The already-incredible line-up for the 2016 New York Film Festival just got even more promising. Ang Lee‘s Billy Lynn’s Long Halftime Walk will hold its world premiere at the festival on October 14th, the NY Times confirmed today. The adaptation of Ben Fountain‘s Iraq War novel, with a script by Simon Beaufoy (Slumdog Millionaire), follows a teenage soldier who survives a battle in Iraq and then is brought home for a victory lap before returning.
Lee has shot the film at 120 frames per second in 4K and native 3D, giving it unprecedented clarity for a feature film, which also means the screening will be held in a relatively small 300-seat theater at AMC Lincoln Square, one of the few with the technology to present it that way. While it’s expected that this Lincoln Square theater will play the film when it arrives in theaters, it may be...
Lee has shot the film at 120 frames per second in 4K and native 3D, giving it unprecedented clarity for a feature film, which also means the screening will be held in a relatively small 300-seat theater at AMC Lincoln Square, one of the few with the technology to present it that way. While it’s expected that this Lincoln Square theater will play the film when it arrives in theaters, it may be...
- 8/22/2016
- by Jordan Raup
- The Film Stage
Chicago – It’s difficult to find a thematic trilogy with a conclusion as triumphant and potent as “Au Revoir Les Enfants.” The 1987 fact-based drama emerged as one of the great masterpieces in the career of Louis Malle, a giant of the French New Wave perhaps best known for his intimate two-character piece, 1981’s “My Dinner With Andre.” His films possess a purity and authenticity unmatched by many of his peers.
After a few critical and financial disappointments in America, Malle decided to get back in touch with his roots as a documentarian in the mid-80s (he won the Palme d’Or at age 24 for co-directing Jacques Cousteau’s “Le monde du silence”). Soon afterward, he returned to France and finally tackled the project he had promised to make once he was ready to do it justice. The plot of “Enfants” was directly inspired by an indelible memory from the director’s childhood.
After a few critical and financial disappointments in America, Malle decided to get back in touch with his roots as a documentarian in the mid-80s (he won the Palme d’Or at age 24 for co-directing Jacques Cousteau’s “Le monde du silence”). Soon afterward, he returned to France and finally tackled the project he had promised to make once he was ready to do it justice. The plot of “Enfants” was directly inspired by an indelible memory from the director’s childhood.
- 3/23/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Au Revoir Les Enfants / Goodbye, Children (1987) Direction and screenplay: Louis Malle Cast: Gaspard Manesse, Raphael Fejtö, Francine Racette, Stanislas Carré De Malberg, François Berléand, Philippe Morier-Genoud, Irène Jacob Oscar Movies, European Film Award Movies Highly Recommended Raphael Fejtö, Gaspard Manesse, Au revoir les enfants Synopsis: At a Catholic boys' school in occupied France, a snotty rich kid, Julien (Gaspard Manesse), slowly befriends an unusual newcomer, Bonnet (Raphael Fejtö), who happens to be a Jewish boy in hiding. The Pros: Unlike Roman Polanski's The Pianist and Steven Spielberg's Schindler's List, the two best-known movies about the persecution of Jews during the Nazi era, Louis Malle's Au revoir les enfants actually feels true to life. In Malle's autobiographical story, there are no movie heroes, no bullshit about the "triumph of the human spirit," and no one cries "I could have done more" or some such. Au revoir les enfants...
- 3/8/2011
- by Andre Soares
- Alt Film Guide
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