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Mario Roncoroni

Neuchatel Female Trouble Retrospective Blurs Gender and Genre
Image
Upon taking the reins of the Neuchatel Intl. Fantastic Film Festival (Nifff) last year, incoming artistic director Pierre-Yves Walder marked his first edition with Scream Queer, a thematic retrospective that explored the thorny and thrillingly diverse forms of queer representation in genre fare. Now building on the success of that well-received program, the Nifff director wanted to deliver a sequel of sorts.

“We want to continue last year’s investigations and to take our thematic journeys a step further,” Walder explains. “You could say that this focus will continue to ask and answer the same questions with a slightly different emphasis.”

And so here comes Female Trouble, a 20-film, century-spanning spotlight built on a French play-on-words that blurs gender and genre. Starting with Mario Roncoroni’s silent serial “Filibus,” which mixed sci-fi motifs with gender-fluidity and lesbian desire all the way back in 1915, and on through Jacques Tourneur’s “Cat People...
See full article at Variety Film + TV
  • 6/23/2023
  • by Ben Croll
  • Variety Film + TV
Ossi Oswalda and Hermann Thimig in The Doll (1919)
Money Is the Devil: Church Satirized in Enjoyable Early Lubitsch Comedy with Premise Similar to Keaton Classic
Ossi Oswalda and Hermann Thimig in The Doll (1919)
'The Doll' with Ossi Oswalda and Hermann Thimig: Early Ernst Lubitsch satirical fantasy starring 'the German Mary Pickford' has similar premise to that of the 1925 Buster Keaton comedy 'Seven Chances.' 'The Doll': San Francisco Silent Film Festival presented fast-paced Ernst Lubitsch comedy starring the German Mary Pickford – Ossi Oswalda Directed by Ernst Lubitsch (So This Is Paris, The Wedding March), the 2017 San Francisco Silent Film Festival presentation The Doll / Die Puppe (1919) has one of the most amusing mise-en-scènes ever recorded. The set is created by cut-out figures that gradually come to life; then even more cleverly, they commence the fast-paced action. It all begins when a shy, confirmed bachelor, Lancelot (Hermann Thimig), is ordered by his rich uncle (Max Kronert), the Baron von Chanterelle, to marry for a large sum of money. As to be expected, mayhem ensues. Lancelot is forced to flee from the hordes of eligible maidens, eventually...
See full article at Alt Film Guide
  • 6/28/2017
  • by Danny Fortune
  • Alt Film Guide
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