News

Following their intial announcements, the 62nd New York Film Festival has now unveiled its final film section: Revivals, featuring significant works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners. Highlights include World premieres of restorations of Ardak Amirkulov’s The Fall of Otrar, Zeinabu irene Davis’s Compensation, Raymond Depardon’s Reporters, John Hanson and Rob Nilsson’s Northern Lights, and Robina Rose’s Nightshift as well as works by Chantal Akerman, Clive Barker, Robert Bresson, Lino Brocka, Marguerite Duras and Paul Seban, Marva Nabili, Ousmane Sembène and Thierno Faty Sow, and Frederick Wiseman.

Check out the the lineup below.

Bona

Lino Brocka, 1980, Philippines, 85m

Filipino and Tagalog with English subtitles

U.S. Premiere of 4K Restoration

A fierce work of quasi-neorealist melodrama that melds pop cinema instincts and political indignation, Lino Brocka’s 1980 feature endures as a lively, searing parable...

L'homme atlantique.In 1981, coinciding with the release of Marguerite Duras’s seventeenth film, L’homme atlantique, Le Monde published a short text—“a warning”—by the writer and filmmaker: It has become customary for the majority of cinemagoers in France to act as though cinema is something that is owed to them, to protest and scream bloody murder at the appearance of films that weren’t made for them alone. Therefore, I would like to tell these viewers not to step foot in the cinema that is screening "L’homme atlantique," that there is no use in doing so because the film was made in total ignorance of their existence.Later that year, in an interview conducted by Anne de Gasperi, Duras doubled down on her exclusionary rhetoric. “My cinema is not made for people who love cinema. I didn’t think about those people for a second,” she said.