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This February, Prime Video is bringing you a lot of entertainment, from the return of beloved shows like Invincible and Reacher to the much-anticipated teen romantic drama film My Fault: London. However, for the purposes of this article, we are only including the films that are coming to Prime Video this month and have a 90% or higher Rotten Tomatoes score. So, check out the 10 best films that are coming to Prime Video in February 2025 with a 90% or higher Rotten Tomatoes score.

A Fish Called Wanda (February 1) Rotten Tomatoes Score: 96% Credit – Metro-Goldwyn-Mayer

A Fish Called Wanda is a heist comedy film directed by Charles Crichton from a screenplay by John Cleese. The 1988 film revolves around a group of thieves and con artists who team up to pull off the perfect heist, but things go horribly wrong because they all try to double-cross each other.

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This February, Tubi is bringing you a lot of entertainment, from the brilliant epic space opera film Dune: Part One to the classic sci-fi action film The Terminator. However, this article only includes the films coming to Tubi this month with a 90% or higher Rotten Tomatoes score. So, check out the ten best films coming to Tubi in February 2025 with a 90% or higher Rotten Tomatoes score.

Licorice Pizza (February 1) Rotten Tomatoes Score: 90% Credit – United Artists Releasing

Licorice Pizza is a coming-of-age romantic comedy-drama film written and directed by Paul Thomas Anderson. The 2021 film is set in the 1970s in California’s San Fernando Valley, and it follows Gary Valentine, a teen actor who falls for Alana Kane, an older girl. Licorice Pizza stars Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper, and Benny Safdie.

Leaving Las Vegas...

Bernadette O’Brien, a costume designer who received an Emmy nomination for her work on an episode of the classic ABC action series “MacGyver,” died in her sleep Monday in Spokane, Wash., according to a family member. She was 90.

Additional credits include “The Exterminator” (1980), “Vice Squad” (1982), “Winners Take All” (1987), “Jake Spanner, Private Eye” (1989), “Carried Away” (1996), “American Tragedy” (2000) and “Dawg” (2002).

After relocating to Los Angeles in 1977, O’Brien made costumes for both films and television shows. She worked on the 1985 film “House,” the 1991 film “For the Boys,” for which Bette Midler received an Oscar nomination, and the 1998 film, “Naked Lies.” O’Brien earned a 1992 Emmy nomination for “MacGyver,” along with Tommy Welsh.

O’Brien, who was a member of the Television Academy and the Costume Designers Branch of the Academy of Motion Picture Arts and Sciences, eventually lived between Bungalow Heaven in Pasadena and the area of Boolavogue in Ireland. In Boolavogue,...

Bernadette O’Brien, a costume designer, wardrobe supervisor and Emmy-nominated costumer who worked on TV’s Murder, She Wrote and MacGyver and films including the Bette Midler-starring For the Boys, has died. She was 90.

O’Brien died Monday in her sleep at an assisted living facility in Spokane, Washington, her grandson Robinson O’Brien-Bours told The Hollywood Reporter.

O’Brien also handled costumes for the features Vice Squad (1982), House (1985), Mobsters (1991), Another Stakeout (1993) and Cries of Silence (1996); for the TV series T.J. Hooker and Beyond Belief: Fact of Fiction; and for the 2000 telefilm American Tragedy.

She received her Emmy nomination in 1992 (shared with Thomas Welsh) for their work on an King Arthur-themed episode of ABC’s MacGyver.

Born in Dublin on March 29, 1934, Helen Bernadette Brady and her husband, Jack, immigrated to the U.S. in 1955 and settled in Cleveland. Having learned to sew as a youngster, she found costuming work...

William Nevious had just grabbed his drum kit from the back of the truck, but this wouldn’t be a typical gig.

As the percussionist in the Screaming Eagles Combo, Nevious knew part of the reason he ended up in South Vietnam during the final months of 1967. When he and his fellow band members weren’t on kitchen duty, guard patrol, or setting aflame oil drums full of human waste, they’d be driven or flown to what his bandmate Rick Linton calls “bases and shitholes,” some in the middle of the Vietnamese jungle.

The latest entry into the Bad Boys film franchise titled Ride or Die is finally out and seems to be rejuvenating the 2024 summer box office single-handedly. Directed by Adil El Arbi and Bilall Fallah, Bad Boys: Ride or Die becomes the fourth film in a franchise started by Michael Bay. Stars Will Smith and Martin Lawrence return to reprise their iconic roles of Detective Mike Lowery and Detective Marcus Miles Burnett, and once again, both of their characters get into some tricky situations, and the only way to get out is some cool action sequences and hilarious comedic bits. So, if you love the Bad Boys franchise and love the latest film, Bad Boys: Ride or Die, here are some similar films you could watch next.

Beverly Hills Cop Credit – Paramount Pictures

Beverly Hills Cop is an action comedy film directed by Martin Brest with a screenplay by Daniel Petrie Jr....

Eureka Entertainment are set to release two of my all-time Favourite action movies, China O’Brien 1 and 2, the franchise that established American martial artist Cynthia Rothrock as an international action star. Presented on UK Blu-ray and 4K Ultra HD Blu-ray (separate releases) for the first time anywhere in the world, from brand new 4K restorations as part of Eureka Classics range.

Helmed by Richard Clouse, the celebrated director of Enter the Dragon and Game of Death, the China O’Brien films firmly established Cynthia Rothrock as an International action star following a successful string of hits in Hong Kong.

In China O’Brien, city cop and formidable martial artist Lori “China” O’Brien (Rothrock) is forced to resign from the force and return home to a small Utah town after her involvement in an accidental death. But upon arrival in Beaver Creek, she finds that her lawman father – Sheriff John O’Brien...

When it comes to sad movie endings, the filmmakers are attempting to elicit one of two responses from viewers. The most manipulative is bringing the audience to tears with an end that they might have seen coming but hoped to avoid. However, sadness and tear-jerk moments are a dicey tool. Some movies use them far too heavy handedly, and many viewers report them as simply too bleak to revisit as a result. While an ending that pulls on the emotional heartstrings is all well and good, some movie endings don't pull their emotional gut punches — and rewatchability suffers as a result.

Sometimes movies build up to their incredibly bleak ending, but others drop in a moment that's far too depressing right at the very end. The fact of the matter is, when a movie has a deeply sad and depressing ending that prompts more of an emotional response than most viewers signed up for,...

Stella Stevens is the actress known for playing Stella Purdy in The Nutty Professor (1963) and starring alongside Elvis Presley in Girls! Girls! Girls! Sadly, Ms. Steven passed away on Friday in Los Angeles after a long battle with Alzheimer’s disease. Her death was confirmed by her son, actor-producer Andrew Stevens, and her long-time friend John O’Brien.

A former Playboy centerfold from January 1960, Stevens participated in a screen test by 20th Century Fox as a part of launching her Hollywood career. She signed on the dotted line with Paramount and Columbia through the ’60s, appearing opposite Elvis Presley in Girls! Girls! Girls!, a role that sent her star soaring. She played Stella Purdy opposite Jerry Lewis’ Prof. Julius Kelp in The Nutty Professor, then acted in such films as Advance to the Rear, Synanon, The Silencers, Rage, How to Save a Marriage and Ruin Your Life, The Mad Room, and more.

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Nicolas Cage may have won a priceless Oscar for his turn as a suicidal screenwriter with an alcohol addiction in 1995’s Leaving Las Vegas — but that’s all he got. The actor was never paid the 100,000 he was promised to star in the film.

That surprising detail was revealed in a podcast interview with Mike Figgis, the writer-director of Leaving Las Vegas, who joined The Hollywood Reporter’s It Happened in Hollywood for that show’s third season premiere.

Figgis, too, was never paid the 100,000 budgeted for his directing fee.

“They said the film never went into profit,” Figgis says of Lumiere Pictures, which financed the 4 million film, which Figgis shot using handheld 16mm cameras on the streets of Las Vegas.

The film earned 32 million worldwide, according to Box Office Mojo.

Figgis seems not to mind the shortchanging.

“Whatever,” he says. “I mean,...

In the music world, it’s pretty much a given that the mellower the artist, the more troubled he or she may be — think of the demons lurking behind those all those languid guitar strums or yacht-rock tempos. (See: the Doobie Brothers.) And thanks to the new documentary Sheryl, which premieres on Showtime May 6th, we can now add another name to that list: Sheryl Crow.

As we approach next year’s 30th anniversary of Tuesday Night Music Club, the album that made her a star after several false starts,...

It’s always satisfying to see a character get what they deserve. We love it when the bad guy gets his comeuppance and the good guy triumphs. But sometimes, it’s even more satisfying to see a character who started as bad find redemption by the end of the story.

Movies About the Salem Witch Trials (Our 10 Picks)

These movies stay with us because they show us that it’s never too late to turn our lives around. So in this blog post, we’ll be counting down the best movies about redemption.

From ex-cons to former bullies, these characters all find a way to make up for their past mistakes and become better people.

So please sit back, relax, and enjoy our list of the best movies about redemption.

Pulp Fiction (1994)

Director and writer Quentin Tarantino’s film “Pulp Fiction”, released in 1994, was a major critical and commercial success.

The pop-music world, in many ways, has only gotten angstier (it would be hard to imagine a mood-poet chanteuse like Billie Eilish commanding arenas 20 years ago). But even back in the ’90s, Sheryl Crow was the kind of straight-up, middle-of-the-strike-zone, tasty-licks virtuoso of rock ‘n’ roll good times who seemed to have been put on earth to make people happy.

She was at the forefront of a revolutionary wave of women in pop — the Lilith Fair generation, from Alanis Morrisette to Sarah McLachlan to Shawn Colin to Paula Cole — but she was also, you could argue, one of the last great rockers to work in the heart-on-the-sleeve, guitar-riffs-on-air tradition of Bruce Springsteen and Tom Petty. My favorite line of hers has always been the one that comes after “All I wanna do is have some fun…” — namely, “until the sun comes up over Santa Monica Boulevard.” With her starburst smile and electrifying vocal bravado,...