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If you were expecting a live-action Masters of the Universe film at Netflix, you may want to think again. The project, led by Kyle Allen and directed by Adam and Aaron Nee, has been officially axed per a report from Variety, meaning the live-action He-Man film will now have to be shopped elsewhere. It's not as if this hasn't happened before. But, without much context, you'd be quick to think that this long-running toy series was better left behind in the 1980s.

Then again, maybe not. Mattel took a huge risk with the vibrant, world-rocking phenomenon that is Greta Gerwig's Barbie, and based on its marketing alone, it's certainly paid off. Considering that Barbie doesn't even have a narrative in the context of its own universe, it's doubly impressive that a film adaptation has been pulled off with this much positive buzz. Based on how well Barbie does both critically and commercially,...

In Barbie, a doll living in a utopian fantasy learns what it's like to be a woman in the real world. Greta Gerwig's pink-hued film adaptation of the eponymous, billion-selling toy line is a brilliant satire that thoughtfully explores sexual and relationship dynamics. It's also knockdown funny with a whole lot of heart, epic dance numbers, and gleefully torches patriarchal norms. Ryan Gosling steals the show as Barbie's smitten wannabe boyfriend. Ken's machismo-fueled, shredded six-pack antics will have audiences rolling in the aisles. There'll also be a few tears as both characters find fulfillment on their grand journey to self-realization.

Barbie (Margot Robbie) gets out of bed for another perfect day in her dream house. She gets nice and clean without water. Clothes magically appear on her body. Delicious breakfast awaits, but there's no actual eating involved. Why take the slide downstairs when you can jump off the roof and float down?...

Barbie Nation

Still pretty in pink at 64-years-old, and on the verge of appearing in her first ever live action film, Barbie has never been bigger – but did you know that there’s more than one Barbie film out there? First released 25 years ago and now available in an anniversary collectors’ edition, Barbie Nation is the no-holds-barred documentary which goes where other takes on the legendary doll cannot, revealing the sleazy secrets of her hidden past, exploring the various moral panics in which she has participated and looking at her reinvention in both official merchandise and unofficial art, over and over again through the decades. Its director, Susan Stern, remains a fan, and when we got together to discuss it, she told me how the whole thing started.

“I can blame it on my daughter, Nora, who's in Barbie Nation,” she says. “It was when she was playing dolls as a.

Can Barbie save the world? It’s sure looking that way as we head into a big, bodacious summer of Barbie, folks. Of course, there’s Greta Gerwig’s highly anticipated release of Barbie, hitting theaters in July. Before that — like, right now — we celebrate the 25th anniversary of director Susan Stern’s revealing documentary, Barbie Nation: An Unauthorized Tour. The film garnered great reviews when it was released back in 1998. Now, Stern’s Director's Cut version gets an exclusive online premiere on Prime Video, Apple TV, and Google Play on June 27.

Here's what to expect: Barbie rocks. Not just a plaything, Barbie represents a lot of ideas to many people. Stern’s iconic cult classic originally turned heads for how it explored the depths of everything Barbie, dream house and all. It also shined the spotlight on the peculiar ways in which people have embraced the famous doll throughout history.

Bad Attitude: The Art of Spain Rodriguez is filmmaker Susan Stern’s personal exploration of the man she has called her partner in life and art. It’s a journey driven by her desire to grapple with how she herself felt about her husband’s work, presenting to us an unflinching critique, unafraid of discussing the most controversial aspects of his personality and art. Through contributions from comic luminaries Robert Crumb, Art Spiegelman, Trina Robbins, Aline Kominsky Crumb, and Ed Piskor, Stern tells the broader story of underground comics of the 1960s and comics in America.

Coming in at a short 71 minutes, Stern captures Spain’s creative energy and charisma. If there are limitations as to what can be shown of him in this tight window, it’s a portrait of a life lived that’s intriguing, and in moments uncomfortably so. There was the gay-bashing incident of his youth,...

Title: ‘Bad Attitude: The Art of Spain Rodriguez’ Director: Susan Stern The social commentary that’s driving the conflicts and changes in modern society is largely rooted in history, which once again proves that humanity often doesn’t learn from its past mistakes. The new documentary, ‘Bad Attitude: The Art of Spain Rodriguez,’ is offering a stunning […]

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Bad Attitude The Art Of Spain Rodriguez. Susan Stern: 'Spain was a pioneer in underground comics and he changed comics in this country forever' Bad Attitude: The Art of Spain Rodriguez is filmmaker Susan Stern’s personal exploration of the man she has called her partner in life and art. It’s a journey driven by her desire to grapple with how she herself felt about her husband’s work. More than a document of the man and the artist, it’s a story of a life of a person intersecting with politics and culture. But through contributions of comic luminaries Robert Crumb, Art Spiegelman, Trina Robbins, Aline Kominsky Crumb, and Ed Piskor, it’s also the story of underground comics of the 1960s and comics in America.

Stern is a news and documentary Emmy-nominated filmmaker for Outstanding Informational Programming, and Bad Attitude is a continuation of her interest...

The new documentary feature "Bad Attitude: The Art of Spain Rodriguez" explores the art and life of the late 1960's underground cartoonist, illustrator, directed by his wife Emmy-nominated filmmaker Susan Stern, including interviews with Robert Crumb, Art Spiegelman and a whole lot more:

"...'Bad Attitude' is a love letter to my partner in art and life, 'Spain Rodriguez'," said Stern.

"...but it is also a love letter to all activists, especially artist-activists.

"I hope 'Bad Attitude' creates a space for conversation about the art and social justice we are trying to make...

"...the ways we fail, and how we can be forgiven..."

Click the images to enlarge...

This article contains spoilers for episode 4 of The Stand.

The fourth episode of CBS All Access’ miniseries adaptation of Stephen King’s epic novel The Stand, titled “The House of the Dead,” contains two scenes that are surprising to say the least.

Neither one of them turned up in the 1994 ABC miniseries based on King’s post-apocalyptic tale; one of them is taken from — or at least inspired by — the unexpurgated edition of the book that King published in 1990, from which very little was used in the 1994 TV event, while the other is wholly original to this adaptation.

In the first scene, Frannie Goldsmith (Odessa Young) and Harold Lauder (Owen Teague) are riding their motorcycles on their way to Boulder, Colorado in the wake of the Captain Trips pandemic when they come upon a truck blocking the road and what appears at first to be its dead driver.

But the...

• Discovering and developing talent is what they do, and judging by the high quality level of docs they are able to support and then showcase at the snowy Park City fest it makes all the sense in the world that the Sundance Institute Documentary Film Program would find it advantageous to want split the atom as many times possible and fork over what I imagine is some Ben Franklins that will be well spent. Its folks like me who get to sink their teeth into these films every trip back to Sundance.This year, 25 feature-length docs and their filmmakers will receive financial grants from the fund – many of these filmmakers are familiar names to those who know more than a thing or two about contemporary doc films. Here is the list of recipients provided below. Development GRANTSRob Epstein and Jeffrey Friedman, $10,000Howl (Us)Using animation to explore Howl , the poetic masterpiece by Allen Ginsberg,

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