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News

Curt Oertel

Filming Creation: On Andrei Konchalovsky’s “Sin”
Image
Andrei Konchalovsky's Sin is showing on Mubi starting June 18, 2021 in the United States.Not once does Michelangelo pick up a brush—or a chisel—in Andrei Konchalovsky’s Sin. Like the Russian icon painter in Tarkovsky’s Andrei Rublev, which Konchalovsky co-wrote over five decades ago, the artist is never captured at work and is instead plunged into a war-stricken wasteland, a 16th century Italy that feels, looks, and probably smells like a pestilential nightmare straight out of Dante’s Inferno. There are wars, murders, plots, crooked aristocrats and ungrateful relatives; early on, Alberto Testone’s Michelangelo staggers into Florence’s Piazza della Signoria to see his monumental David preside over a swamp of corpses and severed heads. Time and again, the genius casts his eyes skyward, searching for someone who’ll only show up in the film’s closing shot. There’s a biblical quality to his helplessness, a...
See full article at MUBI
  • 6/21/2021
  • MUBI
‘Art and Craft’ Could Join These Ten Art-Related Docs to Garner Oscar Noms
By Anjelica Oswald

Managing Editor

For almost 30 years, Mark Landis forged artwork and passed it off as his own to various museums around the country. It wasn’t until Matthew Leininger, a registrar at the Oklahoma City Museum of Art, investigated the pieces in 2008 that the forgery was exposed. Leininger dedicated his time to investigating Landis further, and the scale of forgeries was revealed in 2012. Both men are featured in Art and Craft, a documentary about Landis, directed by Jennifer Grausman and Sam Cullman and co-directed by Mark Becker. Because Landis never sold his work to the museums, only donated the works in what he calls acts of “philanthropy”, he was never prosecuted.

The Hollywood Reporter’s John DeFore said, “The film will appeal to art lovers, but some viewers who can hardly tell their Cezannes from Chagalls will find the story fascinating as well.”

The film was picked by...
See full article at Scott Feinberg
  • 12/19/2014
  • by Anjelica Oswald
  • Scott Feinberg
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