Above: Putting coffee in the fridge.
With the upcoming Berlinale competition premiere of Die geliebten Schwestern (The Beloved Sisters, actually shot back in 2012), Dominik Graf remains in the festival spotlight after a big Rotterdam retrospective last year (full disclosure: programmed and accompanied by the Ferroni Brigade) introduced the work of this astonishing—and astonishingly prolific—German director to international audiences. But while his Berlin-bound Schiller epic is one of Graf's increasingly rare excursions into the theatrical terrain, his TV schedule has been as hectic as ever, with several new works lined up for release this year. Thus, somewhat shockingly, 2013 saw only a single Graf premiere: Aus der Tiefe der Zeit ("From the Depths of Time") is his third contribution for Germany's enduringly popular prime time crime show Tatort ("Crime Scene"), and confirms Graf's maddening tempo—both in its appearance and execution: The episode was shot in late spring...
With the upcoming Berlinale competition premiere of Die geliebten Schwestern (The Beloved Sisters, actually shot back in 2012), Dominik Graf remains in the festival spotlight after a big Rotterdam retrospective last year (full disclosure: programmed and accompanied by the Ferroni Brigade) introduced the work of this astonishing—and astonishingly prolific—German director to international audiences. But while his Berlin-bound Schiller epic is one of Graf's increasingly rare excursions into the theatrical terrain, his TV schedule has been as hectic as ever, with several new works lined up for release this year. Thus, somewhat shockingly, 2013 saw only a single Graf premiere: Aus der Tiefe der Zeit ("From the Depths of Time") is his third contribution for Germany's enduringly popular prime time crime show Tatort ("Crime Scene"), and confirms Graf's maddening tempo—both in its appearance and execution: The episode was shot in late spring...
- 1/28/2014
- by The Ferroni Brigade
- MUBI
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