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Noboru Kaneko

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Godzilla: Tokyo S.O.S. is coming to U.S. theatres for the first time
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Back in November, Fathom Events and Toho International teamed up to bring the 2002 Godzilla franchise entry Godzilla Against Mechagodzilla to U.S. theatres for the first time… and now they’re set to do the same thing for the 2003 Godzilla movie Godzilla: Tokyo S.O.S.! The film will be reaching 600 theatres across the United States on March 22nd.

Tickets are now available on FathomEvents.com, so check and see if Godzilla: Tokyo S.O.S. is going to be playing at a theatre near you. For this screening, the film will be presented with English subtitles. The one-day event will also include a special showing of Godzilla vs. Gigan Rex, a short that debuted at the 2022 Japan Godzilla Festival as a sequel to the short G vs. G (2019) – never before seen on the big screen!

Directed by Masaaki Tezuka, who wrote the screenplay with Masahiro Yokotani, Godzilla: Tokyo S.O.S. has the following synopsis:...
See full article at JoBlo.com
  • 3/8/2023
  • by Cody Hamman
  • JoBlo.com
60 Years of Godzilla: A History and Critique of the Greatest Monster Movie Series in Cinema
**Massive spoilers for every Godzilla movie, with the exception of the 2014 reboot, and Mothra follow**

August 6th and 9th, 1945 forever changed the course of history. When the first nuclear bombs were dropped in Hiroshima and Nagasaki, Japan, World War II ended, but a new fear was born that dominated the thoughts of all men, women, and children for decades to come. The Cold War, atomic bomb testing, a cartoon turtle telling children to “duck and cover”, and this new technology that had the actual potential to literally end the world changed the perception of what was scary. Art reflects life, so cinema began to capitalize on these fears. Gone were the days of creepy castles, cobwebs, bats, vampires, werewolves, and the other iconic images that ruled genre cinema in film’s earliest decades. Science fiction was larger than ever and giant ants, giant octopi, terror from beyond the stars, and...
See full article at SoundOnSight
  • 11/4/2014
  • by Max Molinaro
  • SoundOnSight
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