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Star Trek: The Next Generation's win of a Peabody Award for "The Big Goodbye" helped justify the struggling show's first season and validated its potential. Tracy Tormé, the writer of "The Big Goodbye," drew inspiration from classic film noir and detective stories to create a magical script that required minimal changes. The Peabody Award was a surprise for Tormé and the show, providing a much-needed boost in response to the show's turmoil and difficulties, ultimately justifying the existence of The Next Generation.

Star Trek: The Next Generation earned one Peabody Award, and the episode's writer pointed out how this helped justify the show in its rocky first season. Following in the footsteps of Star Trek: The Original Series was no small feat, and Tng didn't exactly hit the ground running. Still, the updated technology of the Tng era allowed the Star Trek writers to experiment more, and perhaps no...

The Most Crucial Art Documents of the Season

Setting from your Zombie Formalism section. It was an eventful year for craft publishing, with a lot of adjustments while in the scenery, as new guides exposed (including this one), or jumped up. or reinvented themselves. But beneath all-the institutional shuffles, what were the suggestions that got people excited? the remaining selection under is clearly an individual one, although I polled peers to attempt to answer that issue. The planet is reflected by it around me, and is weighted towards bits that reflect my own personal spot and my own personal feeling of this year;s troubled features. Regardless, listed below are a number of writing that I think are touchstones of 2014 of the items: Holland Cotter – Sophisticated, New York Times. Jan 17, 2014 It;s a little insane if you ask me that s fretful, condition that is sweeping -of-the-scene part is per year old.

The Main Art Documents of the Year

Environment from the Zombie panel. It had been an eventful year for craft writing, with lots of shifts inside the scenery, as new journals popped (including this 1), or sprang up. or reinvented themselves. But beneath all the institutional shuffles, what were the tips that got people excited? I interviewed peers to attempt to answer that problem, but the remaining choice below is obviously a personal one. It displays the entire world and it is weighted towards parts that echo my own personal location and my own feeling of this yr’s struggling qualities. Regardless, listed here are a number of the pieces of publishing that I think are touchstones of 2014: Holland Cotter – Complex, New York Times. Jan 17, 2014 It;s somewhat crazy if you ask me that #039 Cotter&; s fretful, sweeping express -of-the-picture item is already per year old. But it stands here...

These artists will engage with the old Whitney building as they close it down. The character of Donelle Woolford (fictionally b. 1980; above left) was created by the middle-aged white artist Joe Scanlan and is embodied by the actress Jennifer Kidwell. Wearing man-drag, she’ll reenact a 1977 stand-up routine by Richard Pryor.Kevin Beasley (b. 1985; above center) will embed microphones in wicked-looking objects, capturing reactions and then playing them back to museumgoers, so they can hear themselves see. Darren Bader (b. 1978; above right) will set up a pair of donation boxes: one soliciting money for a charity, another promising to destroy whatever money is placed into it. Ei Arakawa (b. 1977) and Carissa Rodriguez (b. 1970) will include a Cartier clock, custom-made for Franklin Roosevelt, in their show of sculptural “islands” that are meant to evoke Manhattan, Hawaii, and Kauai. Look for it. Emily Sundblad (b. 1977) is planning...