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Prepare to be corrupted and depraved once more as Nucleus Films releases the sequel to the definitive guide to the Video Nasties phenomenon – the most extraordinary and scandalous era in the history of British film. Video Nasties: The Definitive Guide Part 2, a three-disc collector’s edition box set, is being released on DVD on July 14th 2014, to tie in with the 30th Anniversary of the Video Recordings Act 1984.

For the first time ever on DVD, all 82 films that fell foul of the Director of Public Prosecutions “Section 3” list are trailer-featured with specially filmed intros for each title, alongside a brand new documentary – Video Nasties: Draconian Days (review), directed by Jake West.

And to celebrate the release, Film4 FrightFest is hosting a special event – the world exclusive London Premiere of the finalised unseen extended 97 minute cut of Video Nasties: Draconian Days at The Prince Charles Cinema on Thurs 3 July, 8.30pm. The...

Giampaolo Lomi and Edoardo Mulargia's Al Tropico del Cancro (Tropic of Cancer/Death in Haiti) is the kind of weird genre mish-mash that could only have come out of the '70s. The film is a combination of the best and worst conventions of mondo movies, gialli, and supernatural horror films from the era, spun together in a very entertaining, though markedly unfocused way. As if the bizarre construction of the film weren't enough to pique one's interest, the story behind the film's production is as interesting as any, given that it was shot in Haiti during the dictatorial reign of Papa Doc Duvalier. All things considered, Tropic of Cancer is a film that manages to transcend its intentions both through its blend of exploitation genres and...

Sergio Corbucci's Django revolutionised the Spaghetti Western genre in many ways. The low-budget retelling of Sergio Leone's A Fistful of Dollars – itself a remake of Akira Kurosawa's Yojimbo – ramped up the violence, the amorality, the bloodletting and the insanity factor to an unprecedented scale, spawning a glut of rip-offs, cash-ins and unofficial sequels of varying degrees of quality. It also, quite unintentionally, began a trend for titular heroes whose names ended in the letter 'o' and when said quickly enough could possibly be mistaken for Django.

There was Anthony Steffen - the Spaghetti Western standard-bearer, himself no stranger to playing Django - starring as the main man in both Garringo and Shango. 'Sword and Sandal' star Brad Harris as the fast gun in Durango is Coming, Pay or Die. Montgomery Clark (Dante Posani) as the gambling gunslinger in Djurado and Ivan Rassimov in this, 1967's Cjamango.