News

Fan theories can range from the magnificently layered to the simplistic and dull. As Disney is one of the largest entertainment companies in the world, inspired fans have created hundreds of possible theories stemming from their entire catalog. However, although most of these theories can be bright and cheery, some theories can get really dark and upsetting.

The theories that Disney fans have come up with can surprisingly sound realistic given the evidence. Judging by how many theories fans have created from these classic films, it's hard to ignore the ones that sound the most terrifyingly true.

Did Captain Hook Kill Ariel’s Mom? Peter Pan (1953) and The Little Mermaid (1989)

Fans of Disney's most classic films have pointed out a major possible connection between two of their greatest movies. In the 1953 classic Peter Pan, Neverland is home to many wondrous people and places, such as Mermaid Lagoon. In a scene...

The Twisted Childhood Universe continues to subvert fairy tale tropes with Pinocchio: Unstrung. The upcoming slasher drops a new poster revealing the titular character unshackled with "nothing holding him back."

The filmmakers of Winnie-the-Pooh: Blood and Honey released new details about Pinocchio: Unstrung, a reimagining of the children's fantasy novel but with a very dark turn. Bloody Disgusting dropped the film's new poster with an exciting confirmation: the doll for the titular marionette will be crafted by FX artist Todd Masters, whose long line of credits includes makeup and prosthetics for Child's Play, Slither, and Tales from the Crypt. The poster teases what could be Pinocchio's first kill on the loose; the victim could very well be Geppetto if the film leans on the premise of the Italian novel.

Related 10 Best Horror Movie Costume Designs, Ranked

Costume design can make or break a horror movie. Michael Myers, Freddy Krueger...

A slew of classic Disney movies are hitting for the first time on Blu-Ray, including one double-pack release, and you’re going to want to make sure to pick these up. You haven’t paid attention to some of these titles for a while, and it’s about time you got the chance to catch them on Blu-Ray. The best part is that there’s a great mix of releases hitting. Bedknobs and Broomsticks is all but lost in the cultural consciousness, and it deserves a return. The Academy Award-winning movie from the year I was born is filled with a lot of fun and adventure, and like most Disney films, holds up well for a whole new generation.

The rest of the group covers a great spectrum, including two animated “big” titles, and a 10th Anniversary release. There’s a lot to expose your family to here, so check out all the info below,...

Director: Robert Stromberg Writers: Linda Woolverton (screenplay), Charles Perrault (story), Jacob Grimm (story), Wilhelm Grimm (story), Erdman Penner (screenplay Sleeping Beauty 1959), Joe Rinaldi (screenplay Sleeping Beauty 1959), Winston Hibler (screenplay Sleeping Beauty 1959), Bill Peet (screenplay Sleeping Beauty 1959), Ted Sears (screenplay Sleeping Beauty 1959), Ralph Wright (screenplay Sleeping Beauty1959), Milt Banta (screenplay Sleeping Beauty 1959) Starring: Angelina Jolie, Elle Fanning, Sharlto Copley, Imelda Staunton, Lesley Manville, Juno Temple, Sam Riley, Brenton Thwaites Maleficent is not a […]...

Alice in Wonderland

Directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske

Written by Winston Hibler, Ted Sears, Bill Peet, Erdman Penner, Joe Rinaldi, Milt Banta, Bill Cottrell, Dick Kelsey, Joe Grant, Dick Huemer, Del Connell, Tom Oreb, and John Waltridge

Starring Kathryn Beaumont, Ed Wynn, Verna Felton

I should not pride myself in my ability to not be bored stiff by black-and-white movies, or by a supposedly stilted style of acting present in films from before the 1960s. There is a perception in the world, though, that audiences under the age of 30—I’m nearing the precipice of being on the opposite side of that line, but not yet—are, for the most part, unable to deal with older films or engage with them properly. On one hand, I bristle at the stereotype, not just because of my love for film of any age, but because I know from writing for this website,...

Saludos Amigos

Directed by Norman Ferguson, Wilfred Jackson, Jack Kinney, Hamilton Luske, William Roberts

Written by Homer Brightman, Bill Cottrell, Dick Huemer, Joe Grant, Harold Reeves, Ted Sears, Webb Smith, Roy Williams, Ralph Wright

Considering Saludos Amigos in comparison with its follow-up, The Three Caballeros, is akin to analyzing the pregame to the Super Bowl. (Our guest, Jeff Heimbuch, may disagree but will surely appreciate comparing these two movies to such a titanic worldwide event.) I’m often very vocal about not enjoying Disney’s release strategy for some of their lesser animated films—or, if you like, films they consider to be lesser even if the fans of those films are legion—specifically how they combine films in a Blu-ray combo pack. If you like Pocahontas and want it on Blu-ray, great! You’re cool if the film is packaged with its direct-to-dvd sequel, yeah? Well, you don’t have a choice,...

The Three Caballeros

Directed by Norman Ferguson

Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero

Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...

Snow White and the Seven Dwarfs

Directed by David Hand

Written by Ted Sears, Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd, Merrill De Maris, Dorothy Ann Blank, and Webb Smith

Context is everything. Looking at anything in the appropriate context can change your view, or at least enrich it. When people in the 21st century look at a seminal American film such as Citizen Kane, they may be left cold by it, hampered by the hype surrounding the American Film Institute’s selection for the greatest film ever from this country. Hype can screw up the proper context for any piece of art, be it a movie, book, song, or TV show. If you watch something months after everyone else has heaped praise upon it, or months after people have excoriated it, you may find yourself expecting to see what they’ve seen and finding yourself at odds with the general consensus.

#Gift Students of film and pop culture history have had a bumper selection of titles to choose from in the last few weeks. Four documentaries have been released that warrant the attention of anyone with an interest in two of the most enduring and successful enterprises in the entertainment industry: Walt Disney Studios and DC Comics. They might not make it onto the best sellers shelves at your local Best Buy but here at CinemaSpy we believe in bringing worthwhile works to your attention regardless of their commercial appeal. These four films definitely qualify.

Waking Sleeping Beauty

Official Synopsis: Far from a fairytale, Waking Sleeping Beauty is an unprecedented eye-opening look at the conflict, drama and tension that ushered in the second chapter of Disney’s animation legacy – a decade of unparalleled creativity that included The Little Mermaid, Beauty And The Beast, Aladdin and The Lion King. Told by the...

The sixth and final volume of the Disney Classic Short Films collection finally found a way to load a disc with cartoons of genuinely similar moral themes. While Mickey and the Beanstalk did well in that regard as far as plots are concerned, the cartoons accompanying The Reluctant Dragon all take a different stance on identity and what it means to measure expectations of who people think you should be against who you actually are. Each of the cartoons does this in its own way – some more deftly than others. While more consistently thematically, it’s also worth noting that the average age of the four cartoons in this set is noticeably lower than those in other volumes; where volumes 1-5 each had about 2-4 cartoons from the mid 1930s, this volume has but one – and its 1938 creation date gives it a stylistic leg up over its 1933/1934 brethren of past volumes.