despite the threat of a SAG strike, which Venice artistic director Marco Mueller said hurt prospects for many U.S. films.
Pupi Avati's historical drama "Giovanna's Father" and "A Perfect Day" from Ferzan Ozpetek are among the highlights from Italy.
Out-of-competition selections include Abbas Kiarostami's "Shirin" and opening-night film "Burn After Reading," from Joel and Ethan Coen, which Focus is releasing domestically.
A lineup for the Venice festival follows:
Competition:
"The Wrestler," Darren Aronofsky, U.S.
"The Burning Plain," Guillermo Arriaga, U.S.
"Il Papa di Giovanna," Pupi Avati, Italy
"Birdwatchers," Marco Bechis, Italy
"L'Autre," Patrick Mario Bernard and Pierre Trividic, France
"The Hurt Locker," Kathryn Bigelow, U.S.
"Il Seme Della Discordia," Pappi Corsicato, Italy
"Rachel Getting Married," Jonathan Demme, U.S.
"Teza," Haile Gerima, Ethiopia/Germany/France
"Paper Soldier (Bumaznyi Soldat)," Aleksy German Jr., Russia
"Sut," Semih Kaplanoglu, Turkey/France/Germany
"Achilles and the Tortoise (Akires to Kame)," Takeshi Kitano, Japan
"Ponyo on the Cliff by the Sea," Hayao Miyazaki, Japan
"Vegas: Based on a True Story," Amir Naderi, U.S.
"The Sky Crawlers," Oshii Mamoru, Japan
"Un Giorno Perfetto," Ferzan Ozpetek, Italy
"Jerichow," Christian Petzold, Germany
"Inju, la Bete Dans l'Ombre," Barbet Schroeder, France
"Nuit de Chien," Werner Schroeter, France/Germany/Portugal
"Inland (Gabbia)," Tariq Teguia, Algeria/France
"Plastic City (Dangkou)," Yu Lik-wai, Brasil/China/Hong Kong/Japan
Out of competition:
"Puccini e la Fanciulla," Paolo Benvenuti, Italy
"Yuppi Du," Adriano Celantano, Italy
"Burn After Reading," Joel and Ethan Coen, U.S. (opening film)
"35 Rhums," Claire Denis, France/Spain
"Shirin," Abbas Kiarostami, Iran
"Tutto e Musica (1973)," Domenico Modugno, Italy
"Orfeo 9 (1973)," Tito Shipa Jr, Italy
"Les Plages d'Agnes," Agnes Varda, France
"Vinyan," Fabrice du Welz, France/U.K./Belgium
"Encarnacao do Demonio," Jose Mojica Marins, Brazil
"Volare (Nel Blue Dipinto di Blu (1959)," Piero Tellini, Italy
For more of the festival's programming, click here.
- 7/29/2008
- by By Eric J. Lyman
- The Hollywood Reporter - Movie News
Geneva, Switzerland -- The latest films from Jonathan Demme, Darren Aronofsky and Kathryn Bigelow have helped the U.S. claim the most competition slots at the 65th Venice Film Festival, which boasts 19 world premieres.
In all, 15 of the 21 films hail from four markets. The U.S. will provide five of the titles, with four from Italy and three apiece from France and Japan.
All but two -- Oshii Mamoru's "The Sky Crawlers" and Hayao Miyazaki's "Ponyo on the Cliff by the Sea," both animated Japanese films -- are world premieres.
The festival is set for Aug. 27-Sept. 6.
Demme will make the trip to Venice for the second consecutive year with "Rachel Getting Married," a drama about a woman leaving rehab after 10 years to attend her sister's wedding, which Sony Pictures Classics will release in the U.S.
Guillermo Arriaga, who earned an Oscar nomination for his "Babel" screenplay, will make his first appearance in competition in Venice with the mother-daughter drama "The Burning Plain."
Bigelow's war thriller "The Hurt Locker," Aronofsky's action drama "The Wrestler" and "Vegas: Based on a True Story," Amir Naderi's first film in three years, round out the U.S. selections.
The strong U.S. showing came despite the threat of a SAG strike, which Venice artistic director Marco Mueller said hurt prospects for many U.S. films.
Pupi Avati's historical drama "Giovanna's Father" and "A Perfect Day" from Ferzan Ozpetek are among the highlights from Italy.
Out-of-competition selections include Abbas Kiarostami's "Shirin" and opening-night film "Burn After Reading," from Joel and Ethan Coen, which Focus is releasing domestically.
A lineup for the Venice festival follows:
Competition:
"The Wrestler," Darren Aronofsky, U.S.
"The Burning Plain," Guillermo Arriaga, U.S.
"Il Papa di Giovanna," Pupi Avati, Italy
"Birdwatchers," Marco Bechis, Italy
"L'Autre," Patrick Mario Bernard and Pierre Trividic, France
"The Hurt Locker," Kathryn Bigelow, U.S.
"Il Seme Della Discordia," Pappi Corsicato, Italy
"Rachel Getting Married," Jonathan Demme, U.S.
"Teza," Haile Gerima, Ethiopia/Germany/France
"Paper Soldier (Bumaznyi Soldat)," Aleksy German Jr., Russia
"Sut," Semih Kaplanoglu, Turkey/France/Germany
"Achilles and the Tortoise (Akires to Kame)," Takeshi Kitano, Japan
"Ponyo on the Cliff by the Sea," Hayao Miyazaki, Japan
"Vegas: Based on a True Story," Amir Naderi, U.S.
"The Sky Crawlers," Oshii Mamoru, Japan
"Un Giorno Perfetto," Ferzan Ozpetek, Italy
"Jerichow," Christian Petzold, Germany
"Inju, la Bete Dans l'Ombre," Barbet Schroeder, France
"Nuit de Chien," Werner Schroeter, France/Germany/Portugal
"Inland (Gabbia)," Tariq Teguia, Algeria/France
"Plastic City (Dangkou)," Yu Lik-wai, Brasil/China/Hong Kong/Japan
Out of competition:
"Puccini e la Fanciulla," Paolo Benvenuti, Italy
"Yuppi Du," Adriano Celantano, Italy
"Burn After Reading," Joel and Ethan Coen, U.S. (opening film)
"35 Rhums," Claire Denis, France/Spain
"Shirin," Abbas Kiarostami, Iran
"Tutto e Musica (1973)," Domenico Modugno, Italy
"Orfeo 9 (1973)," Tito Shipa Jr, Italy
"Les Plages d'Agnes," Agnes Varda, France
"Vinyan," Fabrice du Welz, France/U.K./Belgium
"Encarnacao do Demonio," Jose Mojica Marins, Brazil
"Volare (Nel Blue Dipinto di Blu (1959)," Piero Tellini, Italy
For more of the festival's programming, click here.
In all, 15 of the 21 films hail from four markets. The U.S. will provide five of the titles, with four from Italy and three apiece from France and Japan.
All but two -- Oshii Mamoru's "The Sky Crawlers" and Hayao Miyazaki's "Ponyo on the Cliff by the Sea," both animated Japanese films -- are world premieres.
The festival is set for Aug. 27-Sept. 6.
Demme will make the trip to Venice for the second consecutive year with "Rachel Getting Married," a drama about a woman leaving rehab after 10 years to attend her sister's wedding, which Sony Pictures Classics will release in the U.S.
Guillermo Arriaga, who earned an Oscar nomination for his "Babel" screenplay, will make his first appearance in competition in Venice with the mother-daughter drama "The Burning Plain."
Bigelow's war thriller "The Hurt Locker," Aronofsky's action drama "The Wrestler" and "Vegas: Based on a True Story," Amir Naderi's first film in three years, round out the U.S. selections.
The strong U.S. showing came despite the threat of a SAG strike, which Venice artistic director Marco Mueller said hurt prospects for many U.S. films.
Pupi Avati's historical drama "Giovanna's Father" and "A Perfect Day" from Ferzan Ozpetek are among the highlights from Italy.
Out-of-competition selections include Abbas Kiarostami's "Shirin" and opening-night film "Burn After Reading," from Joel and Ethan Coen, which Focus is releasing domestically.
A lineup for the Venice festival follows:
Competition:
"The Wrestler," Darren Aronofsky, U.S.
"The Burning Plain," Guillermo Arriaga, U.S.
"Il Papa di Giovanna," Pupi Avati, Italy
"Birdwatchers," Marco Bechis, Italy
"L'Autre," Patrick Mario Bernard and Pierre Trividic, France
"The Hurt Locker," Kathryn Bigelow, U.S.
"Il Seme Della Discordia," Pappi Corsicato, Italy
"Rachel Getting Married," Jonathan Demme, U.S.
"Teza," Haile Gerima, Ethiopia/Germany/France
"Paper Soldier (Bumaznyi Soldat)," Aleksy German Jr., Russia
"Sut," Semih Kaplanoglu, Turkey/France/Germany
"Achilles and the Tortoise (Akires to Kame)," Takeshi Kitano, Japan
"Ponyo on the Cliff by the Sea," Hayao Miyazaki, Japan
"Vegas: Based on a True Story," Amir Naderi, U.S.
"The Sky Crawlers," Oshii Mamoru, Japan
"Un Giorno Perfetto," Ferzan Ozpetek, Italy
"Jerichow," Christian Petzold, Germany
"Inju, la Bete Dans l'Ombre," Barbet Schroeder, France
"Nuit de Chien," Werner Schroeter, France/Germany/Portugal
"Inland (Gabbia)," Tariq Teguia, Algeria/France
"Plastic City (Dangkou)," Yu Lik-wai, Brasil/China/Hong Kong/Japan
Out of competition:
"Puccini e la Fanciulla," Paolo Benvenuti, Italy
"Yuppi Du," Adriano Celantano, Italy
"Burn After Reading," Joel and Ethan Coen, U.S. (opening film)
"35 Rhums," Claire Denis, France/Spain
"Shirin," Abbas Kiarostami, Iran
"Tutto e Musica (1973)," Domenico Modugno, Italy
"Orfeo 9 (1973)," Tito Shipa Jr, Italy
"Les Plages d'Agnes," Agnes Varda, France
"Vinyan," Fabrice du Welz, France/U.K./Belgium
"Encarnacao do Demonio," Jose Mojica Marins, Brazil
"Volare (Nel Blue Dipinto di Blu (1959)," Piero Tellini, Italy
For more of the festival's programming, click here.
- 7/29/2008
- by By Eric J. Lyman
- The Hollywood Reporter - Movie News
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