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The performances in Maria Sødahl’s stunning piece of auto-fiction are superb. Oscar-shortlisted Hope (Håp) hopes to become the sixth film from Norway (joining Arne Skouen’s Nine Lives; Nils Gaup’s Pathfinder; Berit Nesheim’s The Other Side of Sunday; Petter Næss’s Elling; Joachim Rønning and Espen Sandberg’s Kon-Tiki) to be nominated by the Academy of Motion Picture Arts and Sciences in what is now called Best International Feature Film. Nicole Kidman recently bought the rights for Hope to star in a series adaptation of the director’s story.

Anja (Andrea Bræin Hovig) returning home to Oslo from directing a successful stage production abroad, is greeted by her youngest child, 10-year-old Isak (Daniel Storm Forthun Sandbye), on the staircase of their building. He is wearing a pig...

Hollywood director returning to Norway for war drama following The Mortal Instruments: City of Bones and Karate Kid reboot.

Nordisk Film’s return to movies continues apace with the Danish major boarding Harald Zwart’s 12th Man.

The long-gestating film is set during the Second World War and centres on Norwegian resistance hero Jan Baalsrud.

It will mark a return to Norway for director Zwart, who scored a hit at the box office with the reboot of The Karate Kid in 2010. He most recently directed Ya adaptation The Mortal Instruments: City of Bones, which underperformed when released in 2013.

12th Man centres on the true story of Baalsrud and three other commandos who were trained by the British to mount an assault on the Nazis.

They arrived by fishing boat to destroy the German air control tower at Bardufoss in Troms on March 29, 1943. But their mission was betrayed and Baalsrud was the only man to evade capture.

Hiding...

Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.

Alphabetical list of titles by section including feature premiere status

Wp = Wp

Ep = European Premiere

IP = International Premiere

UK = UK Premiere

Gala’s

Opening Night

Captain Phillips, Paul Greengrass (Us) Ep

Closing Night

Saving Mr Banks, John Lee Hancock (Us/UK) Ep

Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...

I was a sceptic; I thought it could not be done. I did not believe that London could host such an important global event, let alone pull it off with such grandiose confidence. But now the Olympics are over and to be honest, I don’t want it to end. Particularly considering my last images may be that of Jessie J ruining Queen, or Liam Gallagher proving he needs Noel. But with Britain standing 3rd in the medal rankings, we can be proud of our athletes’ efforts. Whether it was handball, hockey or dressage, my eyes were opened to the magic of the Olympics and I’m sad to see them go. So why not cling on for a little bit longer and join me as I attempt to blur the realms of Film and the Summer Olympics.

If you haven’t read my previous parts, then please find them...