Fifteen features will world premiere at the 68th BFI London Film Festival (Lff), including Elizabeth Chai Vasarhelyi and Jimmy Chin’s documentary Endurance, and previously announced opening title Steve McQueen’s Blitz.
The festival takes place from October 9-20.
Free Solo and Nyad directing duo Vasarhelyi and Chin direct Endurance alongside Natalie Hewit, which examines the lost ship of Antarctic explorer Ernest Shackleton. Further world premieres include Sophie Compton and Daisy-May Hudson’s documentary Holloway, about one of the largest women’s prisons in Europe.
Steven Knight’s Victorian boxing series A Thousand Blows, starring Stephen Graham, will receive its world premiere.
The festival takes place from October 9-20.
Free Solo and Nyad directing duo Vasarhelyi and Chin direct Endurance alongside Natalie Hewit, which examines the lost ship of Antarctic explorer Ernest Shackleton. Further world premieres include Sophie Compton and Daisy-May Hudson’s documentary Holloway, about one of the largest women’s prisons in Europe.
Steven Knight’s Victorian boxing series A Thousand Blows, starring Stephen Graham, will receive its world premiere.
- 9/4/2024
- ScreenDaily
Elizabeth Chai Vasarhelyi and Jimmy Chin’s latest documentary feature Endurance about the epic search to find the lost ship of Antarctic explorer Sir Ernest Shackleton, Sean Baker’s Anora, and Marielle Heller’s Nightbitch starring Amy Adams are among the titles that have been announced within the full lineup of the British Film Institute’s (BFI) 68th London Film Festival. Scroll down for the full list.
Endurance, which Oscar winners Vasarhelyi and Chin have made for National Geographic, will screen as a world premiere. Running October 9-20, Lff will feature 40 World Premieres, 12 International Premieres, and 21 European Premieres.
Eye-grabbing entries from today’s launch include headline gala screenings of Sean Baker’s Palme d’Or winner Anora, Edward Berger’s latest feature Conclave, and Ali Abbasi’s much-talked-about Donald Trump biopic The Apprentice. Other highly-anticipated titles that arrive from the...
Endurance, which Oscar winners Vasarhelyi and Chin have made for National Geographic, will screen as a world premiere. Running October 9-20, Lff will feature 40 World Premieres, 12 International Premieres, and 21 European Premieres.
Eye-grabbing entries from today’s launch include headline gala screenings of Sean Baker’s Palme d’Or winner Anora, Edward Berger’s latest feature Conclave, and Ali Abbasi’s much-talked-about Donald Trump biopic The Apprentice. Other highly-anticipated titles that arrive from the...
- 9/4/2024
- by Zac Ntim
- Deadline Film + TV
Chamber of Horrors
Blu-ray
Kino Lorber
1940 / B&W / 1:33 / Street Date March 21, 2017
Starring: Lilli Palmer, Leslie Banks.
Cinematography: Alex Bryce, Ernest Palmer
Film Editor: Ted Richards
Written by Gilbert Gunn, Norman Lee
Produced by John Argyle
Directed by Norman Lee
Near the turn of the century a struggling war correspondent named Edgar Wallace began churning out detective stories for British monthlies like Detective Story Magazine to help make the rent. Creative to a fault, his preposterously prolific output (exacerbated by ongoing gambling debts) soon earned him a legion of fans along with a pointedly ambiguous sobriquet, “The Man Who Wrote Too Much.”
A reader new to Wallace’s work could be excused for thinking the busy writer was making it up as he went along… because that’s pretty much what he did. He dictated his narratives, unedited, into a dictaphone for transcription by his secretary where they would then...
Blu-ray
Kino Lorber
1940 / B&W / 1:33 / Street Date March 21, 2017
Starring: Lilli Palmer, Leslie Banks.
Cinematography: Alex Bryce, Ernest Palmer
Film Editor: Ted Richards
Written by Gilbert Gunn, Norman Lee
Produced by John Argyle
Directed by Norman Lee
Near the turn of the century a struggling war correspondent named Edgar Wallace began churning out detective stories for British monthlies like Detective Story Magazine to help make the rent. Creative to a fault, his preposterously prolific output (exacerbated by ongoing gambling debts) soon earned him a legion of fans along with a pointedly ambiguous sobriquet, “The Man Who Wrote Too Much.”
A reader new to Wallace’s work could be excused for thinking the busy writer was making it up as he went along… because that’s pretty much what he did. He dictated his narratives, unedited, into a dictaphone for transcription by his secretary where they would then...
- 4/17/2017
- by Charlie Largent
- Trailers from Hell
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