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Robert Pirosh at an event for A Day at the Races (1937)

News

Robert Pirosh

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What’s So Bad About Feeling Good?
Image
George Seaton’s literal feel-good comedy is the flipside of pandemic films like Contagion: a powerful virus ‘cures’ grumpiness and bad vibes, encouraging a kind of Urban Utopia. The picture has nothing more to say than ‘have a nice day,’ yet it’s difficult to argue with any positive sentiment, especially these days. George Peppard and Mary Tyler Moore battle nobly with the material, which varies from good parody (Dom DeLuise) to awful vaudeville schtick to wafer-thin satire to terrible musical interludes. A Toucan bird from South America steals the show — his trainer Ray Berwick should have won an Oscar.

What’s So Bad About Feeling Good?

Blu-ray

Kl Studio Classics

1968 / Color / 2:35 widescreen / 94 min. / Street Date August 24, 2021 / available through Kino Lorber / 24.95

Starring: George Peppard, Mary Tyler Moore, Susan Saint James, Don Stroud, Dom DeLuise, John McMartin, Charles Lane, Nathaniel Frey, George Furth, Morty Gunty, Frank Campanella, Thelma Ritter,...
See full article at Trailers from Hell
  • 7/17/2021
  • by Glenn Erickson
  • Trailers from Hell
Battleground
Battleground

Blu-ray

Warner Archive Collection

1949 / B&W / 1:37 flat Academy / 118 min. / Street Date January 10, 2017 / available through the WBshop / 21.99

Starring: Van Johnson, John Hodiak, Ricardo Montalban, George Murphy, Marshall Thompson, Don Taylor, James Whitmore, Douglas Fowley, Leon Ames, Guy Anderson, Denise Darcel, Richard Jaeckel, James Arness

Cinematography: Paul Vogel

Art Direction: Cedric Gibbons, Hans Peters

Film Editor: John D. Dunning

Original Music: Lennie Hayton

Written by: Robert Pirosh

Produced by: Dore Schary

Directed by William A. Wellman

“The Guts, Gags and Glory of a Lot of Wonderful Guys!”

— say, what kind of movie is this, anyway?

Action movies about combat are now mostly about soldiers that fight like killing machines, or stories of battle with a strong political axe to grind. WW2 changed perceptions completely, when a mostly civilian army did the fighting. With the cessation of hostilities combat pictures tapered off quickly, and Hollywood gave the subject a break for several years.
See full article at Trailers from Hell
  • 1/6/2017
  • by Glenn Erickson
  • Trailers from Hell
Robert Pirosh's letter to Hollywood executives, 1934
Letters of Note blogger Shaun Usher's favourite letter, a memorable attempt to change careers from advertising to scriptwriting

1934

A New York copywriter by the name of Robert Pirosh quit his well-paid job and headed for Hollywood in 1934, determined to begin the career of his dreams as a screenwriter. When he arrived, he gathered the names and addresses of as many directors, producers and studio executives as he could find and sent them what is surely one of the greatest, most effective cover letters ever to be written; a letter which secured him three interviews, one of which led to his job as a junior writer at MGM. Fifteen years later, Pirosh won an Oscar for best original screenplay for his work on the war film Battleground. A few months after that, he also won a Golden Globe.

Dear Sir:

I like words. I like fat buttery words, such as ooze,...
See full article at The Guardian - Film News
  • 10/12/2013
  • The Guardian - Film News
From Swordfights in Paris to Dropping the Atomic Bomb on Hiroshima: Parker Evening
Eleanor Parker today: Beautiful as ever in Scaramouche, Interrupted Melody Eleanor Parker, who turns 91 in ten days (June 26, 2013), can be seen at her most radiantly beautiful in several films Turner Classic Movies is showing this evening and tomorrow morning as part of their Star of the Month Eleanor Parker "tribute." Among them are the classic Scaramouche, the politically delicate Above and Beyond, and the biopic Interrupted Melody, which earned Parker her third and final Best Actress Academy Award nomination. (Photo: publicity shot of Eleanor Parker in Scaramouche.) The best of the lot is probably George Sidney’s balletic Scaramouche (1952), in which Eleanor Parker plays one of Stewart Granger’s love interests — the other one is Janet Leigh. A loose remake of Rex Ingram’s 1923 blockbuster, the George Sidney version features plenty of humor, romance, and adventure; vibrant colors (cinematography by Charles Rosher); an elaborately staged climactic swordfight; and tough dudes...
See full article at Alt Film Guide
  • 6/18/2013
  • by Andre Soares
  • Alt Film Guide
Streaming for Your Pleasure: Memorial Day Edition
Article by Dan Clark of Movie Revolt

Well it’s that time again, time for another installment of Streaming for Your Pleasure. With Memorial Day weekend upon us America is about to officially start the summer. Barbeques, beers, and beaches will surely take up much of our time this weekend, however let us not forget the purpose behind this day as we celebrate the glory that is a three day weekend. In all seriousness it is a time to honor our Veterans and current soldiers for the remarkable sacrifices they make. No matter what political stance you may take I feel that is one thing we can all get behind. With that in mind I dedicated this installment to all things military as I look at military centric films currently available on Netflix Streaming.

The Longest Day

Directed By: Ken Annakin, Andrew Marton, Bernhard Wicki, and Darryl F. Zanuck

Written...
See full article at Nerdly
  • 5/30/2012
  • by Phil
  • Nerdly
Ten Terrific War Movies You Probably Never Heard Of
I’ve always been a war film buff, maybe because I grew up with them at a time when they were a regular part of the cinema landscape. That’s why I read, with particular interest, my Sound on Sight colleague Edgar Chaput’s recent pieces on The Flowers of War (“The Flowers of War Is an Uneven but Interesting Chinese Ww II Film” – posted 2/20/12) and The Front Line (The Front Line Rises to the Occasion to Overcome Its Familiarity” – 2/16/12) with such interest. An even more fun read was the back-and-forth between Edgar and Sos’s Michael Ryan over the latter (“The Sound on Sight Debate on Korea’s The Front Line” – 2/12/12), with Michael unimpressed because the movie had “…nothing new to add to the war genre,” and Edgar coming back with “…‘new’ is not always what a film must strive for. So long as it does well what it set out to do…...
See full article at SoundOnSight
  • 2/28/2012
  • by Bill Mesce
  • SoundOnSight
Producers Prepare For "Combat!"
Producers Steven Jay Rubin, Steve Mitchell and Dana Walker continue to develop a $35 million feature version of "Combat!", the 1960's ABC TV series about an American infantry squad fighting in France.

Based on a screenplay Mitchell wrote, production will start in Eastern Europe this fall through Jay Rubin's Fast Carrier Pictures.

Created by Robert Pirosh, "Combat!" ran for five seasons on ABC TV, following the soldiers of 'King Company' as they try to fight their way out of France.

Regular cast members included Rick Jason as '2nd Lt. Gil Hanley', Vic Morrow as 'Sgt. "Chip" Saunders', Jack Hogan as 'Pvt. William G. Kirby', Pierre Jalbert as 'Pfc. Paul "Caje" LeMay', Shecky Greene as 'Pvt. Braddock', Steven Rogers as '"Doc" Walton', Conlan Carter as 'Doc', and Dick Peabody as 'Pvt. "Littlejohn'.

"Combat!" continues to air in broadcast syndication throughout the Us and 54 other countries.

"WWII is an 'evergreen' genre,...
See full article at SneakPeek
  • 5/17/2010
  • by Michael Stevens
  • SneakPeek
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