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Exclusive: Drafthouse Films has acquired North American rights to the documentary Chop & Steele, about the creators of the Found Footage Festival, announcing plans to release the film in April at Alamo Drafthouse theaters as part of a double bill with another newly-acquired doc, A Life on the Farm.

Chop & Steele premiered at Tribeca in 2022 and went on to a robust North American festival run that encompassed Calgary, Philadelphia, Seattle, Denver, the Heartland International Film Festival in Indianapolis, the Sidewalk Film Festival in Birmingham, Ala., and the San Francisco Independent Film Festival.

In Chop & Steele, Found Footage Festival principals Joe Pickett and Nick Prueher, “lifelong friends who tour the country with their popular VHS oddities festival, are slapped with a federal lawsuit after pranking a local news station as ‘strong men’ Chop and Steele. Many notables are featured in the doc, including David Cross, Bobcat Goldthwait, Reggie Watts, and Howie Mandel.

"Twelve years went by like that," said “Boyhood" editor Sandra Adair with a snap of her fingers. The end result of the Oscar-nominated film appears seamless, but for Adair and her colleagues, the process was unprecedented. Filmmaking technology has changed enormously over the past decade, with editing programs becoming obsolete in a virtual heartbeat. How in the world did they do it? Joining Adair on the SXSW panel was assistant editor Mike Saenz, colorist and digital intermediate editor Parke Gregg and post-production supervisor Laura Yates. Below are the key takeaways of the discussion: Read More: How 'Boyhood" Editor Sandra Adair Helped Shape the Film's 12-Year Evolution When you have an editing project of this magnitude, be Zen. Director Richard Linklater would shoot for three or four days every year and then pass his work to Adair, who would work on her edit for about a month. But Adair said...

The filming of Boyhood, shot over 12 years, posed some unexpected challenges in post-production. At a recent meeting of the Boston Creative Pro Users Group, First Assistant Editor Mike Saenz explained the difficulties of the editing process, made more complicated by changes in technology that occurred over that 12-year period. Begun as what Saenz called “an indie side project” by director Richard Linklater, Boyhood was originally edited using Final Cut 3, as they couldn’t afford to rent an Avid system for 12 years. A couple of years into the project, they switched to Avid Xpress, a lower-end system from Avid. They […]...

The filming of Boyhood, shot over 12 years, posed some unexpected challenges in post-production. At a recent meeting of the Boston Creative Pro Users Group, First Assistant Editor Mike Saenz explained the difficulties of the editing process, made more complicated by changes in technology that occurred over that 12-year period. Begun as what Saenz called “an indie side project” by director Richard Linklater, Boyhood was originally edited using Final Cut 3, as they couldn’t afford to rent an Avid system for 12 years. A couple of years into the project, they switched to Avid Xpress, a lower-end system from Avid. They […]...