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Frank Pettingell

News

Frank Pettingell

‘The Goose Steps Out’ Review
Stars: Will Hay, Charles Hawtrey, Peter Croft, Barry Morse, Peter Ustinov, Anne Firth, Frank Pettingell, Leslie Harcourt, Julien Mitchell, Jeremy Hawk, Raymond Lovell | Written by Angus MacPhail, John Dighton | Directed by Basil Dearden, Will Hay

I always enjoy reviewing re-releases of old films, they remind us – and in some cases introduce us to – some classics. One such release is The Goose Steps Out which is getting a special 75th Anniversary release, and is a comedy great from the 1940s…

Will Hay plays William Pots, a bumbling teacher who turns out to be the double of a German general. Sent to Germany to impersonate the general and steal a new bomb the Nazis are working on, he finds himself having to teach a group of students how to spy on the British.

Watching The Goose Steps Out it is easy to see this was a piece of propaganda used to...
See full article at Nerdly
  • 5/19/2017
  • by Paul Metcalf
  • Nerdly
Gaslight
(Thorold Dickinson, 1940, BFI, PG)

Although he only directed eight features, Thorold Dickinson (1903-84) had as remarkable and wide-ranging a career in the British cinema as his close contemporaries David Lean and Anthony Asquith. Like Lean, he served a long apprenticeship as an editor. Like Asquith, a fellow liberal, Oxford-educated son of the establishment, he had an early interest in the avant-garde and played a significant role in organising Act, the film industry trade union.

As film critic of the Spectator, Graham Greene praised The High Command and The Arsenal Stadium Mystery, Dickinson's first two films, both thrillers. But there were long absences from commercial cinema. In the late 1930s he spent several years making leftwing documentaries supporting the Spanish government. Much of his second world war was devoted to public information pictures, and for several postwar years he produced pictures for the United Nations. In the 1960s he became Britain's...
See full article at The Guardian - Film News
  • 12/15/2013
  • by Philip French
  • The Guardian - Film News
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