Whit Stillman on overcoming drawing a "blank" for The Last Days Of Disco: "I was very helped by the fact that a magazine sent me Anthony Haden-Guest's book about Studio 54 to review."
In the final instalment of my conversation with Whit Stillman we go on a "magical" stroll connecting Fred Astaire and Joan Fontaine in George Stevens's A Damsel In Distress to Greta Gerwig and Adam Brody in Whit's Damsels In Distress, Ryan Paris's Dolce Vita, Kate Beckinsale, Chloë Sevigny, Matt Keeslar, Mackenzie Astin, and a Dean Martin song in The Last Days Of Disco.
The director/screenwriter talks about adapting Jane Austen's Lady Susan for Love & Friendship, the possible influence of his children on The Wizard Of Oz costumes turning up in his films, and a Peter Afterman comment about baroque music and Jamaican music that matches for Whit a Procol Harum Whiter...
In the final instalment of my conversation with Whit Stillman we go on a "magical" stroll connecting Fred Astaire and Joan Fontaine in George Stevens's A Damsel In Distress to Greta Gerwig and Adam Brody in Whit's Damsels In Distress, Ryan Paris's Dolce Vita, Kate Beckinsale, Chloë Sevigny, Matt Keeslar, Mackenzie Astin, and a Dean Martin song in The Last Days Of Disco.
The director/screenwriter talks about adapting Jane Austen's Lady Susan for Love & Friendship, the possible influence of his children on The Wizard Of Oz costumes turning up in his films, and a Peter Afterman comment about baroque music and Jamaican music that matches for Whit a Procol Harum Whiter...
- 7/12/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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