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Andreas Scholl

Easter Season Music, Part II: Beyond Bach
Earlier this week, I looked at recent releases of Easter-season choral works by J.S. Bach and one of his sons. Today I cover a bit more historical range in terms of composers and eras, again sticking to recent releases.

Maria Venuti, Keith Lewis, Michel Brodard/Gächingen Chorale of Stuttgart/Bach Collegium of Stuttgart/Helmuth Rilling Christus am Ölberge, Op. 85 (Hänssler Classic)

Written in 1802 in just 14 days (but not published for a decade, hence the high opus number), Christus am Ölberge (Christ on the Mount of Olives) is a dramatic oratorio depicting Christ's emotional acceptance of his fate during His conversation with an angel in the garden of Gethsemene, followed by His arrest and Peter's protest. 

It's not one of my favorite pieces; there's just one memorable chorus (all the way at the end) and a lot of fairly rote Beethovenisms. Even the composer spoke disparagingly of it, disliking the libretto.
See full article at www.culturecatch.com
  • 4/17/2014
  • by SteveHoltje
  • www.culturecatch.com
Spring arts calendar 2012
From Snow White to Jack White, and Cumbria to Cannes, the Observer's critics pick the season's highlights. What are you most looking forward to? Post your comments below

Download the spring arts calendar 2012

April

2 Pop Dr John The New Orleans legend decamps to Nashville to record with the Black Keys' Dan Auerbach; excellence ensues on the Locked Down LP.

4 Art Damien Hirst The world's richest living artist enjoys a major survey of more than 20 years of his work, including medicine cabinets, diamond skull and a certain preserved shark. Tate Modern, London until 9 September.

6 Film This Must Be the Place Sean Penn plays a retired rock star scouring America for the fugitive Nazi who tormented his father in Auschwitz. Paolo Sorrentino escapes from the art house in his first English-language film.

7 Theatre Where Have I Been All My Life? Following the success of London Road, her verbatim musical at the National,...
See full article at The Guardian - Film News
  • 3/31/2012
  • The Guardian - Film News
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