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Harry Redmond Jr.

Warners’ Special Effects Blu-ray Collection
I'll trade you two RKOs for two Warners', an even swap! This quartet of movie-magic wonderments offer a full course on old-school film effects wizardry at its best. Willis O'Brien passes the baton to disciple Ray Harryhausen, who dazzles us with his own effects magic for the first '50s giant monster epic. And the best monster thriller of the decade is offered at its original widescreen aspect ratio. It's all special enough to merit a mid-week review. Special Effects Collection Blu-ray The Son of Kong, Mighty Joe Young, The Beast from 20,000 Fathoms, Them! Warner Home Video 1933-1954 / B&W / 1:37 Academy - 1:85 widescreen / 335 min. / Street Date October 27, 2015 / 54.96 or 19.98 separately Starring Robert Armstrong, Helen Mack,, Frank Reicher, Victor Wong; Robert Armstrong, Terry Moore, Ben Johnson, Frank McHugh; Paul Christian, Paula Raymond, Cecil Kellaway, Kenneth Tobey, Donald Woods, Lee Van Cleef; James Whitmore, Edmund Gwenn, Joan Weldon, James Arness, Onslow Stevens,...
See full article at Trailers from Hell
  • 10/23/2015
  • by Glenn Erickson
  • Trailers from Hell
Harry Redmond obituary
Creator of film special effects who turned an 18-inch model ape into King Kong

In the history of cinema, many children have followed their mothers or fathers into the film business, but few offspring pursued the path of a parent more slavishly than Harry Redmond Jr, who has died aged 101. Like a master craftsman, Harry Redmond Sr passed on the skills of his trade to his son, the trade being the creation of special effects for films. Most notably, they worked together on King Kong (1933), in which a giant gorilla captures an actor, Ann Darrow, played by the "scream queen" Fay Wray.

The Redmonds were important members of the King Kong technical team under the supervision of Willis O'Brien, the pioneer of model animation. Part of their job was to integrate the stop-motion models and animatronics into live-action sequences by means of back projection and travelling mattes. Although the model...
See full article at The Guardian - Film News
  • 6/28/2011
  • by Ronald Bergan
  • The Guardian - Film News
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