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Building on bullish business between Berlin’s European Film Market and the eve of this week’s Málaga Festival Spanish Screenings, Madrid-based Latido Films has unveiled a slew of several dozen deals, led by sales in major European territories of Eva Libertad’s Berlin smash “Deaf” (“Sorda”) and a U.S. pick-up on Bartosz M. Kowalski’s horror film “Night Silence.”

“Deaf’s” release in France will be handled by Paris-based Condor Distribution. Piffl Medien bought the film’s rights for Germany & Austria, while Lucky Red inked Italian rights. The U.K. & Ireland rights were acquired by Curzon, and CineArt took Benelux.

Further “Deaf” buyers include Agora in Switzerland, Outsider in Portugal, Feelgood Entertainment in Greece, Lev Cinemas in Israel and the Association of Czech Film Clubs for Czech Republic and Slovakia.

The film has also been acquired in China by Wise Media, Australia (Madman), Japan (New Select) and Indonesia...

The Spanish film academy gave a surprise snub to its best-known director when Pedro Almodóvar’s The Room Next Door was not nominated for best film for the Goya Film Awards, Spain’s equivalent to the Oscars.

The Room Next Door picked up 13 Goya nominations, including best director for Almodóvar and best acting nominations for both of the film’s leads, Tilda Swinton and Julianne Moore, but the film was left out of the best picture category. Perhaps the language barrier — it’s Almodóvar’s first English-language feature — counted against it among Spanish academy voters.

Instead, the Goya’s best picture race will include five Spanish-language features: Casa en flames from director Dani de la Orden, Marcel Barrena’s El 47, La estrella azul from Javier Macipe, Arantxa Echevarría’s La infiltrada, and Segundo premio from director Isaki Lacuesta and Pol Rodríguez, which was Spain’s official Oscar submission this year.

Local hits The 47 and Undercover lead the nominations for Spain’s 2025 Goya Awards, with 14 and 13 nods respectively.

Rock drama Saturn Return and Pedro Almodóvar’s Golden Lion winnerThe Room Next Door are also high up on the list of nominees.

The Goya winners will be announced at a ceremony in Granada on February 8.

Marcel Barrena’s The 47, produced by The Mediapro Studio, tells the story of a working-class community in the hills of Barcelona and its struggle to get public transport and better living conditions. It has grossed €3m at the Spanish box office to date.

The 47’s 14 nominations include best film,...

Spanish director Álex Montoya is to adapt Paco Roca’s best-selling graphic novel The Abyss Of Oblivion about the aftermath of the Spanish Civil War.

Montoya and production companies Nakamura Films and Raw Pictures secured the rights to The Abyss Of Oblivion after teaming to make La Casa, a film adaption of another Roca graphic novel.

La Casa played in competition at the Malaga Film Festival in March, winning best screenplay, best music and the audience award.

Producers Jordi Llorca, Sofía López and Araceli Isaac as well as writer-director Montoya started talking to Roca about adapting The Abyss Of Oblivion...

Some of the highest-profile Spanish films of 2024 – from Málaga Festival winner and now Spain’s Oscar entry “Saturn Return” to San Sebastián laureates “I Am Nevenka” and “Glimmers” – feature in Mass, a Spanish film showcase which will unspool in Buenos Aires over Nov. 28-30 and Montevideo during Dec. 2-4, running parallel with the Uruguayan capital’s Ventana Sur market.

The film season represents the latest collaboration between Spain’s San Sebastián and Málaga Festival, here in partnership of Spain’s Icaa film agency and Argentina’s Orca Films, as Spain’s seeks to capitalize on its predominant presence on global streamers among E.U. film powers to consolidate production and co-financing relations in Uruguay, a building film-tv hub, and with regions of Argentina.

During their stay in Argentina, the San Sebastian and Malaga Festivals will meet representatives of the Buenos Aires, Entre Ríos and Santiago del Estero provinces to work...

Las tres películas preseleccionadas se conocerán el 4 de septiembre.

La Academia de Cine ha fijado el 18 de septiembre como la fecha en la que se anunciará la película que representará a España en los Premios Oscar 2025.

Antes de esta selección final, los académicos participarán en una primera ronda de votación que se llevará a cabo del 27 de agosto al 2 de septiembre. Posteriormente, el 4 de septiembre, la Academia revelará los tres filmes preseleccionados por sus miembros. De estos tres candidatos, se elegirá la película final tras una segunda ronda de votación que se celebrará del 9 al 16 de septiembre.

Este año hay muchas opciones, entre ellas, “La Casa” de Álex Montoya, galardonada en el Festival de Málaga; “Segundo Premio” de Isaki Lacuesta y Fernando Navarro, ganadora de la Biznaga de Oro; “La Estrella Azul” de Javier Macipe, proyectada en el pasado Festival de San Sebastián; “Volveréis”, de Jonás Trueba, ganadora de la...

La emotiva película se llevó el Premio del Público en el Festival de Málaga. © A Contracorriente Films

Ya se ha publicado el tráiler de “La Casa”, el nuevo largometraje de Álex Montoya triunfador en el Festival de Málaga después de haber ganado seis premios en el festival: Biznagas de Plata a Mejor Guión, Mejor Música y la del premio del público junto al Premio Feroz Cámara Oscura, el Premio Jurado Joven y también una Mención Especial del Premio Signis.

Basada en el famoso cómic homónimo de Paco Roca, tras la muerte de su padre, tres hermanos se reúnen en la casa familiar donde pasaron los veranos de su infancia. Tienen que decidir qué hacer con la casa, lo que resultará más difícil de lo esperado. Con un tono agridulce salpicado de humor, la película habla de la familia, la herencia y el inexorable paso del tiempo.

La película está protagonizada...

“Segundo Premio”, de Isaki Lacuesta y Pol Rodríguez, se alza con la Biznaga de Oro a la Mejor Película del 27 Festival de Málaga.

El sábado tuvo lugar la entrega de premios del 27 Festival de Málaga. Un festival que desde mundoCine hemos cubierto como prensa y podéis leer nuestras críticas y entrevistas. Un festival en el que “Segundo Premio” ha ganado el mayor galardón apuntando ya a los premios Goya.

Aquí os dejamos con la lista de los ganadores de la 27ª edición del Festival de Málaga:

Biznaga De Oro A LA Mejor PELÍCULA ESPAÑOLA

Segundo Premio, de Isaki Lacuesta y Pol Rodríguez.

Biznaga De Oro A LA Mejor PELÍCULA Iberoamericana

Radical, de Christopher Zalla.

Biznaga De Plata Premio Especial Del Jurado

Los Pequeños Amores, de Celia Rico.

Biznaga De Plata A LA Mejor DIRECCIÓN

Isaki Lacuesta y Pol Rodríguez por Segundo Premio.

Biznaga De Plata A LA Mejor INTERPRETACIÓN Femenina...

Isaki Lacuesta and Pol Rodríguez’s,Saturn Return was the big winner at the Malaga Film Festival on March 9, taking home the awards for Golden Biznaga for best Spanish film, best director and best editing.

Other top prizes went to Celia Rico’s Little Loves, Álex Monoya’s La Casa, Pau Durá’s Birds Flying East (Pájaros) and Mexican drama Radical, by Christopher Zalla.

Saturn Return, a drama inspired by iconic indie rock band Los Planetas, is set in the late 1990s in Granada. It is produced by La Terraza Films, Áralan Films, Ikiru Films, Bteam Prods, Sideral Cinema and Los Ilusos Films.

Malaga — Isaki Lacuesta’s “Saturn Return” (“Segundo Premio”), always a frontrunner, topped this week’s Malaga Festival winning its best picture, director (with co-director Pol Rodríguez) and editing (Javi Frutos) awards.

The triple plaudit delivers further recognition for a feature which pulls off the double achievement of being formally inventive and great fun at one and the same time.

Turning on Spanish indie rock group Los Planetas storied attempts to making their third and finally iconic album, but really about people’s need to recast the past as comprehensible narrative and a biopic parody, A broad audience play, “Saturn Return” has been hailed by Spanish newspaper El Mundo as a “masterpiece.”

“Saturn Returns” will do nothing to dent Lacuesta’s status as seemingly suddenly, after years in the wilderness as a supposedly radical filmmaker too out there to take on more ambitious budgets. Lacuesta’s feel-good concluding episode to “Offworld,...

Malaga, Spain — “The Chapel,” from “Piggy” director Carlota Pereda, Celia Rico’s competition title “Little Loves,” loved by a lot of critics, and “Free Falling,” produced by “Society of the Snow’s” J.A. Bayona and that film’s producer Belén Atienza, looked like three of the hottest tickets at this week’s Malaga market and Spanish Screenings which rated as the most upbeat in years.

Most all sales agents on the films – focusing on titles from Spain and Latin America – whose ranks are now swelled by Antonia Nava’s Neo Art International, forecast or saw deal traction on more than one title or a broad slate of films.

“Malaga was great for our movies,” said Latido Films’ Antonio Saura.

“For us, it’s been the best Spanish Screenings of the last years,” reported Luis Recart at Bendita Film Sales.

Why of course is another matter. 10 takeaways on a Spanish bull market,...

A myriad of sentiments converge when estranged siblings meet to unpack the weight of their father’s recent death in Spain’s Álex Montoya’s third feature “La Casa,” adapted from the Eisner-winning graphic novel by Paco Roca and sold by Latido Films.

The film, which bowed last night, figures in the official competition selection at this year’s Málaga Film Festival, his project “Lucas” having previously swept the fest’s Zonazine sidebar in 2020 – snagging best film, actor (Jorge Motos) and Audience Award plaudits.

Written by Montoya and Joana M. Ortueta, the project serves as a bittersweet rumination on regret, duty and the ties that bind us, proving a reflective journey through collective consciousness that’s held to task as the three work to rekindle a semblance of affection while sifting through hefty and lingering recollections.

“I’ve been a comic reader for as long as I can remember and,...

The 27th edition of the Malaga Film Festival (Mff) opens today (March 1) with animated feature Dragonkeeper and a strong line-up of Spanish and Latin American world premieres. The festival is a popular annual meeting point for the Spanish film industry, attended by most buyers and sellers, and showcases the best in new Spanish-language filmmaking.

The world premiere of Salvador Simó and Jian-Ping Li’s Dragonkeeper opens the festival, marking the first time Malaga has raised its curtain with an animated movie. A Spain-China co-production, Dragonkeeper is based on books by Carol Wilkinson, with an English-language voice cast that includes Bill Nighy and Mayalinee Griffiths.

Descubre las películas que estarán en el 27 Festival de Málaga: una lista de las películas en competición y fuera de concurso.

Todos los años se celebra en Málaga, el Festival de Cine de Málaga. Un festival que se centra principalmente en producciones españolas y tiene como objetivo promover y celebrar la industria cinematográfica en España, así como proporcionar una plataforma para el reconocimiento y la difusión del cine español. Un festival en el que han tenido su estreno mundial muchas películas que después han sido nominadas a los premios Goya, como es el caso de “20.000 Especies de Abejas” en esta pasada edición de los premios más grandes del cine español.

Este año, el 27 Festival de Málaga se celebra del 1 al 10 de marzo y cuenta con un total de 19 películas (11 españolas y 8 latinoamericanas), que concursarán en la Sección Oficial y 18 películas (15 españolas y 3 latinas) en sección Oficial no competitiva. Una...

Did you miss the Sundance Film Festival this year? The best of the 2010 Sundance shorts will be playing this Saturday in Montreal, Quebec. In fact, the event "Prends ça court!" is back at the Nuit blanche du Festival Montréal en lumière on Saturday, February 27, at the Monument-National from 8 Pm to 3 Am.

In addition to screenings of films, musician Slim Williams will be performing. Other guests include: Ben Charest, Al Baculus, Eric Roberts, Orson Clarke, Coco Thompson, Al Prater, and Dan Martel.

Best Of Sundance Shorts 2010

* Let's Harvest The Organs Of Death Row Inmates, from Chris Weller and Max Joseph.

* Mary Last Seen, from Sean Durkin.

* My Mom Smokes Weed, from Clay Liford.

* The Six Dollar Fifty Man, from Mark Albiston and Louis Sutherland.

* Seeds Of The Fall, from Patrik Eklund.

* Logorama, from H5.

* My Invisible Friend, from Pablo Larcuen.

* N.A.S.A (A Volta), from Alexei Tylevich.

* The Armoire,...

Winners of the 2010 Sundance Film Festival were announced recently, with Sebastian Junger and Tim Hetherington's Restrepo taking home the Grand Jury Prize in the documentary category, and Debra Granik's Winter's Bone winning the Grand Jury Prize in the dramatic category. You may remember Granik, the independent filmmaker who burst onto the Sundance scene in 2004, claiming the Dramatic Directing award for her first feature-length film, Down to the Bone. Despite its phenomenal reputation, Granik's big screen debut grossed a meager $30,000. Let's hope Winter's Bone turns out to be an anomaly in the director's rather minuscule line of work. A comprehensive list of all the winners this year can be seen after the jump. Grand Jury Prize, Dramatic: Winter’s Bone, directed by Debra Granik Grand Jury Prize, Documentary: Restrepo, directed by Sebastian Junger and Tim Hetherington World Cinema Jury Prize, Dramatic: Animal Kingdom, written and directed by David Michôd.