The origin story of Jean Valjean, the iconic protagonist of Victor Hugo’s masterpiece “Les Misérables,” is being brought to the bigscreen by Éric Besnard, the French director of 18th-century set movie “Delicieux.”
The movie, which just started filming on Jan. 14 amid the lush landscapes of Southern France, has been boarded by Federations Studios’ sales label Ginger & Fed spearheaded by Sabine Chemaly. The project is being teased to buyers at the Unifrance Rendez-Vous in Paris which kicked off on Monday (Jan. 13).
“Valjean” reteams Besnard with French actor Gregory Gadebois who starred in his previous film, the 19th-century set movie “Louise Violet.” Gadebois stars as Valjean, opposite Bernard Campan, Isabelle Carré and Alexandra Lamy.
Clément Miserez and Matthieu Warter at Mediawan-owned banner Radar Films is producing. Warner Bros. France will release the film locally. France 3 Cinéma is a co-producer. “Valjean” is also backed by Ciné+, Ocs, HBO Max,...
The movie, which just started filming on Jan. 14 amid the lush landscapes of Southern France, has been boarded by Federations Studios’ sales label Ginger & Fed spearheaded by Sabine Chemaly. The project is being teased to buyers at the Unifrance Rendez-Vous in Paris which kicked off on Monday (Jan. 13).
“Valjean” reteams Besnard with French actor Gregory Gadebois who starred in his previous film, the 19th-century set movie “Louise Violet.” Gadebois stars as Valjean, opposite Bernard Campan, Isabelle Carré and Alexandra Lamy.
Clément Miserez and Matthieu Warter at Mediawan-owned banner Radar Films is producing. Warner Bros. France will release the film locally. France 3 Cinéma is a co-producer. “Valjean” is also backed by Ciné+, Ocs, HBO Max,...
- 1/14/2025
- by Elsa Keslassy
- Variety Film + TV
Melisa Godet’s social drama A Place For Her (La Maison des Femmes) will headline the Paris Rendez-Vous slate ofFederation’s international sales banner Ginger & Fed.
The film is based on La Maison des Femmes de Saint-Denis, a women’s shelter outside of Paris for survivors of domestic violence and sexual abuse.
Inspired by the centre’s founder Dr Ghada Hatem, A Place For Her stars Karin Viard as a fictional doctor and her team including a midwife, a young intern and a nurse as they navigate balancing their personal lives with their professional dedication to providing care.
The cast also includes Laetitia Dosch,...
The film is based on La Maison des Femmes de Saint-Denis, a women’s shelter outside of Paris for survivors of domestic violence and sexual abuse.
Inspired by the centre’s founder Dr Ghada Hatem, A Place For Her stars Karin Viard as a fictional doctor and her team including a midwife, a young intern and a nurse as they navigate balancing their personal lives with their professional dedication to providing care.
The cast also includes Laetitia Dosch,...
- 1/8/2025
- ScreenDaily
French sales outfit Ginger & Fed has boarded Fabien Gorgeart’s comedy drama What Is Love? (C’est Quoi l’Amour?) starring Laure Calamy and Vincent Macaigne as a long-divorced couple attempting to annul their Catholic marriage at the Vatican.
Ginger & Fed, the theatrical sales arm of French group Federation run by Sabine Chemaly, will kick off sales for the film at the American Film Market.
Lyes Salem, Melanie Thierry, Celeste Brunnquell and Saül Benchetrit round out the cast of the feature, which is shooting now and produced by Petit Film and Deuxième Lign.
Described by Chemaly as“a comedy...
Ginger & Fed, the theatrical sales arm of French group Federation run by Sabine Chemaly, will kick off sales for the film at the American Film Market.
Lyes Salem, Melanie Thierry, Celeste Brunnquell and Saül Benchetrit round out the cast of the feature, which is shooting now and produced by Petit Film and Deuxième Lign.
Described by Chemaly as“a comedy...
- 10/29/2024
- ScreenDaily
Ginger & Fed, the new international film sales arm of Federation Studios headed by former TF1 Studio boss Sabine Chemaly, will launch several high profile titles at the Unifrance Rendez-Vous, including “The Future Awaits,” Niels Tavernier’s WWII-set drama based on the true story of a Holocaust survivor. Ginger & Fed will also bow sales on “Riviera Revenge,” a heartwarming comedy starring André Dussollier (“The Crime is Mine”), Sabine Azéma (“Tanguy”) and Thierry Lhermitte (“The Dinner Game”), along with continuing deals on “Rachel’s Game,” “Survive” and “Oldies and Goodies.”
Produced by Yves Darondeau at Bonne Pioche Cinema (“March of the Penguins”), “The Future Awaits” tells the story of Tauba Birenbaum, whose testimony was collected in July 1997 to become part of Steven Spielberg’s Institute for Visual History. The film opens in July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris. 13-year-old Tauba and her parents, who are Polish Jews,...
Produced by Yves Darondeau at Bonne Pioche Cinema (“March of the Penguins”), “The Future Awaits” tells the story of Tauba Birenbaum, whose testimony was collected in July 1997 to become part of Steven Spielberg’s Institute for Visual History. The film opens in July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris. 13-year-old Tauba and her parents, who are Polish Jews,...
- 1/15/2024
- by Elsa Keslassy
- Variety Film + TV
French VFX powerhouse MacGuff – with headquarters in Paris and offices in L.A. – is using proprietary artificial intelligence tools, in particular Face Engine and Body Engine, in a broad range of VFX projects.
Current projects in the pipeline include Season 2 of “Lupin” for Netflix, “Hôtel du temps” for France Télévisions, and Christian Carion’s “Une belle course,” starring Dany Boon. The studio also used AI tools in Éric Rochant’s political thriller series “The Bureau.”
“Hôtel du temps” is a perfect example of the power of Face Engine since it brings historic figures back to life, such as late actor Jean Gabin and Princess Diana, to be interviewed by hard-hitting French journalist Thierry Ardisson.
MacGuff has an in-house R&d department that has been developing proprietary AI tools by mixing open-source software with proprietary code. The AI developments are being overseen by co-founder and joint director Rodolphe Chabrier and MacGuff...
Current projects in the pipeline include Season 2 of “Lupin” for Netflix, “Hôtel du temps” for France Télévisions, and Christian Carion’s “Une belle course,” starring Dany Boon. The studio also used AI tools in Éric Rochant’s political thriller series “The Bureau.”
“Hôtel du temps” is a perfect example of the power of Face Engine since it brings historic figures back to life, such as late actor Jean Gabin and Princess Diana, to be interviewed by hard-hitting French journalist Thierry Ardisson.
MacGuff has an in-house R&d department that has been developing proprietary AI tools by mixing open-source software with proprietary code. The AI developments are being overseen by co-founder and joint director Rodolphe Chabrier and MacGuff...
- 1/23/2022
- by Martin Dale
- Variety Film + TV
Bertrand Tavernier, a French director, screenwriter and film critic known for his films “The Clockmaker of St. Paul,” “‘Round Midnight” and “A Sunday in the Country,” has died. He was 79.
Tavernier came up in the wake of the French New Wave in the ’60s and was a BAFTA Award Winner for the film “Life and Nothing But.”
His relatives told the French publication La Croix that he died in Sainte-Maxime in the Var region of southeastern France.
Inspired by filmmakers like Jean Vigo, Jean Renoir and John Ford, Tavernier started his career in the ’60s in France in the height of the French New Wave, writing for the Pen club and aspiring to become a filmmaker, like many of his French New Wave peers. He did early work alongside director Jean-Pierre Melville and then went on to win the Silver Bear from the Berlin Film Festival for “The Clockmaker of St. Paul...
Tavernier came up in the wake of the French New Wave in the ’60s and was a BAFTA Award Winner for the film “Life and Nothing But.”
His relatives told the French publication La Croix that he died in Sainte-Maxime in the Var region of southeastern France.
Inspired by filmmakers like Jean Vigo, Jean Renoir and John Ford, Tavernier started his career in the ’60s in France in the height of the French New Wave, writing for the Pen club and aspiring to become a filmmaker, like many of his French New Wave peers. He did early work alongside director Jean-Pierre Melville and then went on to win the Silver Bear from the Berlin Film Festival for “The Clockmaker of St. Paul...
- 3/25/2021
- by Brian Welk
- The Wrap
Colo Tavernier O’Hagan, the revered screenwriter of award-winning films by Bertrand Tavernier and Claude Chabrol, died from cancer on June 13, according to a statement from the Lumière Institute in Lyon.
Throughout her prolific career spanning film and TV, Tavernier O’Hagan was a life-long, inspiring collaborator to her former husband, Bertrand Tavernier, on many of his most successful films, starting in 1980 with “A Week’s Holiday,” which competed at Cannes.
Born Claudine O’Hagan in England, with an Irish father and a French-Spanish mother, the screenwriter first earned critical acclaim with the script of Tavernier’s “A Sunday in the Country,” which earned her the Cesar award in 1985 for best adapted screenplay, and a National Society of Film Critics Award nomination out of the U.S.
She also collaborated with Tavernier on the Dirk Bogarde starrer “Daddy Nostalgia,” which competed at Cannes in 1990, and “Round Midnight,” a jazz-infused drama...
Throughout her prolific career spanning film and TV, Tavernier O’Hagan was a life-long, inspiring collaborator to her former husband, Bertrand Tavernier, on many of his most successful films, starting in 1980 with “A Week’s Holiday,” which competed at Cannes.
Born Claudine O’Hagan in England, with an Irish father and a French-Spanish mother, the screenwriter first earned critical acclaim with the script of Tavernier’s “A Sunday in the Country,” which earned her the Cesar award in 1985 for best adapted screenplay, and a National Society of Film Critics Award nomination out of the U.S.
She also collaborated with Tavernier on the Dirk Bogarde starrer “Daddy Nostalgia,” which competed at Cannes in 1990, and “Round Midnight,” a jazz-infused drama...
- 6/14/2020
- by Elsa Keslassy
- Variety Film + TV
The ten most watched films and shows online were streamed on Netflix.
A new monthly study by France’s National Cinema Centre (Cnc) tracking SVoD and VoD consumption has revealed the full extent of Netflix’s domination of the streaming market in the territory.
The Cnc began the study in 2018 in collaboration with market research firms Harris Interactive and Vertigo Research but only released the first two months of data, covering December 2018 and January 2019, this week on March 20.
It is based on daily surveys of 2,000 participants and covers 25 local and global digital platforms operating in France, offering content via VoD,...
A new monthly study by France’s National Cinema Centre (Cnc) tracking SVoD and VoD consumption has revealed the full extent of Netflix’s domination of the streaming market in the territory.
The Cnc began the study in 2018 in collaboration with market research firms Harris Interactive and Vertigo Research but only released the first two months of data, covering December 2018 and January 2019, this week on March 20.
It is based on daily surveys of 2,000 participants and covers 25 local and global digital platforms operating in France, offering content via VoD,...
- 3/22/2019
- by Melanie Goodfellow
- ScreenDaily
Sydney Gallonde, the Paris-based producer of “No Second Chance,” Harlan Coben’s first series adaptation which traveled to more than 50 countries and drew high ratings, is ready to take his company Make it Happens Studios to the next level.
Gallonde (pictured with Coben), who has been attracting a wide range of French and international authors due to his successful collaboration with Coben, is currently developing an adaptation of the epic novel “The Twelve Children of Paris” with its author Tim Willocks, as well as untitled projects with Guillaume Musso and Jeff Linsday.
“The Twelve Children of Paris” is Willcoks’s latest book following his bestselling trilogy “The Religion,” “Bad City Blues” and “Green River Rising” which have been translated into more than 20 languages.
The British author, who previously collaborated with Steven Spielberg on “The Unfinished Journey,” has written a bible for an historical thriller mini-series based on “The Twelve Children of Paris.
Gallonde (pictured with Coben), who has been attracting a wide range of French and international authors due to his successful collaboration with Coben, is currently developing an adaptation of the epic novel “The Twelve Children of Paris” with its author Tim Willocks, as well as untitled projects with Guillaume Musso and Jeff Linsday.
“The Twelve Children of Paris” is Willcoks’s latest book following his bestselling trilogy “The Religion,” “Bad City Blues” and “Green River Rising” which have been translated into more than 20 languages.
The British author, who previously collaborated with Steven Spielberg on “The Unfinished Journey,” has written a bible for an historical thriller mini-series based on “The Twelve Children of Paris.
- 4/11/2018
- by Elsa Keslassy
- Variety Film + TV
Read More: Watch: 7 Docs for Disability Awareness at Indiewire @ Hulu Docs Marking the 25th anniversary of the Americans with Disabilities Act (Ada), this year's ReelAbilities: NY Disabilities Film Festival carries a special significance. The annual event promotes the awareness and appreciation of the lives, stories and artistic expressions of people with different abilities. The festival, presented by Jcc Manhattan, has drawn a steady following within and beyond the film community, with past guests including Sigourney Weaver, Mat Fraser and Danny Woodburn. Every film screening is followed by a conversation, which engages the wider community with the ideas being presented on-screen. This year, "The Voice" contestant Blessing Offor will kick things off with an opening night performance before a screening of "The Finishers," a film from director Nils Tavernier which will be followed by a Q&A with the director and Professor Annette Insdorf. Later, Rory...
- 3/10/2015
- by David Canfield
- Indiewire
Teenagers and young adults flocked to the latest Spider-Man adventure while females sparked to a comedy about women seeking retribution against their cheating husband/lover during the Easter break.
The Grand Budapest Hotel was the No.1 choice for mature cinemagoers, proving tough competition for a raft of limited new releases.
Australian B.O. takings rose by 13% to $20.6 million through Sunday and lucrative trading on Easter Monday boosted the 5-day total to just shy of $26 million, according to Rentrak.s estimates.
Sony.s The Amazing Spider-Man 2: Rise of Electro. raked in $5.3 million in its first four days, an impressive figure but trailing the predecessor which opened with $5.45 million in 2012 and wound up earning $17.4 million. With previews, the sequel nabbed $6.6 million..
Fox.s The Other Woman, which follows Cameron Diaz, Leslie Mann and Kate Upton as they plot their revenge against the philandering Nikolai Coster-Waldau, debuted with a juicy $4 million,...
The Grand Budapest Hotel was the No.1 choice for mature cinemagoers, proving tough competition for a raft of limited new releases.
Australian B.O. takings rose by 13% to $20.6 million through Sunday and lucrative trading on Easter Monday boosted the 5-day total to just shy of $26 million, according to Rentrak.s estimates.
Sony.s The Amazing Spider-Man 2: Rise of Electro. raked in $5.3 million in its first four days, an impressive figure but trailing the predecessor which opened with $5.45 million in 2012 and wound up earning $17.4 million. With previews, the sequel nabbed $6.6 million..
Fox.s The Other Woman, which follows Cameron Diaz, Leslie Mann and Kate Upton as they plot their revenge against the philandering Nikolai Coster-Waldau, debuted with a juicy $4 million,...
- 4/22/2014
- by Don Groves
- IF.com.au
Once again the European Film Promotion’s (Efp) Film Sales Support (Fss) initiative will come to Toronto to link sales companies from all over Europe to a great array of buyers from across the globe. Supported by the Media Programme of the European Union, Fss has now been aiding the European film industry fro the last 10 years.
"Toronto has and is an important informal market and an important festival for European films, the distributors see the films in a different mood, more quietly, the public screenings are working well. It is a key place to launch a film or to complete previous sales on films that were in Cannes, Venice, Locarno...” (Loïc Magneron, Wide)
“Tiff is a major pillar of the annual festival calendar. Aside from a proliferation of North American buyers, it also attracts top tier international distributors so a favorable reception at Tiff can significantly increase a film's commercial prospects”. (Andrew Orr, Independent)
Due to the limited amount of resources, only 52 out of the 60 films submitted to the Efp will receive financial support to be marketed during the Tiff, which runs from September 5 to 15. This year alone, 372 films total, over 150 from Europe, will screen at the festival many of which will see their world or international premiers there.
Supported films and companies at Tiff 2013
Alpha Violet (France), rep. Virginie Devesa The Summer of Flying Fish (El Verano de los Peces Voladores) by Marcela Said, France, Chile, 2013
Arri Worldsales (Germany), rep. Moritz Hemminger Exit Marrakech by Caroline Link, Germany, 2013 Home from Home (Die Andere Heimat) by Edgar Reitz, Germany, France, 2013
Athens Filmmakers' Co-Operative (Greece), rep. Venia Vergou Wild Duck by Yannis Sakaridis, Greece, 2013
Bac Films Distribution (France), rep. Clémentine Hugot The Strange Color of Your Body's Tears (L'Entrange Couleur Ded Larmes De Ton Corps) by Hélène Cattet & Bruno Forzani, Belgium, Luxembourg, France, 2013
Beta Cinema (Germany), rep. Tassilo Hallbauer Le Grand-Cahier by János Szász, Germany, Hungary, Austria, France, 2013
Blonde S. A. (Greece), rep. Fenia Cossovitsa Standing Aside, Watching (Na Kathese Kai Na Kitas) by Yorgos Servetas, Greece, 2013
Capricci Films (France), rep. Julien Rejl Story of My Death (Historia De La Meva Mort) by Albert Serra, Spain, France, 2013 The Battle of Tabato (A Batalha De Tabato) by João Viana, Portugal, Guinea-Bissau, 2013
Celluloid Dreams (France), rep. Hengameh Panahi Those Happy Years (Anni Felici) by Daniele Luchetti, Italy, 2013
Cité Films (France), rep. Raphaël Berdugo Faith Connections (Faith Connections) by Pan Nalin, France, India, 2013
Doc & Film International (France), rep. Daniela Elstner, Alice Damiani Violette by Martin Provost, France, Belgium, 2013 South is Nothing (Il Sud E'Niente by Fabio Mollo, Italy, France, 2013
Dogwoof (United Kingdom), rep. Ana Vincente Inreallife by Beeban Kidron, UK, 2013
Ealing Metro International (United Kingdom), rep. Natalie Brenner, Will Machin Half of a Yellow Sun by Biyi Bandele, UK, 2013 The Stag by John Butler, Ireland, 2013
Embankment Films (United Kingdom), rep. Tim Haslam Le Week-End by Roger Michell, UK, 2013
Eyeworks Film & TV Drama (The Netherlands), rep. Maarten Swart The Dinner (Het Diner) by Menno Meyjes, The Netherlands, 2013
Fantasia Ltd (Greece), rep. Nicoletta Romeo The Daughter (I Kori) by Thanos Anastopoulos, Greece, Italy, 2013
Film Factory Entertainment (Spain), rep. Vicente Canales Cannibal (Canibal) by Manuel Martín Cuenca, Spain, 2013 Zip & Zap and the Marble Gang (Zipi & Zape y el Club de la Canica) by Oskar Santos, Spain, 2013
Films Boutique (Germany), rep. Jean-Christophe Simon Walesa. Man of Hope (Walesa) by Andrzej Wajda, Poland, 2013
Films Distribution (France), rep. Nicolas Brigaud-Robert, François Yon Eastern Boys by Robin Campillo, France, 2013 Under the Starry Sky (Des Etoiles) by Dyana Gaye, France, Senegal, 2013
Heretic (Greece), rep. Giorgos Karnavas The Eternal Return of Antonis Paraskevas (I Aionia Epistrofi Tou Antoni Paraskeva) by Elina Psykou, Greece, 2013
Independent Film Sales (United Kingdom), rep. Karina Gechtman, Abigail Walsh The Sea by Stephen Brown, UK, Ireland, 2013 Starred Up by David Mackenzie, UK, 2013
Latido Films (Spain), rep. Miren Zamora Honeymoon (Libanky) by Jan Hrebejk, Czech Republic/Slovak Republic, 2013
LevelK (Denmark), rep. Tine Klint Sex, Drugs & Taxation (Spies Og Glistrup) by Christoffer Boe, Denmark, 2013
Linel Films (United Kingdom), rep. Aran Hughes To The Wolf (Sto Lyko) by Aran Hughes & Christina Koutsospyrou, Greece, UK, France, 2013
Minds Meet (Belgium), rep. Tomas Leyers I'm The Same I'm An Other by Caroline Strubbe, Belgium, The Netherlands, 2013
MK2 (France), rep. Victoire Thevenin Hotel (Hotell) by Lisa Langseth, Sweden, Denmark, 2012
Mpm Film (France), rep. Pierre Menahem For Those Who Can Tell No Tales by Jasmila Žbanić, Bosnia and Herzegovina, Germany, 2013
Negativ s.r.o. (Czech Republic), rep. Zuzana Bielikova Miracle (Zazrak) by Juraj Lehotský, Czech Republic, Slovakia, 2013
Pathé Distribution (France), rep. Muriel Sauzay The Finishers by Nils Tavernier, France, 2013 Quai d'Orsay by Bertrand Tavernier, France, 2013
Pausilypon Films (Greece), rep. Menelaos Karamaghiolis J.A.C.E. - Just Another Confused Elephant by Menelaos Karamaghiolis, Greece, Portugal, Macedonia, Turkey, 2012
Picture Tree International (Germany), rep. Andreas Rothbauer Mary Queen of Scots by Thomas Imbach, Switzerland, 2013 Metalhead (Malmhaus) by Ragnar Bragason, Iceland, Norway, 2013
PPProductions (Greece), rep. Thanassis Karathanos Septmeber by Penny Panayotopoulou, Greece, Germany, 2013
Pyramide International (France), rep. Agathe Mauruc Giraffada by Rani Massalha, France, Germany, Italy, 2013
Rezo (France), rep. Laurent Danielou, Sebastien Chesneau The Station (Blutgletscher) by Marvin Kren, Austria, 2013 Abuse of Weakness (Abus De Faibless) by Catherine Breillat, France, Belgium, Germany, 2013
The Match Factory (Germany), rep. Michael Weber, Thania Dimitrakopoulou The Police Officer's Wife (Die Frau Des Polizisten) by Philip Gröning, Germany, 2013 Qissa (Quissa) by Anup Singh, Germany, India, The Netherlands, France, 2013
The Yellow Affair (Sweden), rep. Miira Paasilinna Heart of a Lion (Leijonasydan) by Dome Karukoski, Finland, 2013
TrustNordisk (Denmark), rep. Susan Wendt, Nicolai Korsgaard Pioneer (Pioner) by Erik Skjoldbjaerg, Norway, 2013 We Are The Best (Vi Ar Bast!) by Lukas Moodysson, Sweden, 2013
Wide (France), rep. Loic Magneron Bobo by Ines Oliveira, Portugal, 2013
Wide House (France), rep. Garreau Geoffrey Ain't Misbehavin, A Marcel Ophuls Journey (Un Voyageur) by Marcel Ophuls, France, 2013
Wild Bunch (France), rep. Vicent Maraval, Gary Farkas Going Away (Un Beau Dimanche) by Nicole Garcia, France, 2013 A Promise (Une Promesse) by Patrice Leconte, France, Belgium, 2013...
"Toronto has and is an important informal market and an important festival for European films, the distributors see the films in a different mood, more quietly, the public screenings are working well. It is a key place to launch a film or to complete previous sales on films that were in Cannes, Venice, Locarno...” (Loïc Magneron, Wide)
“Tiff is a major pillar of the annual festival calendar. Aside from a proliferation of North American buyers, it also attracts top tier international distributors so a favorable reception at Tiff can significantly increase a film's commercial prospects”. (Andrew Orr, Independent)
Due to the limited amount of resources, only 52 out of the 60 films submitted to the Efp will receive financial support to be marketed during the Tiff, which runs from September 5 to 15. This year alone, 372 films total, over 150 from Europe, will screen at the festival many of which will see their world or international premiers there.
Supported films and companies at Tiff 2013
Alpha Violet (France), rep. Virginie Devesa The Summer of Flying Fish (El Verano de los Peces Voladores) by Marcela Said, France, Chile, 2013
Arri Worldsales (Germany), rep. Moritz Hemminger Exit Marrakech by Caroline Link, Germany, 2013 Home from Home (Die Andere Heimat) by Edgar Reitz, Germany, France, 2013
Athens Filmmakers' Co-Operative (Greece), rep. Venia Vergou Wild Duck by Yannis Sakaridis, Greece, 2013
Bac Films Distribution (France), rep. Clémentine Hugot The Strange Color of Your Body's Tears (L'Entrange Couleur Ded Larmes De Ton Corps) by Hélène Cattet & Bruno Forzani, Belgium, Luxembourg, France, 2013
Beta Cinema (Germany), rep. Tassilo Hallbauer Le Grand-Cahier by János Szász, Germany, Hungary, Austria, France, 2013
Blonde S. A. (Greece), rep. Fenia Cossovitsa Standing Aside, Watching (Na Kathese Kai Na Kitas) by Yorgos Servetas, Greece, 2013
Capricci Films (France), rep. Julien Rejl Story of My Death (Historia De La Meva Mort) by Albert Serra, Spain, France, 2013 The Battle of Tabato (A Batalha De Tabato) by João Viana, Portugal, Guinea-Bissau, 2013
Celluloid Dreams (France), rep. Hengameh Panahi Those Happy Years (Anni Felici) by Daniele Luchetti, Italy, 2013
Cité Films (France), rep. Raphaël Berdugo Faith Connections (Faith Connections) by Pan Nalin, France, India, 2013
Doc & Film International (France), rep. Daniela Elstner, Alice Damiani Violette by Martin Provost, France, Belgium, 2013 South is Nothing (Il Sud E'Niente by Fabio Mollo, Italy, France, 2013
Dogwoof (United Kingdom), rep. Ana Vincente Inreallife by Beeban Kidron, UK, 2013
Ealing Metro International (United Kingdom), rep. Natalie Brenner, Will Machin Half of a Yellow Sun by Biyi Bandele, UK, 2013 The Stag by John Butler, Ireland, 2013
Embankment Films (United Kingdom), rep. Tim Haslam Le Week-End by Roger Michell, UK, 2013
Eyeworks Film & TV Drama (The Netherlands), rep. Maarten Swart The Dinner (Het Diner) by Menno Meyjes, The Netherlands, 2013
Fantasia Ltd (Greece), rep. Nicoletta Romeo The Daughter (I Kori) by Thanos Anastopoulos, Greece, Italy, 2013
Film Factory Entertainment (Spain), rep. Vicente Canales Cannibal (Canibal) by Manuel Martín Cuenca, Spain, 2013 Zip & Zap and the Marble Gang (Zipi & Zape y el Club de la Canica) by Oskar Santos, Spain, 2013
Films Boutique (Germany), rep. Jean-Christophe Simon Walesa. Man of Hope (Walesa) by Andrzej Wajda, Poland, 2013
Films Distribution (France), rep. Nicolas Brigaud-Robert, François Yon Eastern Boys by Robin Campillo, France, 2013 Under the Starry Sky (Des Etoiles) by Dyana Gaye, France, Senegal, 2013
Heretic (Greece), rep. Giorgos Karnavas The Eternal Return of Antonis Paraskevas (I Aionia Epistrofi Tou Antoni Paraskeva) by Elina Psykou, Greece, 2013
Independent Film Sales (United Kingdom), rep. Karina Gechtman, Abigail Walsh The Sea by Stephen Brown, UK, Ireland, 2013 Starred Up by David Mackenzie, UK, 2013
Latido Films (Spain), rep. Miren Zamora Honeymoon (Libanky) by Jan Hrebejk, Czech Republic/Slovak Republic, 2013
LevelK (Denmark), rep. Tine Klint Sex, Drugs & Taxation (Spies Og Glistrup) by Christoffer Boe, Denmark, 2013
Linel Films (United Kingdom), rep. Aran Hughes To The Wolf (Sto Lyko) by Aran Hughes & Christina Koutsospyrou, Greece, UK, France, 2013
Minds Meet (Belgium), rep. Tomas Leyers I'm The Same I'm An Other by Caroline Strubbe, Belgium, The Netherlands, 2013
MK2 (France), rep. Victoire Thevenin Hotel (Hotell) by Lisa Langseth, Sweden, Denmark, 2012
Mpm Film (France), rep. Pierre Menahem For Those Who Can Tell No Tales by Jasmila Žbanić, Bosnia and Herzegovina, Germany, 2013
Negativ s.r.o. (Czech Republic), rep. Zuzana Bielikova Miracle (Zazrak) by Juraj Lehotský, Czech Republic, Slovakia, 2013
Pathé Distribution (France), rep. Muriel Sauzay The Finishers by Nils Tavernier, France, 2013 Quai d'Orsay by Bertrand Tavernier, France, 2013
Pausilypon Films (Greece), rep. Menelaos Karamaghiolis J.A.C.E. - Just Another Confused Elephant by Menelaos Karamaghiolis, Greece, Portugal, Macedonia, Turkey, 2012
Picture Tree International (Germany), rep. Andreas Rothbauer Mary Queen of Scots by Thomas Imbach, Switzerland, 2013 Metalhead (Malmhaus) by Ragnar Bragason, Iceland, Norway, 2013
PPProductions (Greece), rep. Thanassis Karathanos Septmeber by Penny Panayotopoulou, Greece, Germany, 2013
Pyramide International (France), rep. Agathe Mauruc Giraffada by Rani Massalha, France, Germany, Italy, 2013
Rezo (France), rep. Laurent Danielou, Sebastien Chesneau The Station (Blutgletscher) by Marvin Kren, Austria, 2013 Abuse of Weakness (Abus De Faibless) by Catherine Breillat, France, Belgium, Germany, 2013
The Match Factory (Germany), rep. Michael Weber, Thania Dimitrakopoulou The Police Officer's Wife (Die Frau Des Polizisten) by Philip Gröning, Germany, 2013 Qissa (Quissa) by Anup Singh, Germany, India, The Netherlands, France, 2013
The Yellow Affair (Sweden), rep. Miira Paasilinna Heart of a Lion (Leijonasydan) by Dome Karukoski, Finland, 2013
TrustNordisk (Denmark), rep. Susan Wendt, Nicolai Korsgaard Pioneer (Pioner) by Erik Skjoldbjaerg, Norway, 2013 We Are The Best (Vi Ar Bast!) by Lukas Moodysson, Sweden, 2013
Wide (France), rep. Loic Magneron Bobo by Ines Oliveira, Portugal, 2013
Wide House (France), rep. Garreau Geoffrey Ain't Misbehavin, A Marcel Ophuls Journey (Un Voyageur) by Marcel Ophuls, France, 2013
Wild Bunch (France), rep. Vicent Maraval, Gary Farkas Going Away (Un Beau Dimanche) by Nicole Garcia, France, 2013 A Promise (Une Promesse) by Patrice Leconte, France, Belgium, 2013...
- 9/7/2013
- by Carlos Aguilar
- Sydney's Buzz
The 38th Toronto International Film Festival has released an incredible guest list of celebrated talent from around the globe. Filmmakers expected to present their world premieres in Toronto include: Catherine Breillat, Nicole Garcia, Pawel Pawlikowski, Bertrand Tavernier, Steve McQueen, Godfrey Reggio, Denis Villeneuve, Bill Condon, Jean-Marc Vallée, John Wells, Ralph Fiennes, Richard Ayoade, Atom Egoyan, Matthew Weiner, John Carney, Jason Reitman, Jason Bateman, Yorgos Servetas, Liza Johnson, Megan Griffiths, Fernando Eimbcke, Alexey Uchitel, Johnny Ma, Biyi Bandele, Rashid Masharawi, Paul Haggis, Ron Howard, Eli Roth, Álex de la Iglesia, Bruce McDonald, Jennifer Baichwal, John Ridley, and Justin Chadwick.
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers and artists are expected to attend the Toronto International Film Festival:
Ahmad Abdalla, Hany Abu-Assad, Yuval Adler, Akosua Adoma Owusu, Alexandre Aja, Bruce Alcock, Gianni Amelio, Thanos Anastopoulos, Madeline Anderson, Nimród Antal, Louise Archambault,...
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers and artists are expected to attend the Toronto International Film Festival:
Ahmad Abdalla, Hany Abu-Assad, Yuval Adler, Akosua Adoma Owusu, Alexandre Aja, Bruce Alcock, Gianni Amelio, Thanos Anastopoulos, Madeline Anderson, Nimród Antal, Louise Archambault,...
- 8/21/2013
- by Ricky
- SoundOnSight
The Toronto International Film Festival® has announced the addition of 3 Galas and 19 Special Presentations to the 2013 Festival programme, including a further 12 World Premieres. Representing countries from around the world, the Gala and Special Presentations programmes offer a lineup of diverse titles and genres.
Toronto audiences will be among the first to screen films by directors Fred Schepisi, Alberto Arvelo, Reha Erdem, Dexter Fletcher, Richard Glatzer and Wash Westmoreland, Megan Griffiths, Arnaud Larrieu and Jean-Marie Larrieu, Kevin Macdonald, Arie Posin, Charlie Stratton, Nils Tavernier and John Turturro.
The 38th Toronto International Film Festival runs September 5 to 15, 2013.
Galas Blood Ties
Guillaume Canet, France/USA North American Premiere
New York, 1974. 50-year-old Chris has just been released on good behavior after spending several years in prison. Waiting for him reluctantly outside the prison gates is his younger brother, Frank, a cop with a bright future. Chris and Frank have always been different, yet blood...
Toronto audiences will be among the first to screen films by directors Fred Schepisi, Alberto Arvelo, Reha Erdem, Dexter Fletcher, Richard Glatzer and Wash Westmoreland, Megan Griffiths, Arnaud Larrieu and Jean-Marie Larrieu, Kevin Macdonald, Arie Posin, Charlie Stratton, Nils Tavernier and John Turturro.
The 38th Toronto International Film Festival runs September 5 to 15, 2013.
Galas Blood Ties
Guillaume Canet, France/USA North American Premiere
New York, 1974. 50-year-old Chris has just been released on good behavior after spending several years in prison. Waiting for him reluctantly outside the prison gates is his younger brother, Frank, a cop with a bright future. Chris and Frank have always been different, yet blood...
- 8/17/2013
- by John
- SoundOnSight
With only the Discovery, Mavericks and Masters programmes left to be determined, Tiff head programmers dished out the final make-up of the Galas, Special Presentations and Tiff Kids line-ups. Among the surprise/highly anticipated world preems we find Arie Posin’s The Face of Love, John Turturro’s Fading Gigolo, Kevin Macdonald’s How I Live Now, the long overdue showing for Charlie Stratton’s Therese and the out of nowhere sophomore feature from Quinceañera pairing Richard Glatzer and Wash Westmoreland in The Last of Robin Hood, as well as the “theatrical” world preem to Sean Durkins’ Southcliffe (Channel 4′s TV Mini-Series, see pic above). Here are the added titles:
Galas
Blood Ties – Guillaume Canet, France/USA North American Premiere
Bright Days Ahead (Les Beaux jours) – Marion Vernoux, France North American Premiere
Words and Pictures – Fred Schepisi, USA World Premiere
Special Presentations
A Promise (Une Promesse) – Patrice Leconte, Belgium...
Galas
Blood Ties – Guillaume Canet, France/USA North American Premiere
Bright Days Ahead (Les Beaux jours) – Marion Vernoux, France North American Premiere
Words and Pictures – Fred Schepisi, USA World Premiere
Special Presentations
A Promise (Une Promesse) – Patrice Leconte, Belgium...
- 8/13/2013
- by Eric Lavallee
- IONCINEMA.com
The titles just keep coming as we are now just over three weeks away from the start of the 2013 Toronto International Film Festival and they have gone and added 90 new feature length titles to the program and it's not as if they are titles you haven't heard of. New to the Galas selection is Guillaume Canet's Blood Ties which premiered at Cannes earlier this year (read my review here) and Words and Pictures starring Clive Owen and Juliette Binoche. In the Special Presentations selection you find the bulk of the more noted titles including Alex Gibney's new documentary The Armstrong Lie about cyclist Lance Armstrong, Johnnie To's Blind Detective which also premiered at Cannes, James Franco's Child of God based on the Cormac McCarthy novel, John Turturro's Fading Gigolo which features Woody Allen in one of the roles, Kevin Macdonald's How I Live Now...
- 8/13/2013
- by Brad Brevet
- Rope of Silicon
World premieres of Kevin Macdonald’s How I Live Now, Fred Schepisi’s Words And Pictures and John Turturro’s Fading Gigolo are among the Tiff line-up of galas and special presentations.
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now Kevin Macdonald (UK) WPThe...
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now Kevin Macdonald (UK) WPThe...
- 8/13/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
World premieres of Kevin Macdonald’s How I Live Now, Fred Schepisi’s Words And Pictures and John Turturro’s Fading Gigolo are among the TIFF line-up of galas and special presentations announced on Tuesday [13].
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now [link...
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now [link...
- 8/13/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Thanks to the inquisitive nature of one of our most unabashedly hardcore cinephile writers on the site (Blake you’re a hawk!), we’ve uncovered a slew of title offerings for this year’s Tiff (a little ahead of what should be the final announcement wave) and we’ve got a grab-bag of mention-worthy items from beloved auteurs. Among the titles (see list below – here’s our source) we find carry-over items from Cannes in Alain Guiraudie’s Stranger by the Lake, Rithy Panh’s The Missing Image, Guillaume Canet’s Blood Ties and Claire Denis’ Bastards (among one of our top films for 2013 – see pic above), while from Venice, we have the just-inserted Patrice Leconte title, A Promise and what will easily be among the most sought after Tiff 2013 coverage items in Catherine Breillat’s Abus de faiblesse. Here is the rest of the spoiler set:
Special Presentations
A Promise...
Special Presentations
A Promise...
- 8/10/2013
- by Eric Lavallee
- IONCINEMA.com
Shine America’s Rich Ross to Keynote at Australian Conference Rich Ross, recently installed CEO of Shine America, will give the keynote address at the Australian Subscription Television and Radio Association conference March 14 in Sydney. Also due to speak are Barney Francis of the UK’s Sky Sports, Discovery Networks Intl. CEO Mark Hollinger, Foxtel Richard Freudenstein, and Viacom Media Evp Colleen Fahey Rush. – Don Groves Benjamin Millepied To Run Paris Opera Ballet Black Swan choreographer Benjamin Millepied has been named the new director of dance at the Paris Opera Ballet. He will take up his post at the historic Palais Garnier in Paris’ 9th arrondissement beginning September 2014. Millepied, who also danced in Darren Aronofsky’s Oscar-nominated Black Swan and met his wife Natalie Portman on the film, has spent most of his career in the U.S. and founded the L.A. Dance Project last year. He told The...
- 1/25/2013
- by THE DEADLINE TEAM
- Deadline TV
Each week within this column we strive to pair the latest in theatrical releases to worthwhile titles currently available on Netflix Instant Watch. This week we offer alternatives to The Avengers, The Best Exotic Marigold Hotel & First Position.
Iron Man, Thor, Black Widow, Captain America, Hawkeye and the Hulk join forces as the Avengers to face an evil unlike the earth has ever seen before. Robert Downey Jr., Chris Evans, Scarlett Johansson, Chris Hemsworth, Mark Ruffalo, and Jeremy Renner co-star; Joss Whedon directs.
How about giving some lesser-known superheroes their due:
Confessions of a Superhero (2007) This quirky and compelling documentary follows four dreamers whose passion to become professional actors has landed them all on Hollywood Boulevard costumed as Superman, Wonder Woman, Batman, and the Incredible Hulk. Matt Ogens directs.
Big Man Japan (2007) This Japanese mockumentary explores the downside to being a superhero. Daisato is a middle-aged, second-rate superhero who not...
Iron Man, Thor, Black Widow, Captain America, Hawkeye and the Hulk join forces as the Avengers to face an evil unlike the earth has ever seen before. Robert Downey Jr., Chris Evans, Scarlett Johansson, Chris Hemsworth, Mark Ruffalo, and Jeremy Renner co-star; Joss Whedon directs.
How about giving some lesser-known superheroes their due:
Confessions of a Superhero (2007) This quirky and compelling documentary follows four dreamers whose passion to become professional actors has landed them all on Hollywood Boulevard costumed as Superman, Wonder Woman, Batman, and the Incredible Hulk. Matt Ogens directs.
Big Man Japan (2007) This Japanese mockumentary explores the downside to being a superhero. Daisato is a middle-aged, second-rate superhero who not...
- 5/3/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
UCLA alumnus Dustin Lance Black, the Oscar-winning "Milk" screenwriter, will be honored with UCLA's Distinguished Achievement in Screenwriting Award on June 10 at UCLA's Freud Playhouse.
The award will be presented to Black, a 1996 honors graduate of UCLA's School of Theater, Film and Television, during UCLA's Screenwriters Showcase, staged readings of student screenplays and teleplays selected by a jury of industry professionals in an annual competition.
The showcase is part of UCLA Festival 2009: New Creative Work, a nine-day celebration of the newest work by students from the UCLA School of Theater, Film and Television, which takes place at UCLA and other sites June 5-13.
The event will be hosted by screenwriter and UCLA alumnus Mike Werb, whose credits include "The Mask," "Face/Off" and "Lara Croft: Tomb Raider."
The Showcase feature winners are: Barbara Curry, "Talk of the Town"; Meg Gifford, "Paint It Black"; Ed Goodman, "Limbo Larry vs. Death Et Al"; Joseph Hartstone,...
The award will be presented to Black, a 1996 honors graduate of UCLA's School of Theater, Film and Television, during UCLA's Screenwriters Showcase, staged readings of student screenplays and teleplays selected by a jury of industry professionals in an annual competition.
The showcase is part of UCLA Festival 2009: New Creative Work, a nine-day celebration of the newest work by students from the UCLA School of Theater, Film and Television, which takes place at UCLA and other sites June 5-13.
The event will be hosted by screenwriter and UCLA alumnus Mike Werb, whose credits include "The Mask," "Face/Off" and "Lara Croft: Tomb Raider."
The Showcase feature winners are: Barbara Curry, "Talk of the Town"; Meg Gifford, "Paint It Black"; Ed Goodman, "Limbo Larry vs. Death Et Al"; Joseph Hartstone,...
- 6/4/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Paris Salon opens for business
PARIS -- The first Salon du Cinema, a new cultural exhibition aimed at giving the public access to the world of filmmaking, will kick off its three-day run in Paris on Friday at the Porte de Versailles trade hall.
More than 50,000 people are expected to attend the event, which has nominated Morocco as the country of honor. Organized by Gad Abitbol, Jonathan Bryant and Moise Kissous, the exhibition will include conferences with leading directors and industry insiders, roundtable discussions, screenings, exhibitions, workshops and trailers of films to be released in the coming year.
Big names from the world of Gallic cinema scheduled to attend include actors Sara Forestier, Marina Hands and Alain Chabat and directors Jean-Paul Rappeneau, Lucas Belvaux, Christophe Barratier, Tony Gatlif, and Nils Tavernier (who plans to shoot a film at the event with the participation of Salon-goers).
The Peoples' Prize, chosen by the public via a Web site, will be awarded Saturday to actresses Audrey Tautou and Charlotte Gainsbourg and actors Gad Elmaleh and Alain Chabat.
More than 50,000 people are expected to attend the event, which has nominated Morocco as the country of honor. Organized by Gad Abitbol, Jonathan Bryant and Moise Kissous, the exhibition will include conferences with leading directors and industry insiders, roundtable discussions, screenings, exhibitions, workshops and trailers of films to be released in the coming year.
Big names from the world of Gallic cinema scheduled to attend include actors Sara Forestier, Marina Hands and Alain Chabat and directors Jean-Paul Rappeneau, Lucas Belvaux, Christophe Barratier, Tony Gatlif, and Nils Tavernier (who plans to shoot a film at the event with the participation of Salon-goers).
The Peoples' Prize, chosen by the public via a Web site, will be awarded Saturday to actresses Audrey Tautou and Charlotte Gainsbourg and actors Gad Elmaleh and Alain Chabat.
- 1/11/2007
- The Hollywood Reporter - Movie News
Film review: 'Post-Coitum'
Dominated by co-writer and director Brigitte Rouan's courageous lead performance as a 40-year-old married woman embarking on a wildly liberating but dangerous affair with a man half her age, "Post-Coitum, Animal Triste" is a compelling, expertly fleshed-out drama.
The first of three new French films in the "Cannes 50" celebration of the world's most famous film festival, "Post-Coitum" screens tonight at the Academy's Samuel Goldwyn Theater in Beverly Hills. The unwieldy but appropriate title aside, Rouan's fine subtitled feature should spruce up many a festival lineup. Alas, its chances of regular domestic distribution are iffy at best.
We're introduced in the first scene to Diane (Rouan), a publisher's editor writhing in emotional and physical agony over a scuttled relationship. Although the film ultimately takes us through the stormy waters of Diane's post-affair journey into near catastrophe, Rouan backtracks to revel in the raw passions and naughty behavior that sweep up the wife and mother when she surrenders to the advances of gorgeous, attentive Emilio (Boris Terral).
A hydraulic engineer who works primarily in the Third World, Emilio is the roommate of Diane's most promising author, Francois (Nils Tavernier). Stymied by writer's block, Francois relies on Diane for professional help, and it's through him that she first encounters Emilio. In a jarring disruption to the lightly comic first act, an older woman (Francoise Arnoul) murders her aging husband by stabbing him in the neck with a fork.
The lawyer defending Arnoul's character is Diane's husband Philippe (Patrick Chesnais), who soon suspects his wife of having an affair but does not directly confront her. Quiet and decent, he connects on a personal level with his client and comes to understand her motives for ending 40 years of marriage with violence.
With a sly approach, Rouan and her co-writers eventually create a satisfying cinematic tragicomedy devoted to the sadness of those experiencing loss of love. It's an occasionally rough viewing experience and also quite sexy but nothing less than truthful and timelessly relevant.
The film is a showcase for Rouan's prodigious thespian talents as she moves from girlish abandon to anger to self-destruction. In scene after scene, she captures the extreme exaltation and naked misery of a modern woman who falls in love only "once every 15 years."
POST-COITUM, ANIMAL TRISTE
An Ognon Pictures-Pinou Film co-production
A film by Brigitte Rouan
Director Brigitte Rouan
Writers Brigitte Rouan, Santiago Amigorena,
Jean-Louis Richard, Guy Zilberstein,
Philippe Le Guay
Producer Humbert Balsan
Cinematographers Pierre Dupouey,
Arnaud Leguy, Bruno Mistretta
Editor Laurent Rouan
Art director Roland Deville
Costumes Florence Emir, Marika Ingrato
Color/stereo
Cast:
Diane Clovier Brigitte Rouan
Philippe Clovier Patrick Chesnais
Emilio Boris Terral
Francois Nils Tavernier
Mme. Lepluche Francoise Arnoul
Running time -- 97 minutes
No MPAA rating...
The first of three new French films in the "Cannes 50" celebration of the world's most famous film festival, "Post-Coitum" screens tonight at the Academy's Samuel Goldwyn Theater in Beverly Hills. The unwieldy but appropriate title aside, Rouan's fine subtitled feature should spruce up many a festival lineup. Alas, its chances of regular domestic distribution are iffy at best.
We're introduced in the first scene to Diane (Rouan), a publisher's editor writhing in emotional and physical agony over a scuttled relationship. Although the film ultimately takes us through the stormy waters of Diane's post-affair journey into near catastrophe, Rouan backtracks to revel in the raw passions and naughty behavior that sweep up the wife and mother when she surrenders to the advances of gorgeous, attentive Emilio (Boris Terral).
A hydraulic engineer who works primarily in the Third World, Emilio is the roommate of Diane's most promising author, Francois (Nils Tavernier). Stymied by writer's block, Francois relies on Diane for professional help, and it's through him that she first encounters Emilio. In a jarring disruption to the lightly comic first act, an older woman (Francoise Arnoul) murders her aging husband by stabbing him in the neck with a fork.
The lawyer defending Arnoul's character is Diane's husband Philippe (Patrick Chesnais), who soon suspects his wife of having an affair but does not directly confront her. Quiet and decent, he connects on a personal level with his client and comes to understand her motives for ending 40 years of marriage with violence.
With a sly approach, Rouan and her co-writers eventually create a satisfying cinematic tragicomedy devoted to the sadness of those experiencing loss of love. It's an occasionally rough viewing experience and also quite sexy but nothing less than truthful and timelessly relevant.
The film is a showcase for Rouan's prodigious thespian talents as she moves from girlish abandon to anger to self-destruction. In scene after scene, she captures the extreme exaltation and naked misery of a modern woman who falls in love only "once every 15 years."
POST-COITUM, ANIMAL TRISTE
An Ognon Pictures-Pinou Film co-production
A film by Brigitte Rouan
Director Brigitte Rouan
Writers Brigitte Rouan, Santiago Amigorena,
Jean-Louis Richard, Guy Zilberstein,
Philippe Le Guay
Producer Humbert Balsan
Cinematographers Pierre Dupouey,
Arnaud Leguy, Bruno Mistretta
Editor Laurent Rouan
Art director Roland Deville
Costumes Florence Emir, Marika Ingrato
Color/stereo
Cast:
Diane Clovier Brigitte Rouan
Philippe Clovier Patrick Chesnais
Emilio Boris Terral
Francois Nils Tavernier
Mme. Lepluche Francoise Arnoul
Running time -- 97 minutes
No MPAA rating...
- 6/18/1997
- The Hollywood Reporter - Movie News
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