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Responsibility, a comedy about an ex-convict in need of some quick cash, won the audience vote at the inaugural Funny Features pitching session at theGlasgow Film Festival (Gff) this week.

The Glasgow-set feature follows a 25-year-old Sikh man whose desperate decisions have led to a stint in prison, and now is stuck working as a dishwasher at his family’s restaurant. Kaljeven Lally has written the script and plans to direct, with Isabella Bassett and Jena Hunter producing.

The pitching session, which took place on March 6, was the culmination of a comedy lab backed by the BFI Creative Challenge Fund,...

Responsibility, a comedy about an ex-convict in need of some quick cash, won the audience vote at the inaugural Funny Features pitching session at theGlasgow Film Festival (Gff) this week.

The Glasgow-set feature follows a 25-year-old Sikh man whose desperate decisions have led to a stint in prison, and now is stuck working as a dishwasher at his family’s restaurant. Kaljeven Lally has written the script and plans to direct, with Isabella Bassett and Jena Hunter producing.

The pitching session, which took place on March 6, was the culmination of a comedy lab backed by the BFI Creative Challenge Fund,...

Glasgow Film Festival’s UK-wide comedy lab Funny Features has selected nine projects for its inaugural edition, running now until next year’s festival.

Projects include mental health comedy Committed, written by Philip Wright and produced by 2022 Screen Rising Star Scotland Reece Cargan. The project follows a one-man trainwreck as he rebels against his sectioning in a psychiatric hospital.

Scroll down for the full list of projects

Also selected is Mister Uterus, in which a trans man finds that pregnancy leads him to re-evaluate his ideas of what being a man is all about. Written by Jason Barker, it is...

As I’m sure many filmmakers have experienced, pitching stories from the heart can often be an advantage which is exactly the experience Writer/Director Grant Taylor had with his touching comedy drama Ecstasy. When the unexpected opportunity arose to pitch at Cine Circle, he pulled directly from his own experiences with his father’s Parkinson’s diagnosis and the keen memory of a documentary he had watched about the positive effects of the infamous party drug on sufferers. The resulting film – starring British actors Brian Bovell and Nathan Bryon as a father and son on a mission to score – is a richly entertaining short which follows the pair’s near disastrous attempts to give a man an opportunity to dance with his wife at her birthday party. Taylor worked closely with his own father and cast to provide an authentic view of the suffering inherent with Parkinson’s and...

“The Blind Side” is a true story of Michael Oher, a homeless and traumatized youngster who became an All-American football player and first-round NFL draft pick after being adopted by a loving family of Leigh Anne Tuohy and Sean Tuohy.

Leigh Anne Tuohy takes him in, and with the help of her husband Sean, transformative changes begin to take place in Michael’s life. He learns the value of hard work and education, and he slowly starts to believe in himself.

The Tuohys eventually adopt Michael, and he goes on to attend Ole Miss on a full football scholarship. In the NFL, he becomes one of the league’s top offensive linemen, playing a pivotal role in helping the Baltimore Ravens win the Super Bowl.

“The Blind Side” is a heartwarming tale of hope and redemption that demonstrates the power of family, faith, and love.

For the fans of movies like “The Blind Side,...

This 1940 Australian war film about the Light Horse Cavalry was directed by Charles Chauvel, the nephew of much-decorated Sir Harry Chauvel and the commander of that particular cavalry. In a nod to Gunga Din, the film features a trio of rowdy soldiers played by Grant Taylor, Joe Valli and Chips Rafferty. Of the three, only Rafferty broke through in the American market, with roles in Mutiny on the Bounty, The Sundowners and even TV’s The Monkees.

The post 40,000 Horsemen appeared first on Trailers From Hell.

Don’t run away because we use the word ‘profound’ to describe this 1967 sci-fi classic — some call it the best of the Hammer Quatermass films, this time fully written by Nigel Kneale and acted by a terrific cast — Andrew Kier, James Donald, Barbara Shelley and Julian Glover. A subway excavation uncovers strange human skulls, and then a huge bluish craft that the Army dismisses as a secret German V-weapon… until it begins to emanate psychic storms and supernatural phenomena. Sci-fi fans wanting ‘more’ will be intrigued by author Kneale’s incredible ‘origin story’ for the human race as an intelligent, aggressive and literally haunted species. The disc is loaded with extras, information, history and great opinions from a half-dozen qualified film experts. Plus we can hear Nigel Kneale discuss it himself.

Quatermass and the Pit

Blu-ray

Scream Factory

1967 / Color / 1:66 widescreen / 97 min. / Street Date July 30, 2019 / Available from Shout! Factory / 27.99

Starring: James Donald,...

Don’t run away because we use the word ‘profound’ to describe this 1967 sci-fi classic — some call it the best of the Hammer Quatermass films, this time fully written by Nigel Kneale and acted by a terrific cast — Andrew Kier, James Donald, Barbara Shelley and Julian Glover. A subway excavation uncovers strange human skulls, and then a huge bluish craft that the Army dismisses as a secret German V-weapon… until it begins to emanate psychic storms and supernatural phenomena. Sci-fi fans wanting ‘more’ will be intrigued by author Kneale’s incredible ‘origin story’ for the human race as an intelligent, aggressive and literally haunted species. The disc is loaded with extras, information, history and great opinions from a half-dozen qualified film experts. Plus we can hear Nigel Kneale discuss it himself.

Quatermass and the Pit

Blu-ray

Scream Factory

1967 / Color / 1:66 widescreen / 97 min. / Street Date July 30, 2019 / Available from Shout! Factory / 27.99

Starring: James Donald,...

Fare such as Smallville's 'Labyrinth' episode and pretty much anything in either the UK or Us version of Life On Mars - even 'Life Is A Rock', the outrageous 'space finale' of ABC's 2008 remake of the original UK BBC series - is not admissable here. We knew that Smallville would continue after Labyrinth's attempts to persuade Clark that his Kryptonian heritage was invented, and since we knew ABC's Life On Mars was heading for the trash anyway, the final episode had no parameters left to respect. Also excluded are episodes of anthologies such as The Twilight Zone, which set out on a weekly basis to mess with our minds. And sorry, Lost definitely also falls into that category.

Here, instead, are the season episodes which 'got us' fair and square without committing canonical suicide...

This is chock-full of spoilers, so be warned...

10: The Prisoner - 'The Chimes Of Big...

Fare such as Smallville's 'Labyrinth' episode and pretty much anything in either the UK or Us version of Life On Mars  - even 'Life Is A Rock', the outrageous 'space finale' of ABC's 2008 remake of the original UK BBC series - is not admissable here. We knew that Smallville would continue after Labyrinth's attempts to persuade Clark that his Kryptonian heritage was invented, and since we knew ABC's Life On Mars was heading for the trash anyway, the final episode had no parameters left to respect. Also excluded are episodes of anthologies such as The Twilight Zone, which set out on a weekly basis to mess with our minds. And sorry, Lost definitely also falls into that category.

Here, instead, are the season episodes which 'got us' fair and square without committing canonical suicide...

This is chock-full of spoilers, so be warned...

10: The Prisoner - 'The Chimes Of Big...

Fare such as Smallville's 'Labyrinth' episode and pretty much anything in either the UK or Us version of Life On Mars  - even 'Life Is A Rock', the outrageous 'space finale' of ABC's 2008 remake of the original UK BBC series - is not admissable here. We knew that Smallville would continue after Labyrinth's attempts to persuade Clark that his Kryptonian heritage was invented, and since we knew ABC's Life On Mars was heading for the trash anyway, the final episode had no parameters left to respect. Also excluded are episodes of anthologies such as The Twilight Zone, which set out on a weekly basis to mess with our minds. And sorry, Lost definitely also falls into that category.

Here, instead, are the season episodes which 'got us' fair and square without committing canonical suicide...

This is chock-full of spoilers, so be warned...

10: The Prisoner - 'The Chimes Of Big...