Stars: Adrian Burke, Ariella Mastroianni, Grant Schumacher, Anna Shields, Francesca Anderson, Chris Cimperman, Willard Morgan, LeJon Woods | Written by Anna Shields | Directed by Bruce Wemple
It would seem that the legend of Bigfoot just won’t go away, every decade seems to bring with a new sighting of the monster and a wealth of new films about the subject. And this decade is no different… In fact, Dawn of the Beast is not the first Bigfoot movie we’ve reviewed in the past year and undoubtedly won’t be the last.
Actually the reason this isn’t the first Bigfoot film we’ve reviewed in the past year is because about 8 months ago we covered a Bigfoot film called Monstrous, which was directed by Bruce Wemple and written by Anna Shields. And guess what? Dawn of the Beast is from the pair too! And they’ve thrown in the wendigos from Wemple’s other film,...
It would seem that the legend of Bigfoot just won’t go away, every decade seems to bring with a new sighting of the monster and a wealth of new films about the subject. And this decade is no different… In fact, Dawn of the Beast is not the first Bigfoot movie we’ve reviewed in the past year and undoubtedly won’t be the last.
Actually the reason this isn’t the first Bigfoot film we’ve reviewed in the past year is because about 8 months ago we covered a Bigfoot film called Monstrous, which was directed by Bruce Wemple and written by Anna Shields. And guess what? Dawn of the Beast is from the pair too! And they’ve thrown in the wendigos from Wemple’s other film,...
- 5/10/2021
- by Phil Wheat
- Nerdly
By Matt Singer
According to the trailer of David Zucker's new comedy, "An American Carol," "America's most infamous filmmaker -- totally arrogant, completely clueless -- [has] finally gone too far." Of course, Zucker, a former liberal activist who became a "9/11 Republican," is referring to Michael Moore, the inspiration for the central character in "An American Carol," one Michael Malone (Kevin Farley), a filmmaker who's visited by three Dickensian ghosts after he demands that July 4th be abolished ("I love America. That's why it needs to be destroyed!").
Zucker's spoof is perhaps the most high-profile film to take on Moore, but it's by no means the first. In fact, in the last four years, Moore's work has inadvertently given birth to an entirely new strain of conservative filmmaking whose sole mission is to discredit him by taking issue with his documentary aesthetic, his politics, his personal success, even his physical appearance.
According to the trailer of David Zucker's new comedy, "An American Carol," "America's most infamous filmmaker -- totally arrogant, completely clueless -- [has] finally gone too far." Of course, Zucker, a former liberal activist who became a "9/11 Republican," is referring to Michael Moore, the inspiration for the central character in "An American Carol," one Michael Malone (Kevin Farley), a filmmaker who's visited by three Dickensian ghosts after he demands that July 4th be abolished ("I love America. That's why it needs to be destroyed!").
Zucker's spoof is perhaps the most high-profile film to take on Moore, but it's by no means the first. In fact, in the last four years, Moore's work has inadvertently given birth to an entirely new strain of conservative filmmaking whose sole mission is to discredit him by taking issue with his documentary aesthetic, his politics, his personal success, even his physical appearance.
- 10/7/2008
- by Matt Singer
- ifc.com
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