The death of a parent or the need to move them from the family home has been ripe fodder for filmmakers. From the vitriolic August: Osage County to the gentler One Fine Morning, we see characters wrestling with their past, contending with their present and getting a glimpse of their future. With Everything Must Go, screenwriter and film director Arild Østin Ommundsen has created something more reminiscent of The Meyerowitz Stories: both films focus on three grown-up siblings – two men and a woman – and both use humour to counteract the sadness of the family situation as memories are re-evoked and distant childhood events are gazed on and re-evaluated by adult eyes.
The film opens with the sound of piano playing and a thud as the patriarch plays his final notes. When the family gathers for the funeral, sister Ellen wastes no time dealing with the next stage: cleaning out...
The film opens with the sound of piano playing and a thud as the patriarch plays his final notes. When the family gathers for the funeral, sister Ellen wastes no time dealing with the next stage: cleaning out...
- 1/15/2025
- by Jo-Ann Titmarsh
- HeyUGuys.co.uk
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