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Eduardo Serrano

Juliano Dornelles
Another layer by Anne-Katrin Titze
Juliano Dornelles
Juliano Dornelles on Michael in Bacurau: “When Udo Kier’s character said to the outsiders about the Brazilian collaborators, ‘They don’t speak Brazilian here.’ Brazilian, it’s not a name.”

In celebration of the theatrical release of Bacurau in New York, Kleber Mendonça Filho and Juliano Dornelles will present Mapping Bacurau, a program of films that include John Sayles’s Lone Star,; Colin Eggleston’s Long Weekend; Paul Morrissey’s Blood For Dracula; 70mm print of John Carpenter’s Starman; Ted Kotcheff’s Wake In Fright, and a 4K restoration of Robin Hardy’s The Wicker Man: The Final Cut.

Kleber Mendonça Filho with Juliano Dornelles on Bacurau: “The horses for us is a very interesting marker that this is a Western. They’re beautiful animals, the way they move.” Photo: Anne-Katrin Titze

Bacurau, shot by Pedro Sotero, edited by Eduardo Serrano, costumes by Rita Azevedo, with a.
See full article at eyeforfilm.co.uk
  • 2/23/2020
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
In directions nobody goes by Anne-Katrin Titze
Kleber Mendonça Filho and Juliano Dornelles on the first shot in Bacarau: “It’s also kind of an homage to John Carpenter’s opening for two of his films, Starman and The Thing.” Photo: Anne-Katrin Titze

Kleber Mendonça Filho and Juliano Dornelles' Bacurau, shot by Pedro Sotero, edited by Eduardo Serrano, costumes by Rita Azevedo, and starring Sônia Braga, Udo Kier and Bárbara Colen, had its world première at the Cannes Film Film Festival, where it won the jury prize (shared with Ladj Ly's Les Misérables). It was a highlight of the New York Film Festival. Bacurau is breathtaking from the start with Gal Costa singing Não Identificado by Caetano Veloso.

Sônia Braga is Domingas in Bacurau, not in Boyhood or Exit Through The Gift Shop Photo: Anne-Katrin Titze

In the first instalment of my conversation with the directors, they make a connection to François Truffaut’s Fahrenheit 451...
See full article at eyeforfilm.co.uk
  • 10/27/2019
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
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