So it’s all over, finally. We know who did it, and why. And once again we’ll have to find a way of detaching ourselves from a group of Nordic characters who’ve made their way into our hearts, in all their chrome-coordinated, subtitled glory.
Saga Noren and Martin Rohde are wiser but much, much wearier, after a gripping finale that borrowed elements from films such as Seven (as hinted previously with the socially-aware serial killer) – where killing their culprit is the intuitive, but very wrong, response, and not only because it’s exactly what he wants.
But, they made it very much their own, too, with all the character traits we’ve absorbed over 10 beautifully paced episodes, brought out to bear in an un-cliched but thoroughly logical and satisfying finale.
There are so many good things to say about The Bridge – the acting across the board, the production design,...
Saga Noren and Martin Rohde are wiser but much, much wearier, after a gripping finale that borrowed elements from films such as Seven (as hinted previously with the socially-aware serial killer) – where killing their culprit is the intuitive, but very wrong, response, and not only because it’s exactly what he wants.
But, they made it very much their own, too, with all the character traits we’ve absorbed over 10 beautifully paced episodes, brought out to bear in an un-cliched but thoroughly logical and satisfying finale.
There are so many good things to say about The Bridge – the acting across the board, the production design,...
- 5/21/2012
- by Caroline Frost
- Huffington Post
So it's all over, finally. We know who did it, and why. And once again we'll have to find a way of detaching ourselves from a group of Nordic characters who've made their way into our hearts, in all their chrome-coordinated, subtitled glory.
Saga Noren and Martin Rohde are wiser but much, much wearier, after a gripping finale that borrowed elements from films such as Seven (as hinted previously with the socially-aware serial killer) – where killing their culprit is the intuitive, but very wrong, response, and not only because it's exactly what he wants.
But, they made it very much their own, too, with all the character traits we've absorbed over 10 beautifully paced episodes, brought out to bear in an un-cliched but thoroughly logical and satisfying finale.
There are so many good things to say about The Bridge– the acting across the board, the production design, Saga's car. Here, off the top of my head,...
Saga Noren and Martin Rohde are wiser but much, much wearier, after a gripping finale that borrowed elements from films such as Seven (as hinted previously with the socially-aware serial killer) – where killing their culprit is the intuitive, but very wrong, response, and not only because it's exactly what he wants.
But, they made it very much their own, too, with all the character traits we've absorbed over 10 beautifully paced episodes, brought out to bear in an un-cliched but thoroughly logical and satisfying finale.
There are so many good things to say about The Bridge– the acting across the board, the production design, Saga's car. Here, off the top of my head,...
- 5/21/2012
- by Caroline Frost
- Aol TV.
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